Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. ...
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Four angry cadets have formed an inner circle in an attempt to beat the system and ward off the boredom and stifling confinement of the military academy, set off a chain of events that ... See full summary »
Magallanes, a former army soldier (Damian Alcazar) drives a taxi and eventually a driver of a retired colonel (Federico Luppi), who was in command of his troops in times of struggle against... See full summary »
Juan, a young man convicted of terrorism, is given amnesty from a Lima prison; he boards a bus to return home and, in his mind's eye, recalls events in his village near Huaraz when he was ... See full summary »
The Peruvian army captain Pantaleon Pantoja, a very serious and efficient officer, is chosen by his superiors to set up a special service of 'visitors' to satisfy the sexual needs of the ... See full summary »
Francisco J. Lombardi
Salvador del Solar,
A forensic anthropologist in Lima leads a group that helps people find their missing relatives from the Internal Civil War that took place in Peru between 1980 and 2000. He has to deal with... See full summary »
Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. While living in constant fear and confusion due to this disease, she must face the sudden death of her mother. She chooses to take drastic measures to not follow in her mother's footsteps. Written by
Pusan International Film Festival
Magaly Solier used to sell Puca picante (Andean treat) in the street before she was discovered by Claudia Llosa in 2005 while looking for extras for Madeinusa (her first film). Now she's a recognized actress and talented singer. See more »
Young director Claudia Llosa (Madeinusa) has won the Golden Bear and a dozen of other prizes around the world for her second work, The frightened tit, its original Spanish tittle.
Though the plot itself may seem awkward, the movie is a group of 95 minutes rich and beautiful images. The pearls, the potato, the dog, the wedding, the impoverished suburban Lima, everything is accurately directed and carefully thought by Ms. Llosa.
Fausta (outstanding Magaly Solier) is suffering from The frightened tit, an illness that she caught through her mother's breast-milk since her pregnancy happened during the 1980s and 90s terrorism and State violence in the Andes. Now in Lima, Fausta is afraid, she's put a potato in her vagina in order to protect her from being raped, and after her mother dies she finally has to deal with the real life and face her fears,starting to work in a high- class house as a made.
The plot of the movie is fictitious, but it lies on a cruel and past reality of Peru's modern history, combining it with a delicate halo of surrealism, magic realism and sometimes ironic humor. The image of the potato -all time Peruvian ingredient for cuisine- involves the subject of a war and a fear that affected an entire country, though our differences may not accept it yet. The scenes in Fausta's home are the opposite where she works: though the high-class house is in the same impoverished area (another reference to Peruvian social differences), over there is no gray, no dust: there are plants, color, life.
At the end, Fausta realizes that in the root of her fears is the solution of them. The movie, indeed, is presented as a cure for the unhealed wounds of a terrible and recent war that happened on Peruvian soil.
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