Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by
Douglas Young (the-movie-guy)
Several of the Oakland A's radio announcers are heard throughout the movie, but are not credited: The legendary Bill King - whose signature line "HOLY TOLEDO" punctuates the Royals rally to tie the A's from an 11-0 start during what would become the 20th win in a row - is foremost among them. At various points from the 1950s until his death a few years ago, King called Oakland Raiders, Golden State Warriors, A's and early on San Francisco Giants games. Current Oakland Raiders announcer Greg Papa was also the television play-by-play announcer for the Oakland A's from 1989 to 2003 and is the host of the San Francisco Giants pre and post games shows. Also heard are Ken Korach, then King's second fiddle who later took over the #1 play-by-play role, and color man Ray Fosse, a veteran of the 1970s Oakland championship teams who continued to call games for the A's through the 2013 season. Scott Hatteberg sometimes fills in for Ray Fosse as a color commentator. See more »
The Peter Brandt character (based on Paul DePodesta) is shown as beginning his Athletics career in 2002. Paul DePodesta started working with the Athletics in 1999. See more »
America's pastime has returned to the big screen and it is more witty and elegant than ever. Moneyball is the inspiring story of the Oakland A's, a team that was all but bankrupt but managed to beat the odds through intelligence and perseverance. Brad Pitt plays Billy Beane, the team's general manager who has run out of ideas on how to make his strapped for cash team successful. This is until he meets Pete Brand, played by Jonah Hill, an economic major from Yale. Brand devises a formula that analyzes players in a way nobody else does, thus revealing statistics about players that no one else can see. Beane and Brand use this formula to build up their unlikely roster of misfits. The themes of this film run deep through our aspiring minds. It's a film about beating the odds, going against the current, and standing up for what you believe is right. It is a moving and inspiring film that really only uses baseball as a backdrop for its deeper and more universal themes. It's a moving film and you don't have to be a baseball fan to love it.
The strongest element of Moneyball is easily Aaron Sorkin and Steve Zaillian's incredibly sharp script. Moneyball brings up fond memories of 2010's The Social Network in which Sorkin pulled out all the stops in his intellectual screen writing ability. The dialogue in Moneyball moves at the same pace as any Sorkin or Zaillian script does. It has a driving cadence to it that keeps a film entirely dominated by dialogue very exciting and entertaining. Their script is lively, energetic, and diverse. Moneyball has intensely emotional scenes that compel and inspire, but then it has its lighthearted and much funnier moments that have the exact same affect. There's a lot to be said for any film that has the capability to make its audience laugh and cry in the same two hour span. Moneyball is a film like that and it all begins at Sorkin's fantastic script.
However, it is helped by the film's superb cast. Brad Pitt leads the film perfectly, creating a very interesting protagonist and driving the film in a way few leads can. He attacks his role as Billy Beane with the utmost care, respect, and sincerity. Despite all of Pitt's good looks and always recognizable celebrity face, you will have a hard time remembering that Pitt is the one acting, not Billy Beane. But, as always, where would such a strong lead be without his supporting cast? Moneyball has that supporting cast, and it finds its immeasurable talent in the most unlikely of places. I'm talking, of course, about Jonah Hill. Hill has built his career on being a comedy caricature with over the top flicks such as Superbad and Get Him to the Greek. But all that changes when Hill takes on the role of Pete Brand. His performance is stellar. He proves himself to be a true up and comer who won't find himself restricted within the confines of teen comedy.
Overall, Moneyball is your typical crowd pleaser, but it is incredibly high quality. It is so well directed, so superbly acted, and Sorkin and Zaillian's script is practically flawless. Personally this isn't the film I will go crazy about. Rather, it is a film that I will enjoy so sincerely and with all my heart. I really did love this film and my respect for it is eternal. It may be typical and straightforward in its overall themes, but the quality of the film outshines this. Moneyball is just an excellent film.
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