Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by
Douglas Young (the-movie-guy)
Bennett Miller told a screening audience that A's assistant GM Paul DePodesta did not wish to have his real name used in the movie, but was very generously helpful during its making. While the filmmakers had no obligation to change his character's name (to Peter Brand), they did so willingly. See more »
The movie takes place right after the 9/11 attacks, when most non-passengers would not be allowed to say goodbye to passengers at the gate, inside airport security, as Billy Beane does. However, Beane is allowed to because his daughter is flying as an unaccompanied minor; as her guardian, he is allowed to escort her through security to the gate even though he is not flying. See more »
Art, you got a minute?
Yeah. Take a seat.
You can't start Peña at first tonight. You'll have to start Hatteberg.
Yeah, I don't want to go fifteen rounds, Billy. The lineup card is mine, and that's all.
That lineup card is definitely yours. I'm just saying you can't start Peña at first.
Well, I am starting him at first.
I don't think so. He plays for Detroit now.
You *traded* Peña?
Yeah. And Menechino, Hiljus, Tam are all being sent down.
You are outside your mind.
[...] See more »
Surprisingly, this movie is less about the baseball game than the game of baseball. What is striking about this movie (and it's not about outs) is the raw audio sound technique used in this movie that is usually found in documentaries than feature films which helps make this movie come alive. There is a the ambiance of background sound and the echo that seems to resonate and bring the movie closer to the audience and present a much closer to realism experience. There isn't that much actual continuous footage of baseball in this movie, but rather the management of it. The heightened personal and emotional tension is carried throughout the movie and Director Bennett Miller has put together this compelling very intimate portrait of a man played by Brad Pitt and his statistician in an unusual angle of the game of baseball.
Somehow the almost overly brief snippets of scenes and background of current events and story are blended together along with poignant flashbacks will edited into some meaningful, main storyline without ever creating the idea of that the additional footage has someone been shortchanged. Bennett Miller apparently in his wisdom was able to capture the primary message of the movie, developed an accompanying background, and maintained the singular story around the entire movie, the art of carefully scriptwriting and editing.
Even without the formulaic all-American ending, Bennett Miller was able to wrap this movie into a complete feeling of wholeness for a feature film. Miller made excellent use of silence and editing choices in keeping the camera going just long enough for the more in-depth, substantive emotional impact of a scene to sink in. Miller seems to have brought a new found vision of a approach that brings a more connectiveness and meaningfulness to film-making, especially to interesting stories of reality that aren't even about the biggest and most momentous achievements of humanity and bringing them captivatingly to the big screen.
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