Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.
The excitement and energy Method Man produces on stage is brilliantly captured on "Live from the Sunset Strip," the first ever live DVD from the infamous Wu-Tang emcee. This full length, ... See full summary »
A headstrong animal-rights activist group plans a raid on a bio-tech company to stop the cruelty. They discover the true nature of the experiments that are really taking place. As they ... See full summary »
Two best friends, Richie & Vaughn, become increasingly distant and begin to clash over Vaughn's decision to make money in the streets to take over the responsibilities of his incarcerated ... See full summary »
Aundra Goodrum II,
Andrew Scott Francis,
Emily Ann Garcia
Present day. For the past several years, The Federal Bureau of Investigation has been successfully working a newly established division in an effort to improve the quality of the United ... See full summary »
David Goodman is on the pick of his career as a PR executive when he suddenly loses his chance for a big promotion and, unfortunately, his sight at a street attack. Soon after a message is ... See full summary »
Based on a true story, an aspiring New York City sportscaster's life is on the slow track until he serendipitously gets the old cell phone number of a basketball superstar. Will the number ... See full summary »
Seven strangers find themselves trapped inside an abandoned hospital after an unexplainable apocalyptic event. In addition to being haunted by what they've lost, the strangers must also ... See full summary »
A mortician's (Method Man) life is suddenly changed when a dead woman's body comes into his morgue jolting old memories from his past. As days go by he discovers a young boy hiding out in his morgue. When confronted the mortician learns that the boy is there to see his dead mother one last time while hiding from his father, who wants him dead. This triggers something inside the mortician and he is determined to help the boy escape from danger and is prepared to kill anyone who stands in the way. Written by
Elizabeth Obermeier, Marketing Manager
A beautifully crafted example of emotionally powerful cinema.
The Mortician, written and directed by Gareth Maxwell Roberts is a beautifully crafted example of emotionally powerful cinema. The film stars Method Man as a reclusive mortician. Who's life becomes turned upside down after a chain of events starting with receiving a new porter in the form of an ex-convict named Noah played by E.J. Bonilla. Soon after the body of a young woman with a tattoo of Venus arrives at the morgue and a young boy played by Cruz Santiago starts to repeatedly try to gain access to the building. Meanwhile a local gang leader played by Dash Mihok begins hassling the mortician each day asking if he has seen the young boy around setting the pieces into place to send the soft spoken mortician on a life changing journey that will ultimately force him to face a inner demon that has haunted him since childhood, forcing him out of his defensive shell created out of pain and loneliness.
The first twenty minutes of this film are spent almost solely on character development of the mortician; we are given small glimpses into his day-to-day routines and personality. Quickly you forget its even Method Man on screen and only see the character himself due to his immensely believable performance. A lot of this development is done without dialog due to the reclusive nature of Method Man's character and instead portrayed through very visually descriptive scenes, often supported by excellent use of music that is relevant to the story, as well as ambient sounds to perfectly create the mood of each scene.
After getting to know the mortician, the movie creeps into the main plot as each of the previously mentioned events start to connect in a very fluent fashion. Watching the mortician grow as the movie progresses from an almost emotionless robot into a big hearted kind human being is nothing shy of breath taking. This film really shines when it comes to invoking a response in the viewer, I found myself continuously becoming genuinely moved by the story that was unfolding in front of me.
The writing is unbelievable in terms of high quality, the relationships between each of the main characters come together so perfectly, and authentic feeling that it is nearly impossible to not feel for their situation. This is especially true when it comes to the relationship between the mortician and Noah, at first, he can only see Noah as a criminal, and in return, Noah only sees the mortician as another person who does not care or understand who he really is or about his situation. The age-old message of never judge a book by its cover is one of many messages one could walk away with after viewing the movie. Each of the plot twists is pulled off flawlessly and the use of subtle hints through out the films build up form the perfect set up for the ending causing me to walk away completely rocked by the power of the films message.
I briefly mentioned the use of music relevant to the story earlier, this is a aspect that continues through out the film and ends up creating one of the best movie soundtracks I have ever had the pleasure of experiencing. This is one of those rare movies where the music does not feel like its just there for the sake of being there but instead honestly ads to the overall telling of the story.
While the movie does feature a fair amount of imagery that some may find disturbing it falls more into the category of a gritty drama over any of the other genres it splashes over into. I think many horror fans will also be able to appreciate the macabre and somber tone the film takes on, a very interesting way to tell a story of redemption that is both unique and engaging. - The Liberal Dead
12 of 19 people found this review helpful.
Was this review helpful to you?