Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
In the 1930s, an elderly Tonto tells a young boy the tale of John Reid, the Lone Ranger. An idealistic lawyer, he rides with his brother and fellow Texas Rangers in pursuit of the notorious Butch Cavendish. Ambushed by the outlaw and left for dead, John Reid is rescued by the renegade Comanche, Tonto, at the insistence of a mysterious white horse and offers to help him to bring Cavendish to justice. Becoming a reluctant masked rider with a seemingly incomprehensible partner, Reid pursues the criminal against all obstacles. However, John and Tonto learn that Cavendish is only part of a far greater injustice and the pair must fight it in an adventure that would make them a legend. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Gore Verbinski, Jerry Bruckheimer, Armie Hammer, and Johnny Depp highly criticized the American critics for their reviews on The Lone Ranger (2013), which they claim that they have criticized the film by its budget, production issues, and not on the film itself, and that they posted their "reviews" 7-8 months before the film was even released. It was also the similar manner of speaking when compared to John Carter (2012), when critics criticized the film by its similar problems, but not the film itself. Armie Hammer shared a very interesting point on the matter, "If you go back and read the negative reviews, most of them aren't about the content of the movie, but more what's behind it. It's got to the point with American critics where if you're not as smart as Plato, your stupid. That seems like a sad way to live your life. "While we were making it we knew people were gunning for it. I think it was the popular thing when the movie hit rocky terrain they jumped on the bandwagon to try and bash it. They tried to do the same thing with to World War Z (2013), it didn't work, the movie was successful. Instead they decided to slit the jugular of our movie." See more »
The Texas Rangers didn't wear badges until the late 1870s or early 1880s. See more »
It wasn't hard to outdo the preachy contrived plot of the 2003 Ranger movie, but this one took a step beyond to become a mainstay.
First, it is an adventure film, a Western adventure. The Lone Ranger is a mystique character, and part of the challenge is that he tries to bring men to justice alive. Same for Superman. If they didn't have this challenge, they would have no conflict whatsoever. It makes for a puzzle.
Tonto takes center stage here, but unlike the 2003 disaster, he is a character instead of a symbol of a godlike race. Here, no favorites are played. The most evil ones in this story are a pair of white men, and other white men they enlist, but we aren't given sermons about this.
Depp is great as Tonto. The museum scenes are a bit too much for me, but it is good for the kids. The out of sequence bits work, partly because they aren't emphasized too much. Depp, as Tonto, craftily plays this with a subtle humor, and that is just what is needed for this.
There is the magic and mystique of the Ranger, but also an explanation given for it, as "Nature out of balance". We are dealing with a supernatural chain of events which do allow the Lone Ranger to ride a horse through and on top of railroad cars.
Great blend of humor and adventure, and at the same time a crafty blend of Shakespeare and Indiana Jones. This is better than what meets the eye, and what meets the eye is extra special in itself, with plenty of eye candy for men and women.
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