Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by
Douglas Young (the-movie-guy)
All but one of the scouts in the movie were played by actual Major League Baseball scouts. Tom Gamboa, who played "Scout Martinez", is perhaps best known as the Kansas City Royals first base coach who was attacked on the field by two fans during a game against the Chicago White Sox on September 19, 2002. The father and son, highly intoxicated, ran onto the field unprovoked, tackled Gamboa, and threw several punches before being restrained by players and security. As a result of the attack, Gamboa ultimately suffered permanent hearing loss. See more »
Art Howe was not in the final year of his contract in 2002 with the Oakland A's as depicted in the movie. However he was gladly released from his contract at the end of the 2002 season by Billy Beane and hired by the New York Mets for the 2003 season. See more »
For forty-one million, you built a playoff team. You lost Damon, Giambi, Isringhausen, Pena and you won more games without them than you did with them. You won the exact same number of games that the Yankees won, but the Yankees spent one point four million per win and you paid two hundred and sixty thousand. I know you've taken it in the teeth out there, but the first guy through the wall. It always gets bloody, always. It's the threat of not just the way of doing business, but in their minds ...
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The Mighty Rio Grande
Written by Christopher Royal King, Jeremy Adam Galindo, Raymond Joseph Brown, and Andrew Thomas Miller
Performed by This Will Destroy You
Courtesy of Magic Bullet Records See more »
Intriguing, investing, with a great screenplay and a fantastic performance at its core
Sports films... Not a huge fan of them, and don't see them much because of the predictability of them. However, one cannot deny the impact that some have, like for example in recent years The Fighter and Aronofsky's The Wrestler. Moneyball can now join them and is among the best films of the year.
The film is always intriguing, and Aaron Sorkin (whose screenplay for The Social Network was last year's best) is to be congratulated for this. It's his wonderful script that gives the film the energy. What also helps is the lack of predictability. Sure, one can't seem to hope for an 'experimental' sports film, since this is based on a true story. However, Sorkin, as well as the director, always keeps things refreshing and interesting without becoming repetitive and stale. The dialogue is brilliant of course, and the lack of 'field' action makes it even more involving so when the important ball scene comes along it makes an impact. The other big driving factor is Brad Pitt, who has had an incredible year. His performance in The Tree of Life is already among his finest work, and now this joins it as well. He portrays all of the character traits with such versatility and charisma. A great and satisfying protagonist.
Overall, I was incredibly pleased with this. It is to this day the best adapted screenplay of the year, and not surprisingly Pitt is my win in both categories for both of his films.
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