Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
Russell and his younger brother Rodney live in the economically-depressed Rust Belt, and have always dreamed of escaping and finding better lives. But when a cruel twist of fate lands Russell in prison, his brother becomes involved with one of the most violent and ruthless crime rings in the Northeast - a mistake that will cost him everything. Once released, Russell must choose between his own freedom, or risk it all to seek justice for his brother. Written by
The title of the film went through a couple of iterations before settling on "Out of the Furnace". The original script was called "The Low Dweller" but when Scott Cooper was rewriting it, he considered changing the name to "Under a Black Sun". While shooting the working title of the film was "Dust to Dust". It was Terrence Malick and Sam Shepard who finally convinced Cooper that "Out of the Furnace" was an apt title for the film. See more »
When John Petty and Rodney Baze go to Harlan DeGroat's place, DeGroat's lollipop changes size between shots. See more »
Rodney Baze Jr.:
Russ, I'm sorry about the other day. I know you're looking out for me. But you gotta understand that I'm different than I was before I left. And I think that I always will be. I can't explain how exactly. My head is just full of stuff and I can't get it out. But I'm gonna turn things around. I'm gonna do this one last fight and then I'll be done. Then I'm gonna shovel asphalt or dig for coal or I'll work with you and Roach at the mill. I'll do anything. I'm gonna get things back on ...
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This film shot entirely and proudly on Kodak Film See more »
Revenge is hardly a fresh concept in film-making. This basic theme, however, here takes a backseat to the styled execution of "Out of the Furnace." Told through an all-star cast, the story unfolds slowly, but powerfully. Set in a rural, present-day America, the cinematography captures a beautiful country and glory that is seemingly fading under the weight of war and the economy. The cast skillfully fleshes out the various characters, establishing believability and giving them a rare level of depth. This makes the atmosphere tangible and arguably makes the element of human drama the actual star of the film. The entire cast is excellent and essential, however Christian Bale and Woody Harrelson absolutely steal the show. As the bad-to-the-bone "villain" of the script, Harrelson is awesomely despicable, his mere presence on the screen inciting anxiety. Alternately, Bale plays a good but troubled man, condemned to watch his life disintegrate one piece at a time. I caught the director, Scott Cooper, in an interview segment on Carson Daly. He mentioned a desire to impact and "immerse" the audience in his movies. In that regard, I would judge this effort to be an undeniable success. During certain scenes, I found myself echoing the actions and emotions depicted on screen, such as dread, liberation, uneasiness, tension, and particularly, a relieved breath of serenity. More drama than action, the tone for me was reminiscent of "The Place Beyond the Pines", another well-executed drama with a definite crime flavoring. Also, I felt that the Pearl Jam number that opens and closes the film was a perfect choice for the intended vibe, and deserves a special mention. Overall, this movie is very well done, despite lacking the glamour and flash of an action flick. As a drama, I highly recommend it to fans of the genre.
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