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Dark Fields (2009)

The Rain (original title)
R | | Horror | 25 October 2009 (USA)
1:23 | Trailer

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Follows three generations of a curse farming community that turn to human sacrifice to appease an evil that haunts the rain.



(screenplay), (screenplay) | 1 more credit »
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Credited cast:
Karl Lumis
Jean Applebe
Rest of cast listed alphabetically:
Jeff Beorger ...
The Reverend - 1950
Christopher Bondy ...
The Reverend
Daniel Jonis
James Howard Carr ...
Ben Wheeler
J.J. Chidiac ...
Simon Wheeler
Paula Ciccone ...
Eleanor Lumis
Peter Coady ...
Adam Cooper ...
Dell's Boy
Daniel Cooper ...
Dell's Boy
Dell / Motel Manager
Colin Crenshaw ...
Jack Lumis


A farmer unearths an old top hat on his property and with it an ancient Indian curse that lays waste to all the farmers crops. All of the adults of the farming community are afflicted by a strange sickness that slowly dries them up until they are dust. It is only when the farmer communes with the hat does he find what it is that will save them all. Written by mpi

Plot Summary | Add Synopsis


The people of Perseverance are dying for a little rain



Motion Picture Rating (MPAA)

Rated R for bloody horror violence, some nudity and language

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Release Date:

25 October 2009 (USA)  »

Also Known As:

Dark Fields  »

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User Reviews

Dark Fields delivers
24 March 2011 | by (United States) – See all my reviews

It's said that horror fans aren't a very discriminating bunch. And given the volume of crap horror movies out there, I can't argue that. But I also take offense to it. I'm a life-long horror fan, and I regularly bypass the uncreative slashers and nauseatingly unoriginal remakes that populate the field these days. I like a quality, original horror film. And "Dark Fields" fits that bill.

Inspired by Shirley Jackson's short story, "The Lottery", the film's story interweaves three narratives, each taking place in the aptly named town of Perseverance, each in a different time period – the 1880's, the 1950's, and the present day. The residents of Perseverance are oppressed with a curse. Each year they suffer an affliction to their bodies and a drought to their land, the only cure for which is to sacrifice three of their children.

Three things make this movie rock.

First, director Doug Schulze's visual flair, accomplished through a knack for unique and effective composition, creepy art direction, and occasionally gruesome special effects – both of the practical and CGI variety. Schulze displays an inventiveness here that belies a great effort not usually seen in films at this budget level; in all instances above he regularly puts original ideas on the screen. I found his concept for the physical affliction of the curse to be especially satisfying, especially in its final form on female lead Sasha Higgins, and in the grisly teeth-pulling scene (which I watched from between my fingers). Cinematographer Lon Stratton's dark, moody photography – utilizing both Super 35 and the then-new Red One 4K digital camera -- effectively augments the layered visuals.

Second, the cast. Icons David Carradine and Dee Wallace Stone deliver. Both have faces you could watch read a phone book, and Schulze uses their gravitas to anchor their segments. Richard Lynch, too, is a standout as a tortured father witnessing his daughter succumb to her initial affliction of the town's curse.

And third, the story. I went into "Dark Fields" with trepidation, knowing it was an anthology piece. Anthologies always leave me dissatisfied – I'm not a short film fan and they always feel like a string of shorts to me. But "Dark Fields" employs a unique structure, in which the three stories unfold simultaneously, climaxing in the resolution of the curse in the present day. They interwoven narratives build towards this common end, along the way each telling a unique story with a common theme. It gets a little confusing sometimes -- and it demands your attention -- but it works.

"Dark Fields" is low-budget indie horror, and like most entries in that populous sub-genre, the seams occasionally show. But the trade-off is its originality. Not Hollywood product, this. I'll call it a thinking person's horror film, in that it's not for the mentally lazy. There isn't a lot that's spelled out in simple terms, and little immediate satisfaction; things generally come to fruition at a deliberate pace. But you do get the feeling that you're in the hands of a storyteller who knows his craft and will deliver. Go into it knowing that and you'll be a (discriminating) fan.

20 of 41 people found this review helpful.  Was this review helpful to you?

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