A police sergeant must rally the cops and prisoners together to protect themselves on New Year's Eve, just as corrupt policeman surround the station with the intent of killing all to keep their deception in the ranks.
Failing to kill anymore because of his conscience, a troubled hit-man seeks aid from a forger to help him get papers to China. However, the drug-lord has hired replacements to finish the job and kill the hit-man.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
In Brooklyn, amid drug deals, violence, casual racism, poverty, housing projects, and corrupt cops, we follow three officers: Tango, African-American, working undercover, believing he's earned a promotion to a desk job but told he has to set up the bust of an ex-con who saved his life; Sal, who'll commit murder to get cash; and, Eddie, the precinct's oldest beat cop, a week to go before retirement, assigned to mentor an earnest rookie. Can this end well for any of the three? Written by
In Internal Affairs (1990), Richard Gere's character Dennis Peck says to his partner Van Stretch, "How many cops you know, huh? Got nothing. Divorced, alcoholic, kids won't talk to them anymore, can't get it up. Sitting there in their little apartments, alone in the dark, playing lollipop with a service revolver?". In this film Richard Gere plays an NYPD cop who is doing just that in an opening scene: sitting alone in a dark apartment and putting his service revolver in his mouth. See more »
When Eddie is driving through town with his new partner you see the indicator flashing, as if he is using his right indicator all the time. See more »
Det. Sal Procida:
What happened to the cops?
Nothin. They were were right even though they were wrong. And I was wrong only *because* that I was right. Ya see? You get that now. You get that, right?
Det. Sal Procida, Carlo:
Righta and wronga.
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Written by Wilbert Hart
Performed by The Delfonics
Courtesy of Arista Records, Inc. and The RCA/Jive Label Group, a unit of Sony Music Entertainment
By Arrangement with Sony Music Licensing See more »
This is a dark, moody movie that explores the angst of 3 cops.
One, on an undercover assignment, realises that the more time he spends with crooks, etc., the more likely he will become like them. His request for a transfer is promised, on condition that he "brings in" Mr Big.
Another, a "good catholic", has more kids than sense and desperately needs to improve his fortunes if his family is to survive.
The third, an older, reticent, solitary man on the brink of retirement is totally without illusions about his job or his place in society. Doing his time and collecting his reward (his pension) is all that matters to him. He is aloof and uncommunicative with his colleagues, biding his time until he can quit. Only with an attractive hooker, that he sees regularly, does he show any sign of humanity.
All 3 are. basically, decent men working in indecent scenarios and their respective paths cross in a way and at a time and in a place that "we can all see coming" but is no less moving for that. There is a kind of poetry to this, albeit on the darkish side. that lingers .
Watching this requires some patience at the beginning, particularly with Richard Gere, whose role as the older cop, asks him to be almost a silent participant in the events, but whose performance grows as the stories unfold. But all the cast are excellent. Cheadle, Hawke, Snipes, D'Onofrio and an eye-catching turn by Ellen Barkin as "the agent from Hell" See this................... 8/10
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