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Moneyball (2011)

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Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.

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(screenplay), (screenplay) | 2 more credits »
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980 ( 213)
Nominated for 6 Oscars. Another 29 wins & 74 nominations. See more awards »

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Cast

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John Poloni
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Matt Keough
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Ron Hopkins
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Storyline

Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by Douglas Young (the-movie-guy)

Plot Summary | Plot Synopsis

Taglines:

What are you really worth?

Genres:

Biography | Drama | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for some strong language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

23 September 2011 (USA)  »

Also Known As:

El juego de la fortuna  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$19,501,302 (USA) (23 September 2011)

Gross:

$75,605,492 (USA) (27 January 2012)
 »

Company Credits

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Technical Specs

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Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Bill James, noted as the statistical influence for the main characters' analysis, is regarded by many to be the father of sabermetrics. This study of advanced baseball statistics is named after the Society for American Baseball Research (SABR), an organization to which James and other sabermetrics pioneers belong. The film puts a heavy emphasis upon on-base percentage (OBP), though concepts like wOBA, FIP, and BABIP are not mentioned. See more »

Goofs

In 2001, when Scott Hatteberg is first shown on screen, his feet are up on a coffee table, clearly showing the Nike+ logo on the sole of his shoe. Nike+ was introduced in 2006. See more »

Quotes

Billy Beane: I want Dye in right, Justice DHing, Peña on the bench, Hatteberg at first, and anyone but Mags first out of the pen.
Art Howe: You want Peña on the bench?
Billy Beane: That's right. So you can play Hatty.
Art Howe: Peña is not only the best first baseman on the roster, he's the only first baseman on the roster.
Billy Beane: Listen to me, Hatty gets on base more than Peña. In fact, twenty percent more.
Art Howe: And his fielding?
Billy Beane: His fielding does not matter.
Art Howe: I've heard enough of this.
Billy Beane: Have you?
Art Howe: And I, uh... I disagree with you, plain and simple. And...
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Connections

Featured in Side by Side (2012) See more »

Soundtracks

The Star-Spangled Banner
Written by John Stafford Smith and Francis Scott Key
Arranged and Performed by Joe Satriani
Courtesy of Epic Records
[Performed during the Opening Day festivities]
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Frequently Asked Questions

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User Reviews

A Baseball Movie That's Not About The Baseball
26 September 2011 | by (utah) – See all my reviews

Surprisingly, this movie is less about the baseball game than the game of baseball. What is striking about this movie (and it's not about outs) is the raw audio sound technique used in this movie that is usually found in documentaries than feature films which helps make this movie come alive. There is a the ambiance of background sound and the echo that seems to resonate and bring the movie closer to the audience and present a much closer to realism experience. There isn't that much actual continuous footage of baseball in this movie, but rather the management of it. The heightened personal and emotional tension is carried throughout the movie and Director Bennett Miller has put together this compelling very intimate portrait of a man played by Brad Pitt and his statistician in an unusual angle of the game of baseball.

Somehow the almost overly brief snippets of scenes and background of current events and story are blended together along with poignant flashbacks will edited into some meaningful, main storyline without ever creating the idea of that the additional footage has someone been shortchanged. Bennett Miller apparently in his wisdom was able to capture the primary message of the movie, developed an accompanying background, and maintained the singular story around the entire movie, the art of carefully scriptwriting and editing.

Even without the formulaic all-American ending, Bennett Miller was able to wrap this movie into a complete feeling of wholeness for a feature film. Miller made excellent use of silence and editing choices in keeping the camera going just long enough for the more in-depth, substantive emotional impact of a scene to sink in. Miller seems to have brought a new found vision of a approach that brings a more connectiveness and meaningfulness to film-making, especially to interesting stories of reality that aren't even about the biggest and most momentous achievements of humanity and bringing them captivatingly to the big screen.


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