Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by
Douglas Young (the-movie-guy)
Several of the Oakland A's radio announcers are heard throughout the movie, but are not credited: The legendary Bill King - whose signature line "HOLY TOLEDO" punctuates the Royals rally to tie the A's from an 11-0 start during what would become the 20th win in a row - is foremost among them. At various points from the 1950s until his death a few years ago, King called Oakland Raiders, Golden State Warriors, A's and early on San Francisco Giants games. Current Oakland Raiders announcer Greg Papa was also the television play-by-play announcer for the Oakland A's from 1989 to 2003 and is the host of the San Francisco Giants pre and post games shows. Also heard are Ken Korach, then King's second fiddle who later took over the #1 play-by-play role, and color man Ray Fosse, a veteran of the 1970s Oakland championship teams who continued to call games for the A's through the 2013 season. Scott Hatteberg sometimes fills in for Ray Fosse as a color commentator. See more »
Although the movie gets the trade of Jeremy Giambi correct (it happened early in the season and he was dealt for John Mabry), Carlos Peña was not traded until two months later, and not for a relief pitcher and cash. Pena was traded as part of a three-team deal with the Tigers and Yankees, which brought starting pitcher Ted Lilly to the A's. See more »
Surprisingly, this movie is less about the baseball game than the game of baseball. What is striking about this movie (and it's not about outs) is the raw audio sound technique used in this movie that is usually found in documentaries than feature films which helps make this movie come alive. There is a the ambiance of background sound and the echo that seems to resonate and bring the movie closer to the audience and present a much closer to realism experience. There isn't that much actual continuous footage of baseball in this movie, but rather the management of it. The heightened personal and emotional tension is carried throughout the movie and Director Bennett Miller has put together this compelling very intimate portrait of a man played by Brad Pitt and his statistician in an unusual angle of the game of baseball.
Somehow the almost overly brief snippets of scenes and background of current events and story are blended together along with poignant flashbacks will edited into some meaningful, main storyline without ever creating the idea of that the additional footage has someone been shortchanged. Bennett Miller apparently in his wisdom was able to capture the primary message of the movie, developed an accompanying background, and maintained the singular story around the entire movie, the art of carefully scriptwriting and editing.
Even without the formulaic all-American ending, Bennett Miller was able to wrap this movie into a complete feeling of wholeness for a feature film. Miller made excellent use of silence and editing choices in keeping the camera going just long enough for the more in-depth, substantive emotional impact of a scene to sink in. Miller seems to have brought a new found vision of a approach that brings a more connectiveness and meaningfulness to film-making, especially to interesting stories of reality that aren't even about the biggest and most momentous achievements of humanity and bringing them captivatingly to the big screen.
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