Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.
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An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Director:
Tate Taylor
Stars:
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Viola Davis,
Bryce Dallas Howard
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
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John Goodman
Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Christopher Carley,
Bee Vang
Upon admittance to a mental institution, a brash rebel rallies the patients to take on the oppressive head nurse, a woman he views as more dictator than nurse.
Director:
Milos Forman
Stars:
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Louise Fletcher
When a man with AIDS is fired by a conservative law firm because of his condition, he hires a homophobic small time lawyer as the only willing advocate for a wrongful dismissal suit.
Director:
Jonathan Demme
Stars:
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Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by
Douglas Young (the-movie-guy)
Several of the Oakland A's radio announcers are heard throughout the movie, but are not credited: The legendary Bill King -- whose signature line "HOLY TOLEDO" punctuates the Royals rally to tie the A's from an 11-0 start during what would become the 20th win in a row -- is foremost among them. At various points from the 1950s until his death a few years ago, King called Oakland Raiders, Golden State Warriors, A's and early on San Francisco Giants games. Also heard are Ken Korach, then King's second fiddle who later took over the #1 play-by-play role, and color man Ray Fosse, a veteran of the 1970s Oakland championship teams who continued to call games for the A's through the 2011 season. See more »
Goofs
When Billy Beane starts listening to game #20 of the streak in his truck there is a train crossing a bridge in the background. However, there is no bridge in the next shot of him veering toward an exit. See more »
Quotes
David Justice:
Why doesn't your boss travel with the team?
Peter Brand:
He doesn't like to... mingle with the players.
David Justice:
Is that supposed to make us easier to cut?
See more »
"Give Up The Funk (Tear The Roof Off The Sucker)"
Written by George Clinton (as George Clinton, Jr.), Bootsy Collins (as William Earl Collins), and Jerome Brailey
Performed by Parliament
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises See more »
I have another rare chance to catch a film more than a day before it's national release. Usually when this happens there's a horde of folks queued up. When the doors to the theatre open, phones are sequestered, and a rush is put on to find prime seating. Those were movies starring a bunch of well less than household names. Surely a sneak to see a Brad Pitt movie would be even more chaotic. Unfortunately the waning popularity of America's pastime is as much of a deterrent as a movie star and free entertainment are agents of attraction.
Billy Beane (Brad Pitt) is a former major leaguer turned general manager of the Oakland A's. After losing in the playoffs to the Yankees, the A's lose their stars to free agency. Billy is tasked with rebuilding despite a payroll that leaves the A's trailing the competition.
While going through the usual motions, Billy happens by Pete Brand (Jonah Hill), an economist who may have found a way to scout baseball with the efficiency the A's need. The two delve in head first, and despite some tough outings they never back down.
Pitt is at the top of his game. As an everymanor at least one that isn't played up as wealthy, a man struggling to keep his jobfrustration is clearly seen in Pitt's face. Pitt brings humanity to the ominous job of a general manager. Flashbacks of his stint in "the show" surmise his entire life, be it his divorce or relationship with his daughter Casey (Kerris Dorsey).
Moneyball is not the action-packed sports outing one may be expecting. Director Bennett Miller spends very little time focusing on the game of baseball, or even the personalities of the players. Moneyball is a movie about management. Its deadpan, forthright approach is fresh compared to the typical underdog story filled with home runs and stolen bases. There's no electrifying music or thrilling speeches, but the excitement found in a phone call is realized as well as one could imagine. I don't think any actor other than Hill could pull of his slowly clinched fist.
Like the good sports films, Moneyball shares a deeper meaning than simply winning. Immediately the value of loyalty comes to mind. The sports genre is changing, much like how the crew of this story changed talent scouting. Just last year a movie rose up about the struggle to manage a boxer, and now here's the struggle to manage a team.
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I have another rare chance to catch a film more than a day before it's national release. Usually when this happens there's a horde of folks queued up. When the doors to the theatre open, phones are sequestered, and a rush is put on to find prime seating. Those were movies starring a bunch of well less than household names. Surely a sneak to see a Brad Pitt movie would be even more chaotic. Unfortunately the waning popularity of America's pastime is as much of a deterrent as a movie star and free entertainment are agents of attraction.
Billy Beane (Brad Pitt) is a former major leaguer turned general manager of the Oakland A's. After losing in the playoffs to the Yankees, the A's lose their stars to free agency. Billy is tasked with rebuilding despite a payroll that leaves the A's trailing the competition.
While going through the usual motions, Billy happens by Pete Brand (Jonah Hill), an economist who may have found a way to scout baseball with the efficiency the A's need. The two delve in head first, and despite some tough outings they never back down.
Pitt is at the top of his game. As an everymanor at least one that isn't played up as wealthy, a man struggling to keep his jobfrustration is clearly seen in Pitt's face. Pitt brings humanity to the ominous job of a general manager. Flashbacks of his stint in "the show" surmise his entire life, be it his divorce or relationship with his daughter Casey (Kerris Dorsey).
Moneyball is not the action-packed sports outing one may be expecting. Director Bennett Miller spends very little time focusing on the game of baseball, or even the personalities of the players. Moneyball is a movie about management. Its deadpan, forthright approach is fresh compared to the typical underdog story filled with home runs and stolen bases. There's no electrifying music or thrilling speeches, but the excitement found in a phone call is realized as well as one could imagine. I don't think any actor other than Hill could pull of his slowly clinched fist.
Like the good sports films, Moneyball shares a deeper meaning than simply winning. Immediately the value of loyalty comes to mind. The sports genre is changing, much like how the crew of this story changed talent scouting. Just last year a movie rose up about the struggle to manage a boxer, and now here's the struggle to manage a team.