Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. ...
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Four angry cadets have formed an inner circle in an attempt to beat the system and ward off the boredom and stifling confinement of the military academy, set off a chain of events that ... See full summary »
En 1737, les forges de Saint-Maurice jouent un rôle de premier plan dans l'économie de la Nouvelle-France. Le maître de forge, M. de Vezin, accueille un nouvel arrivant, un maître fondeur ... See full summary »
Lucien Lajoie dirige un petit magasin général dans un quartier modeste de l'est montréalais. Grincheux et bougon, il déteste qu'on le contredise. Ginette, sa femme, naïve à ses heures, a ... See full summary »
A Swiss Jewish artist who is grieving her father, moves to Montreal and forms a friendship with a child psychiatrist. While creating an installation in an abandoned warehouse, she confronts her past and is increasingly drawn to her friend.
Au lendemain d'une soirée particulièrement épuisante, quatre couples de riches bourgeois se retrouvent dans la maison de l'un d'eux (Jean Duceppe et Catherine Bégin) et la même soirée ... See full summary »
Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. While living in constant fear and confusion due to this disease, she must face the sudden death of her mother. She chooses to take drastic measures to not follow in her mother's footsteps. Written by
Pusan International Film Festival
Most of the locations used were in Manchay, an impoverished suburban area in Pachacamac, south-east of Lima, that indigenous people invaded during 1980s to escape from terrorism, and next to a high-class area of Lima, Cieneguilla. See more »
Writer/director Claudia Llosa loosely adapts the premise of old-time classics 'The Little Mermaid' and 'Faust' to contemporary Peru. Fausta, beautifully played by Magaly Solier, is a solitary, indigenous girl whose heart is gripped by fear. Her mother, who we see on her deathbed at the start of the film, was raped and scarred for life by The Shining Path (a radical Maoist organization that terrorized Peru during the 80s and early 90s). According to their indigenous culture, the terror felt by Fausta's mother was passed on to her through breastfeeding, a condition they call 'The Milk of Sorrow' (in Spanish, 'La Teta Asustada', which translates to 'The Frightened Tit'). Fausta is deeply suspicious of people around her, particularly men, and expresses her repressed emotions only through singing, as she performs her daily chores. Desperately in need for money to bury her dead mother, she begins to work as a housekeeper for Aida, a musician who is preparing for a concert and becomes interested in her songs of sorrow.
Llosa observes the social realities of Latin America (post-colonialism, class division, political violence), but avoids providing facile solutions. Instead, she focuses her attention on Fausta's more personal need for spiritual freedom. She does so with quiet, subtle humor and an eye for striking, poetic imagery.
I highly recommend watching this Academy Award nominee for Best Foreign Language Film and winner of the Berlin International Film Festival.
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