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Out of the Furnace (2013)

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When Rodney Baze mysteriously disappears and law enforcement doesn't follow through fast enough, his older brother, Russell, takes matters into his own hands to find justice.

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1,381 ( 5)
2 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Woman at Drive In (as Nancy Mosser Bailey)
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Lena Taylor (as Zoë Saldana)
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Bingo O'Malley ...
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Bobby Wolfe ...
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Chaplain
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John W. Kleer ...
Man at Trailer Park
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Storyline

Russell and his younger brother Rodney live in the economically-depressed Rust Belt, and have always dreamed of escaping and finding better lives. But when a cruel twist of fate lands Russell in prison, his brother becomes involved with one of the most violent and ruthless crime rings in the Northeast - a mistake that will cost him everything. Once released, Russell must choose between his own freedom, or risk it all to seek justice for his brother. Written by Production

Plot Summary | Plot Synopsis

Taglines:

Sometimes your battles choose you.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence, language and drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

6 December 2013 (USA)  »

Also Known As:

Dust to Dust  »

Filming Locations:

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Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend:

$5,220,288 (USA) (6 December 2013)

Gross:

$11,326,836 (USA) (31 January 2014)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The screenplay is born out of a spec script by Brad Ingelsby called "The Low Dweller". It came to Scott Cooper's attention with Ridley Scott and Leonardo DiCaprio attached as producers. Cooper rewrote the script, investing it with his own experiences, notably growing up in Appalachia and losing a sibling at an early age. See more »

Goofs

When Russell went to see Lena for the first time since he got out of prison, she was in the playground and her hair was in a ponytail. In next moment when she was walking and talking to Russell, her ponytail was gone. See more »

Quotes

Rodney Baze Jr.: [voice-over] Russ, I'm sorry about the other day. I know you're looking out for me. But you gotta understand that I'm different than I was before I left. And I think that I always will be. I can't explain how exactly. My head is just full of stuff and I can't get it out. But I'm gonna turn things around. I'm gonna do this one last fight and then I'll be done. Then I'm gonna shovel asphalt or dig for coal or I'll work with you and Roach at the mill. I'll do anything. I'm gonna get things back on ...
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Crazy Credits

This film shot entirely and proudly on Kodak Film See more »

Connections

Featured in Film '72: Episode dated 30 January 2014 (2014) See more »

Soundtracks

Release
Performed by Pearl Jam
Written by Eddie Vedder, Jeff Ament, Stone Gossard, Dave Krusen and Mike McCready
Courtesy of Epic Records
By arrangement with Sony Music Licensing
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User Reviews

 
A powerful film with among the best screen performances I've seen
2 December 2013 | by (United States) – See all my reviews

When I saw the cast list, I knew there would be some wonderful performances, but I was surprised at how they uniformly surpassed my expectations. I believe it's Bale's best work so far, and that's saying something. Likewise with Affleck, Harrelson and Saldana. The rest of the cast was wonderful as well.

There is one scene in particular (I won't spoil it here) where an actor lets loose in a way that careful directors and nervous producers would normally edit out. I applaud Scott Cooper for breaking the rule that films are meant to entertain (and earn millions), and raw emotion that feels too close to reality is to be avoided. It's inelegant, and not what we want to see from stars, especially attractive ones. Cooper lets people be people, and I find that incredibly refreshing.

I was immediately invested in the characters -- warts and all. As painful as many of their decisions were to watch, I went along for those very bumpy rides, because any other course taken would be untrue for these characters.

I recently saw "12 Years A Slave," and feel inclined to mention that I sense a new, somewhat subversive style of filmmaking emerge -- and maybe a wonderful new culture in Hollywood. (At least I hope so.) It's one where films about extraordinary hardship are treated a way that doesn't hold back, glamorize or otherwise mollify them.

In my opinion, when Hollywood slicks up violence (as it almost always does), it informs us that we shouldn't really be moved by its tragedy. We aren't shaken to the core and inspired to stop suffering wherever we can. That's shameful. So kudos to Cooper and to Steve McQueen for embracing a reality in their films that reconnects us with humanity instead of suggesting it's okay to blithely mock it.

If I have any criticism of this film, it's that two scenes where one plays out as a metaphor for the other may not have been necessary. Otherwise, I feel the writing is disciplined and at the same time very rich and rewarding.

The potential horrors of poverty and a lack of opportunity on display in this film are dealt with in a way that exempts political bias, and that in itself is a huge accomplishment.

A sense of hope exists amidst the heartache of this film. I will see it again.


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