A young women suffering memory loss and psychological issues after surviving a brutal attack , tries to piece together the clues surrounding her attack and its similarities to a series of ... See full summary »
Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.
The excitement and energy Method Man produces on stage is brilliantly captured on "Live from the Sunset Strip," the first ever live DVD from the infamous Wu-Tang emcee. This full length, ... See full summary »
Present day. For the past several years, The Federal Bureau of Investigation has been successfully working a newly established division in an effort to improve the quality of the United ... See full summary »
Two best friends, Richie & Vaughn, become increasingly distant and begin to clash over Vaughn's decision to make money in the streets to take over the responsibilities of his incarcerated ... See full summary »
Aundra Goodrum II,
Andrew Scott Francis,
Emily Ann Garcia
A headstrong animal-rights activist group plans a raid on a bio-tech company to stop the cruelty. They discover the true nature of the experiments that are really taking place. As they ... See full summary »
David Goodman is on the pick of his career as a PR executive when he suddenly loses his chance for a big promotion and, unfortunately, his sight at a street attack. Soon after a message is ... See full summary »
Based on a true story, an aspiring New York City sportscaster's life is on the slow track until he serendipitously gets the old cell phone number of a basketball superstar. Will the number ... See full summary »
Seven strangers find themselves trapped inside an abandoned hospital after an unexplainable apocalyptic event. In addition to being haunted by what they've lost, the strangers must also ... See full summary »
A mortician's (Method Man) life is suddenly changed when a dead woman's body comes into his morgue jolting old memories from his past. As days go by he discovers a young boy hiding out in his morgue. When confronted the mortician learns that the boy is there to see his dead mother one last time while hiding from his father, who wants him dead. This triggers something inside the mortician and he is determined to help the boy escape from danger and is prepared to kill anyone who stands in the way. Written by
Elizabeth Obermeier, Marketing Manager
It is not too often to witness something credible, emotional and rational at the same time in American cinema. Sadly, Hollywood has been in a steep decline since who knows when. We have to go and grab European or Asian or Mexican or South American flicks if we really want to get some "meat" for the heart.
This time, in a setting long forgotten, we're confronted with a witty story in, of all places, the still recovering New Orleans. That, all by itself is a bonus. But when you add to it the magic of a master cinematographer, a superb script and a wonderful cast... you have OffHollywood. And, let me tell you: this guys know what they're doing!
The story is bleak. The character of the Mortician (awkwardly and silently played by Method Man -if you can believe his actual name) is definitely played methodically. His role is perplexing, uncomfortable and highly distressing. But that's his job. The rest of the characters are as strange, out of the norm, as the mortician himself.
But what really got my attention and made me jump directly into writing this was the uncanny weight and darkness that are pervasive throughout the film. Everything has a smack of doom, and it certainly delivers in this department.
Not only is the story gripping and deeply moving. The acting is on par with the craftsmanship of the whole film. Cinematography, taking advantage of the RED 3D is ultra hi-def and has some unforgettably lit scenes, especially in some of the flashbacks. And if this wasn't enough, the score and the songs used throughout the film only add to underline the roller coaster of emotions we're presented with.
The turns and zips and flips of the story are an integral part of keeping you hooked without blinking. The colour timing is awesome, conveying exactly every mood scenes needed to exploit their powerful emotional content.
I'm really proud of this film being American. It departs completely from stereotypes and boring scripts. It's a slow film. A film portraying a complex drama that unfolds in many directions. Maybe they went too far in explaining why everything happened, but it doesn't feel patronising or as if it was needed for the stupid -it will work, anyway.
All in all, it's a film that should be seen to be believed. Chapeau to Method Man (again, unbelievable name!) and to all the crew that made possible this small jewel of new OffHollywood Americana,
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