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A mysterious stranger rolls into town on a unique motorcycle. All he carries is the bible and a desire for justice. Past vengeance collides as Ryder rights an injustice from his past and liberates the small town from a malicious oppressor.
Today - the global war on terror rages on. The United States will not give an inch against terrorists, especially Mohamed Jamar, considered to be the worst of them all. Jamar has been ... See full summary »
Frank Gannon, a veteran cop, is being hunted by his fellow police officers after they learned he has betrayed the brotherhood and exposed to the feds wide scale corruption of the LAPD. He has one day left to prove his case and survive.
Sidney J. Furie
Waxman is a former Special Forces soldier who is now working as a heavily armed assassin for a top secret government agency. When a covert mission goes terribly wrong, Waxman and fellow assassin Clegg become that agency's prime targets.
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A Moscow charity concert turns bloody when armed extortionists take the head liner American pop-star Venus and the Russian President with his family hostage. Help is on the way when the drummer of a heavy metal warm-up band, an ex-bad ass biker played by Lundgren, and a young Russian F.S.B. agent team up to fight back. But our two heroes are seriously outnumbered and things aren't as simple as they appear when old ghosts from the Soviet Union appear to haunt the present in this fast paced action piece. Written by
Joe (Dolph Lundgren)'s rock band name in the movie was "Thor's Hammer" initially. It was changed to "C.M.F." (Cheap Mother Fucker) after it was suggested to Lundgren by his assistant during pre-production. See more »
During red carpet arrivals we can spot Dolph Lundgren (as director, candid with headphones) in the back among the press when the reporter Ali Connor calls for the blond Russian singer Irson. See more »
Joe, don't get killed.
You know when this is over I wanna renegotiate my royalty rate, may need your contacts.
How can you talk about business at a time like this? Those bastards are trying to kill us!
Dying's easy, rock and roll is hard.
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Written by D2 (Dimitar Krastev Karnev, Dejan Krasimirov Kamenov, Alexander Emilov Obretenov,
Javor Alexandrov Alexandrov, Krasimir Evtimov Todorov, Desislav Hristov Semerdjlev)
Performed by D2 (with Dolph Lundgren) (drums) (uncredited)
Published by D2
Courtesy of D2 See more »
Command Performance delivers! It's a well made, well paced action flick. Like Mechanik, it's better than a lot of the theatrically released rubbish of it's year. I've seen too many horrendous action flicks at the cinemas this year, that rely purely on big budgets, but have nothing else, no effort, no integrity. Like Fast and Furious, Wolverine, Terminator 4. There's a concerted effort here to do something good, that's not only fun, tense, but has a bit of drama thrown in as well. CP is an action fans film. It's 80's style action gold. It kicks ass!
Dolph stars as Joe, former bad ass biker, with a shady past, who's since turned drummer. The film opens on a rock concert in which Joe is playing in the band backing up star turn Venus (Melissa Smith), who's pretty much a Britney clone. The Russian president and American ambassador are in attendance, meaning that naturally, terrorists will come and start shooting, and hold Presi, hostage. Joe is the reluctant hero, who teams up with an FSB agent to try and bring Kasov (Dave Legano) down. We know from then on what'll happen. Dolph is gonna open a big old can of whoop-ass, and make the terrorists drink it down. Much like the Defender, D's first directing gig, once the terrorists show up, the pace never really lets up. And the film has scatterings of action until the finale. Joe himself is a different character to what Dolph normally plays. He's not straight laced. He's not driven by revenge, and he's not always been on the right side of the law.
The action itself is good. It's simple put it punches. It's tightly edited, giving it a good pace, and when someone gets shot or killed in close combat, there's a good delivery of blood to show that they ain't gonna be getting back up. The surroundings are tight, claustrophobic, making the action quick, rough, frantic. When Dolph takes someone on in a fight, he goes in fast and hard, using any weapons he can at hands. Dolph's gone for pretty grounded action. Everything needs a base in reality. Joe's tough, he can kick ass, but he kicks ass like a biker, so D doesn't whip out the martial arts moves. And his showdown with Dave Legano, is very much like the end fight in Men Of War. It's down and dirty. The only thing that lets this down, is the budget. After all, this is a Die Hard formula, and it lacks the one big set piece, or a good money shot stunt. Think Bruce jumping off the Nakatomi plaza, or Seagal jumping off a boat in Under Siege.
The film looks great. Dolph and his DP Marc Windon, have gone for a Bourne/docu kind of vibe. Once the action kicks in, the pace of cutting picks up as well. It gives everything a sense of kinetic energy, without resorting to mindless shaky cam. But more-so, the energy helps hide the small budget. Windon's lighting is naturalistically stylised I supposed you could say. He was going for part Bay, part music vid, part Bourne, and it works. It certainly enhances the production value of the film. As for Dolph, his direction gets better every film. The opening of the film really establishes the style of it brilliantly. It's well shot, and very well edited by veteran cutsman, Peter Hollywood (Adventures of Baron Von Munchhausen, Robin Hood: Prince of Thieves). Most importantly, he's got a good sense of cutting action.
Dolph gives a good performance as Joe. He's laid back, cool, and a bit of a kid at heart. But he's got a bad streak in him, and he has to bring his dark side out when it comes to kicking some A-holes. I worry sometimes about Dolph directing himself, because he's not got the outside perspective on his performance. As Dolph's FSB tag along Mikhail, Zahary Baharov is good. It's an important role that demands not sucking, and Baharov is far from sucking. Melissa Smith does okay. She's not got much of a role at all. As is typical of action flicks, she's got a pretty wafer thin female role. There's little chemistry between Dolph and Smith, if only because the coupling looks pretty funny on screen, more than anything else. Lundgren the 2nd, Dolph's daughter Ida, also stars, and for her screen debut, at 12 years old, does pretty well. The biggest worry was also the bad guy. Die Hard formula flicks live or die by the bad guy. I worried that Legano could bring down the film single handed, but he's actually pretty good. In fact he's one of the best DL villains in a long time. He gives his role plenty of intensity. He's a different villain to Gruber (Die Hard), or Stranix (Under Siege), driven by a different goal. He doesn't wallow in smug, he just gets on with it.
Overall though, this does not disappoint. It delivers what you want in an action film. It's well made too. The film probably needs a bit more humour in it, though there are plenty of one-liners and sight gags, but could do with a bit more. All the scenes are well done, bar one, which features the three young women of the film. It briefly halts the film, and the dialogue is terrible. But it's the only scene in the film that isn't at least competently done. Mercifully it's short, and then returns back to the D-man. Still, CP is the best DTV actioner of the year by far, and one of the better action films in general. It's just about on a par with The Mechanik. ****
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