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Moneyball (2011)

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Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.

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(screenplay), (screenplay) | 2 more credits »
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Nominated for 6 Oscars. Another 29 wins & 75 nominations. See more awards »

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Cast

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Matt Keough
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Ron Hopkins
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Storyline

Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by Douglas Young (the-movie-guy)

Plot Summary | Plot Synopsis

Taglines:

What are you really worth?

Genres:

Biography | Drama | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for some strong language | See all certifications »

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Details

Country:

Language:

Release Date:

23 September 2011 (USA)  »

Also Known As:

El juego de la fortuna  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$19,501,302 (USA) (25 September 2011)

Gross:

$75,605,492 (USA) (29 January 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Brad Pitt appeared in two movies that were both nominated for the Best Picture Academy Award (Oscar) in 2012. Pitt starred and produced both this movie and The Tree of Life (2011). See more »

Goofs

The Peter Brandt character (based on Paul DePodesta) is shown as beginning his Athletics career in 2002. Paul DePodesta started working with the Athletics in 1999. See more »

Quotes

Billy Beane: [approaching Brand after a meeting with the Cleveland Indians] Hey.
Peter Brand: Hello.
Billy Beane: Who are you?
Peter Brand: I'm Peter Brand.
Billy Beane: What do you do?
Peter Brand: I'm special assistant to Mark Shapiro.
Billy Beane: So, what do you do?
Peter Brand: Mostly player analysis right now.
Billy Beane: Been on the job long? First job in baseball?
Peter Brand: It's my first job anywhere.
[...]
See more »

Connections

Referenced in Scorpion: Shorthanded (2014) See more »

Soundtracks

Don't Stop Believin'
Written by Jonathan Cain, Steve Perry (as Stephen R. Perry) and Neal Schon
Performed by Journey
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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Frequently Asked Questions

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User Reviews

A Baseball Movie That's Not About The Baseball
26 September 2011 | by (utah) – See all my reviews

Surprisingly, this movie is less about the baseball game than the game of baseball. What is striking about this movie (and it's not about outs) is the raw audio sound technique used in this movie that is usually found in documentaries than feature films which helps make this movie come alive. There is a the ambiance of background sound and the echo that seems to resonate and bring the movie closer to the audience and present a much closer to realism experience. There isn't that much actual continuous footage of baseball in this movie, but rather the management of it. The heightened personal and emotional tension is carried throughout the movie and Director Bennett Miller has put together this compelling very intimate portrait of a man played by Brad Pitt and his statistician in an unusual angle of the game of baseball.

Somehow the almost overly brief snippets of scenes and background of current events and story are blended together along with poignant flashbacks will edited into some meaningful, main storyline without ever creating the idea of that the additional footage has someone been shortchanged. Bennett Miller apparently in his wisdom was able to capture the primary message of the movie, developed an accompanying background, and maintained the singular story around the entire movie, the art of carefully scriptwriting and editing.

Even without the formulaic all-American ending, Bennett Miller was able to wrap this movie into a complete feeling of wholeness for a feature film. Miller made excellent use of silence and editing choices in keeping the camera going just long enough for the more in-depth, substantive emotional impact of a scene to sink in. Miller seems to have brought a new found vision of a approach that brings a more connectiveness and meaningfulness to film-making, especially to interesting stories of reality that aren't even about the biggest and most momentous achievements of humanity and bringing them captivatingly to the big screen.


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