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Moneyball (2011)

7.6
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Ratings: 7.6/10 from 253,307 users   Metascore: 87/100
Reviews: 304 user | 409 critic | 42 from Metacritic.com

Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.

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(screenplay), (screenplay), 2 more credits »
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Title: Moneyball (2011)

Moneyball (2011) on IMDb 7.6/10

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Nominated for 6 Oscars. Another 32 wins & 60 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Elizabeth Hatteberg
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John Poloni
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Matt Keough
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Ron Hopkins
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Storyline

Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by Douglas Young (the-movie-guy)

Plot Summary | Plot Synopsis

Taglines:

What are you really worth?

Genres:

Biography | Drama | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for some strong language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 September 2011 (USA)  »

Also Known As:

El juego de la fortuna  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$19,501,302 (USA) (23 September 2011)

Gross:

$75,605,492 (USA) (27 January 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Several of the Oakland A's radio announcers are heard throughout the movie, but are not credited: The legendary Bill King - whose signature line "HOLY TOLEDO" punctuates the Royals rally to tie the A's from an 11-0 start during what would become the 20th win in a row - is foremost among them. At various points from the 1950s until his death a few years ago, King called Oakland Raiders, Golden State Warriors, A's and early on San Francisco Giants games. Current Oakland Raiders announcer Greg Papa was also the television play-by-play announcer for the Oakland A's from 1989 to 2003 and is the host of the San Francisco Giants pre and post games shows. Also heard are Ken Korach, then King's second fiddle who later took over the #1 play-by-play role, and color man Ray Fosse, a veteran of the 1970s Oakland championship teams who continued to call games for the A's through the 2013 season. Scott Hatteberg sometimes fills in for Ray Fosse as a color commentator. See more »

Goofs

In one of the film's flashbacks, Billy Beane is shown as a New York Met playing at Dodger Stadium against the Los Angeles Dodgers. As a player, Beane never played a game at Dodger Stadium, nor did he ever play a game against the Dodgers. See more »

Quotes

Peter Brand: The Visalia Oaks and our 240 lb catcher Jeremy Brown, who as you know, scared to run to second base. This was in a game six weeks ago. This guy is going to start him off with a fastball. Jeremy's going to take him to deep center. Here's what's really interesting, because Jeremy's gonna do what he never does. He's gonna go for it. He's gonna around first and he's gonna go for it. Okay?
[On the video, Jeremy trips and falls over first base]
Peter Brand: This is all Jeremy's nightmares coming to life.
Billy Beane: Awwww, ...
[...]
See more »

Connections

Referenced in Chelsea Lately: Episode #6.14 (2012) See more »

Soundtracks

New York New York
Written by Fred Ebb and John Kander
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Baseball Movie That's Not About The Baseball
26 September 2011 | by (utah) – See all my reviews

Surprisingly, this movie is less about the baseball game than the game of baseball. What is striking about this movie (and it's not about outs) is the raw audio sound technique used in this movie that is usually found in documentaries than feature films which helps make this movie come alive. There is a the ambiance of background sound and the echo that seems to resonate and bring the movie closer to the audience and present a much closer to realism experience. There isn't that much actual continuous footage of baseball in this movie, but rather the management of it. The heightened personal and emotional tension is carried throughout the movie and Director Bennett Miller has put together this compelling very intimate portrait of a man played by Brad Pitt and his statistician in an unusual angle of the game of baseball.

Somehow the almost overly brief snippets of scenes and background of current events and story are blended together along with poignant flashbacks will edited into some meaningful, main storyline without ever creating the idea of that the additional footage has someone been shortchanged. Bennett Miller apparently in his wisdom was able to capture the primary message of the movie, developed an accompanying background, and maintained the singular story around the entire movie, the art of carefully scriptwriting and editing.

Even without the formulaic all-American ending, Bennett Miller was able to wrap this movie into a complete feeling of wholeness for a feature film. Miller made excellent use of silence and editing choices in keeping the camera going just long enough for the more in-depth, substantive emotional impact of a scene to sink in. Miller seems to have brought a new found vision of a approach that brings a more connectiveness and meaningfulness to film-making, especially to interesting stories of reality that aren't even about the biggest and most momentous achievements of humanity and bringing them captivatingly to the big screen.


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