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Out of the Furnace (2013)

R  |   |  Crime, Drama, Thriller  |  6 December 2013 (USA)
6.8
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Ratings: 6.8/10 from 68,639 users   Metascore: 63/100
Reviews: 213 user | 269 critic | 40 from Metacritic.com

When Rodney Baze mysteriously disappears and law enforcement doesn't follow through fast enough, his older brother, Russell, takes matters into his own hands to find justice.

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Cast

Cast overview, first billed only:
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Woman at Drive In (as Nancy Mosser Bailey)
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Lena Taylor (as Zoë Saldana)
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Bingo O'Malley ...
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Chaplain
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John W. Kleer ...
Man at Trailer Park
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Storyline

Russell and his younger brother Rodney live in the economically-depressed Rust Belt, and have always dreamed of escaping and finding better lives. But when a cruel twist of fate lands Russell in prison, his brother becomes involved with one of the most violent and ruthless crime rings in the Northeast - a mistake that will cost him everything. Once released, Russell must choose between his own freedom, or risk it all to seek justice for his brother. Written by Production

Plot Summary | Plot Synopsis

Taglines:

Sometimes your battles choose you.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence, language and drug content | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

6 December 2013 (USA)  »

Also Known As:

Dust to Dust  »

Filming Locations:

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Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend:

$5,220,288 (USA) (6 December 2013)

Gross:

$11,326,836 (USA) (31 January 2014)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The term "Jackson Whites" to describe the "inbred" mountain folk of New Jersey's Ramapo Mountains appears to have disappeared and been replaced in the DVD version by reference only to the "Ramapos" people. That change may have been due to a civil suit filed against the filmmakers in 2012 by members of Jersey's Ramapo native-American tribe, two of whose common tribal surnames were actually the same as two of the movie's violent characters. See more »

Goofs

Same shot used at two different times (at around 5 mins) and (at around 1h 23 mins). See more »

Quotes

Russell Baze: It sounds like they're not doing a goddamn thing. Now, either you're all afraid to go in there... or, uh... you just don't give a shit.
Chief Wesley Barnes: You're walking down the wrong road. I said I'm into it, and I said I'll handle it. Don't make this personal. You need to stay out of my business.
Russell Baze: Stay out of your business. Stay out of your business. You know what? While I was away, it seems that all that you was into was my business.
Chief Wesley Barnes: So that's what this is, you got a problem with me.
Russell Baze: Yeah, I got a problem with...
See more »

Crazy Credits

This film shot entirely and proudly on Kodak Film See more »

Connections

Featured in Film 2015: Episode dated 30 January 2014 (2014) See more »

Soundtracks

Release
Performed by Pearl Jam
Written by Eddie Vedder, Jeff Ament, Stone Gossard, Dave Krusen and Mike McCready
Courtesy of Epic Records
By arrangement with Sony Music Licensing
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User Reviews

 
A Promising Start That Leads to Run-Of-The-Mill Fare
8 December 2013 | by (United States) – See all my reviews

An all-star cast, comprising Christian Bale, Casey Affleck, Woody Harrelson, Forest Whitaker, Willem Dafoe, and Zoe Saldana (wow!), is cast into the cavernous of troubles. Two brothers- one a former solider who served in Iraq (Rodney, played by Casey Affleck) and the other an impoverished factory worker (Russell, played by Christian Bale) - embark on vastly disparate paths. Their relationship has lost its bygone flare, considering Rodney's extensively damaged psyche and his desire to stray away from standard work, instead choosing to make money off of brutal street fighting and gambling. When he asininely involves himself with ruthless wagering criminals (led by Woody Harrelson), all circumstances invert and numerous lives are consequently affected.

The first half of the film carries an incredibly strong premise and features a truly gripping narrative that focuses on character development/characterization, which compellingly leads to the ultimate predicament. In essence, a major portion of the film's enticement should be accredited to the exceptionally powerful performances, and Casey Affleck remarkably fights for that recognition by showcasing his deteriorating soul. I mention Affleck specifically because he rarely receives ample praise for his impressive renditions. Furthermore, in that first half, the pacing is smooth and adequate as you sympathize with these distressed characters and are stunned by a sudden unfortunate incident after another, personalities still further strengthening. The arresting visual look of the film partially produces that final element of attraction to the end product.

As we proceed though and the midpoint sequence comes and goes, the pacing suddenly decelerates and we encounter additional characters and arcs that are frankly unnecessary and don't benefit the picture in any way. Once the credits roll, you don't feel like Forest Whitaker's character deserved the amount of screen time he ended up with, portraying an archetypal police officer and barely anything more. We're met with countless prolonged and dispensable scenes that are more stereotypical than beneficial to the film's substance and overall plot. The excitement of the first half, fueled by unpredictability and conflict, takes a nosedive and the thriller chooses to tediously capture the lengthy search for the villain alternatively. Finally, the audience is presented with an anticlimactic conclusion that again feels far too familiar and unsatisfying despite the enthralling story beforehand. There's essentially nothing unique in its final act to induce the amount of memorability that the first half accomplished since it ends like your typical run-of-the-mill revenge flick.

In sum, Scott Cooper effectively conveys the rural and destitute atmosphere, and the film is genuinely gritty and honest in its depiction of labor and the unrewarding lives that are led by courageous soldiers upon returning home. These are the lives of a considerably high percentage of America's population and the movie's thematic material speaks volumes on this controversial and profoundly relevant matter. Out of the Furnace certainly forces its viewers to react in particularly shocking sequences, eliciting a variety of emotions. Even though the film's quality noticeably degrades while it advances, this tale will undoubtedly provoke intrigue and fervor until the screen fades to black.


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