| Jonas Inde | ... | Fredrik | |
| Ia Langhammer | ... | Lillemor | |
| Andreas Rothlin-Svensson | ... | Charles | |
| Jimmy Lindström | ... | Larry | |
| Peter Gardiner | ... | Victor | |
| Benny Haag | ... | Peter | |
| Shebly Niavarani | ... | Börje | |
| Kalle Westerdahl | ... | Markus | |
| Henrik Svalander | ... | Bobo | |
| Ossi Niskala | ... | Jarmo | |
| Paula McManus | ... | Lotta | |
| rest of cast listed alphabetically: | |||
| Danilo Bejarano | ... | Badvakten | |
| Erik Bolin | ... | Dykare | |
| Bente Danielsson | ... | Åsa | |
| Amanda Davin | ... | Sara | |
| Dietrich Hollinderbäumer | ... | Volker | |
| Gertrud Larsson | ... | Journailst | |
| Jonas Lidman | ... | Chef på budfirman | |
| Ylva Lööf | ... | Peters fru | |
| Moa Myrén | ... | Rika damen | |
| Jens Nilsson | ... | Innebandytränaren | |
| Jan Henrik Stahlberg | ... | Karl | |
| Bisse Unger | ... | Markus son | |
| Christian Weber | ... | Police Officer | |
Directed by | |||
| Måns Herngren | |||
Writing credits | ||
| Måns Herngren | (written by) & | |
| Jane Magnusson | (written by) | |
| Brian Cordray | writer | |
Produced by | |||
| Gunnar Carlsson | .... | co-producer | |
| Rebecka Hamberger | .... | producer (as Rebecka Hamberger Hulthén) | |
| Lone Korslund | .... | co-producer | |
| Maria Köpf | .... | co-producer | |
| Martina Lundström | .... | co-producer | |
| Åke Lundström | .... | co-producer | |
| Patrick Ryborn | .... | executive producer | |
| Johan von der Lancken | .... | line producer | |
Original Music by | |||
| Ebbot Lundberg | |||
Cinematography by | |||
| Henrik Stenberg | |||
Film Editing by | |||
| Fredrik Morheden | |||
Casting by | |||
| Imor Hermann | |||
Production Design by | |||
| Mikael Varhelyi | |||
Art Direction by | |||
| Linda Janson | |||
Costume Design by | |||
| Jaana Fomin | |||
Makeup Department | |||
| Sara Klänge | .... | makeup artist (as Sara Wallström) | |
| Mareike Maya Mietke | .... | makeup artist: Berlin | |
| Therese Sandersson | .... | assistant makeup artist | |
Second Unit Director or Assistant Director | |||
| Anna Carlsten | .... | first assistant director | |
| Jonas Overton | .... | first assistant director: second unit | |
| Gustaf Åkerblom | .... | assistant director | |
Art Department | |||
| Åsa Eriksson | .... | props | |
| Lasse Ingvarson | .... | set dresser | |
Sound Department | |||
| Göran Edström | .... | sound | |
| Linda Forsén | .... | dialogue editor | |
| Thomas Huus | .... | sound effects editor | |
| Jens Johansson | .... | dialogue editor | |
| Martin Langenbach | .... | foley artist | |
| Patrik Strömdahl | .... | sound | |
| Jesper van Dongen | .... | sound | |
| Calle Wachtmeister | .... | boom operator | |
| Nicklas Lindh | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Hassan Abdul Wahid | .... | first assistant camera | |
| Jonas Branting | .... | lighting technician | |
| Björn Engberg | .... | second assistant camera | |
| Paul Evans | .... | second unit camera: operator | |
| Jan-Paul Gauly | .... | video technician | |
| Pontus Hellberg | .... | gaffer | |
| Ricarda Hibbeln | .... | first assistant camera: Berlin | |
| Michael Kotschi | .... | second unit director of photography: Berlin | |
| Jonathan Lee | .... | camera operator: underwater scenes | |
| Jonathan Lee | .... | key grip | |
| Johan Phillips | .... | Steadicam operator | |
| Pierre Sigfridsson | .... | lighting technician | |
| Sophie Winqvist | .... | director of photography: second unit | |
Costume and Wardrobe Department | |||
| Lina Sjöblom | .... | costume assistant | |
Editorial Department | |||
| Linda Jildmalm | .... | assistant editor | |
Transportation Department | |||
| Oliver Kujas | .... | driver: cast | |
Other crew | |||
| Janina Bukowski | .... | production accountant | |
| Jeanette Frykberg | .... | production coordinator | |
| Jonatan Gedda | .... | location scout | |
| Oskar Johansson | .... | location manager | |
| Monica Kristiansson | .... | script supervisor | |
| Christine Larnfelt | .... | assistant to producer | |
| Hilda Lorentzon | .... | production assistant | |
| Lisa Ohlin | .... | film consultant: Swedish Film Institute | |
Thanks | |||
| Josef Fares | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Sweden section |
The Swimsuit Issue (2008)
A fun, funny, lightweight but also delightful comedy with a strain of seriousness to give it some stickiness. I liked it, yes, though it's no critical masterpiece. The writing is fun and a little awkward (in Swedish or English), the plot a hair over the top, and the acting uneven. But hey, just like the main characters (members of an ad hoc Swedish male synchronized swim team) it has no pretensions.
And that's a relief. You want some fun? You want a view of a slightly different kind of Europe (and a different kind of Sweden if you are used to dour comedies and even more dour dramas)? See this. Fun and engaging.
The idea of the male swimmers suddenly taking on the world cup with their bumbling and barely rehearsed routine is part of why the silliness succeeds. You can't take it seriously. Don't expect an "Invictus" ending here where the good guys sweep it away (though by not expecting it, you never know). This is more about humility and hope and, in the one interpersonal focus, a father and daughter learning about each other.
In fact, the one actor who steals her scenes is the one key female, the daughter, played by Maria Langhammer. All the men--eight or nine--blur just a little, though there are three or so with central roles. What you might wish is that the interactions and subplots weren't so clichéd--the striving loser, the affected star, the stoic leader. All the bonding is heartwarming I suppose, and the gay jokes are funny but a bit thin. It's an uneven affair all around, with the hilarious hook that the synchronized team starts off at a party doing their stunt as a joke in women's bathing suits.
If only they had kept up their bumbling non-pretenses! We'd have something closer to the brilliance of "The Full Monty" than we end up with here, becoming instead more and more a sports movie, which is just plain weird when you see how it all got started in the first funny half hour.