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Moneyball (2011)

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Ratings: 7.6/10 from 242,543 users   Metascore: 87/100
Reviews: 301 user | 406 critic | 42 from Metacritic.com

Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.

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Title: Moneyball (2011)

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Nominated for 6 Oscars. Another 30 wins & 56 nominations. See more awards »

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Cast

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John Poloni
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Matt Keough
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Ron Hopkins
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Storyline

Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team. Written by Douglas Young (the-movie-guy)

Plot Summary | Plot Synopsis

Taglines:

What are you really worth?

Genres:

Biography | Drama | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for some strong language | See all certifications »

Parents Guide:

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Details

Country:

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Release Date:

23 September 2011 (USA)  »

Also Known As:

El juego de la fortuna  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$19,501,302 (USA) (23 September 2011)

Gross:

$75,605,492 (USA) (27 January 2012)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

At one point, we hear that Miguel Tejada has struck out to end a game. In the original book, Tejada's free swinging ways and relatively high strikeout rate was something of a point of contention, with the Dominican shortstop telling Billy Beane and other Athletics' members that "You can't walk your way off the island". See more »

Goofs

In 2001, when Scott Hatteberg is first shown on screen, his feet are up on a coffee table, clearly showing the Nike+ logo on the sole of his shoe. Nike+ was introduced in 2006. See more »

Quotes

[Billy's scouts are dismissive of Scott Hatteberg because he walks a lot]
Billy Beane: He gets on base a lot. Do I care if it's a walk or a hit?
See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #2.12 (2011) See more »

Soundtracks

Give Up The Funk (Tear The Roof Off The Sucker)
Written by George Clinton (as George Clinton, Jr.), Bootsy Collins (as William Earl Collins), and Jerome Brailey
Performed by Parliament
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

 
Baseball by the numbers
24 September 2011 | by (Massachusetts) – See all my reviews

Moneyball tells the story of the 2002 season of the Oakland Athletics, a team that rose to notoriety because of its low payroll and unorthodox player selection. Billy Beane (Brad Pitt), a former player turned general manage, grows tired with the ancient, inefficient ways of the game he has committed his entire life to. When a transaction goes awry he stumbles across Peter Brand (Jonah Hill), a Yale, economics graduate who believes he has a system to rating players based on numbers.

Billy and Peter begin trading, signing, and grooming the team based on data, not scouting, something that other members of the team are not fond of, including Art Howe (Philip Seymour Hoffman), the team's manager. Billy and Peter's system defies current baseball logic, but when the club starts to win games with players like Scott Hatteberg (Chris Pratt), David Justice (Stephen Bishop), and Chad Bradford (Casey Bond), the eyes of the country turn to Oakland, where only seeing is believing.

What happened in Oakland back in '02 was incredible. It shouldn't have happened if you ask the right people, and other people will tell you it means nothing. Well, it did mean something it has changed the way people think about the game for good. You couldn't just go out and look at a kid to see if he would be a star or not. There were more stats to consider than home runs, strikeouts, and batting average. The game was expanding and becoming more and more a battle of logic.

The film's structure is centered mostly on Billy Beane, but the most exciting parts for me were about the system. Writer Aaron Sorkin, who a few months back accepted a slew of awards for his screenplay The Social Network, tosses out jargon that baseball fanatics go crazy for. For the general audience, that's where Billy helps out. Peter explains the system and has to break it down more for Beane (i.e. the audience) so everybody on screen and in the seats is on the same page.

Pitt's portrayal of Beane won me over. He completely caught me off guard. I know Pitt can act but I remember him for performances that were very complex on the outside. Aldo Raine (Inglourious Basterds) with his pronounces chin, squinty eyes, and thick accent. Benjamin Button (The Curious Case of Benjamin Button) who grew younger as he got older. Jeffrey Goines (12 Monkeys) who couldn't sit still let alone focus on one subject in a conversation. Yes, he was nominated for all these performances, but in a performance like this there is something bubbling under the surface. All of his characters to an extent have something going on underneath, only this character, Billy Beane, is so normal and calm on the outside, yet when he is alone we can see pain and frustration.

His supporting cast of Hill, Hoffman, and the slew of ball players and colleagues, help turn this baseball team into the world of Oakland Athletics. Hill and Hoffman especially play perfect compliments to Pitt's sunny exterior. Hill is quiet, timid, and very smart. Hoffman is cold, weathered, and stubborn. Pitt is able to play off of both temperaments and make their scenes together pop off the screen.

The one thing that this movie has going for it is the lack of actual action on the diamond. There are some great scenes of actual baseball, one at bat by Hatteberg in particular struck a chord with me, but for the most part the action is behind the scenes. There is enough for a sports junkie to get their fix and enough drama and with Beane and his family to entice any average viewer into the theater. I can't think of many target groups that wouldn't find it interesting, except for children, due to language and complexity of some of the dialogue. All in all this is one movie that will please a lot of people, and more importantly a lot of different people, sort of like The Blind Side, only the movie is actually really good.


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