Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
U.S. Olympic wrestling champions and brothers Mark Schultz and Dave Schultz join "Team Foxcatcher", led by eccentric multi-millionaire John du Pont, as they train for the 1988 Olympic Games in Seoul, South Korea, but John's self-destructive behavior threatens to consume them all.
Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by
Douglas Young (the-movie-guy)
At the meeting where Billy Beane discusses his views on new players with Peter Brand in the room for the first time, the name-bar "PRATT C", the name of actor Chris Pratt, can be seen on the whiteboard behind one of the board members. It appears right before Billy says Scott Hatteberg's name, who is the character that Pratt plays in the film. See more »
In one of the film's flashbacks, Billy Beane is shown as a New York Met playing at Dodger Stadium against the Los Angeles Dodgers. As a player, Beane never played a game at Dodger Stadium, nor did he ever play a game against the Dodgers. See more »
Surprisingly, this movie is less about the baseball game than the game of baseball. What is striking about this movie (and it's not about outs) is the raw audio sound technique used in this movie that is usually found in documentaries than feature films which helps make this movie come alive. There is a the ambiance of background sound and the echo that seems to resonate and bring the movie closer to the audience and present a much closer to realism experience. There isn't that much actual continuous footage of baseball in this movie, but rather the management of it. The heightened personal and emotional tension is carried throughout the movie and Director Bennett Miller has put together this compelling very intimate portrait of a man played by Brad Pitt and his statistician in an unusual angle of the game of baseball.
Somehow the almost overly brief snippets of scenes and background of current events and story are blended together along with poignant flashbacks will edited into some meaningful, main storyline without ever creating the idea of that the additional footage has someone been shortchanged. Bennett Miller apparently in his wisdom was able to capture the primary message of the movie, developed an accompanying background, and maintained the singular story around the entire movie, the art of carefully scriptwriting and editing.
Even without the formulaic all-American ending, Bennett Miller was able to wrap this movie into a complete feeling of wholeness for a feature film. Miller made excellent use of silence and editing choices in keeping the camera going just long enough for the more in-depth, substantive emotional impact of a scene to sink in. Miller seems to have brought a new found vision of a approach that brings a more connectiveness and meaningfulness to film-making, especially to interesting stories of reality that aren't even about the biggest and most momentous achievements of humanity and bringing them captivatingly to the big screen.
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