Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. ... See full summary »
Clemente, a moneylender of few words, is a new hope for Sofía, his single neighbor, devoted to the October worship of Our Lord of the Miracles. They're brought together over a new-born baby... See full summary »
Daniel Vega Vidal,
Diego Vega Vidal
Elisa--the soon-to-be-wife of a wealthy industrialist--is eager to shed her working-class background in favor of the opulence of her fiancé's elite lifestyle. To her dismay, she soon ... See full summary »
The Peruvian army captain Pantaleon Pantoja, a very serious and efficient officer, is chosen by his superiors to set up a special service of 'visitors' to satisfy the sexual needs of the ... See full summary »
Francisco J. Lombardi
Salvador del Solar,
Edo Celeste is a renowned crime novelist, who is writing the final book in the series about his alter ego, detective Felipe Aranda. Edo is obsessed with the disappearance of his fiancee ... See full summary »
Salvador del Solar,
The Peruvian anti-terrorist army takes control of a far away and unknown small village isolated in the Andes by the terrorist militia "Sendero Luminoso" (Shining Path), during the dirty war in Peru at 80's decade.
Four angry cadets have formed an inner circle in an attempt to beat the system and ward off the boredom and stifling confinement of the military academy, set off a chain of events that ... See full summary »
Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. While living in constant fear and confusion due to this disease, she must face the sudden death of her mother. She chooses to take drastic measures to not follow in her mother's footsteps. Written by
Pusan International Film Festival
Most of the filming locations are set in Manchay, an impoverished suburban area in Pachacamac, south-east of Lima, that indigenous people invaded during 1980s to escape from terrorism, and next to a high-class area from Lima, Cieneguilla See more »
A realistic portrayal of the impoverished suburbia of Lima, Peru is the frame-set for this fantastic story. Fausta, daughter of a woman raped by terrorists some 25 years ago, assists her mother's death and decides to take her remains back to her hometown, in the high Andes. But, apart from having to work hard to collect the money she needs for it, Fausta has a reason, deep inside, that prevents her from enjoying life or accepting her outstanding physical beauty as a normal girl.
Mastery at low-budget cinematic skill should be credited to Bollywood (the Mumbai-based Hindi language film industry) films, which may not be the most groundbreaking in technical or screen writing terms, but contain music in the form of song-and-dance numbers woven into the script in order to appeal to all segments of the audience and maximise box office receipts. Since Hollywood's multi-million budgets would never have helped shoot realistic and colourful, but rough Brazilian imagery, 'Central Station' (1998) and 'Cidade de Deus' (2002) garnered indisputable acclaim at renowned film festivals after being funded on their own. The example set by off-Hollywood movie makers' efforts have become heroic in countries where movie industry budgets are, to say the least, scarce.
This is the case for LTA. It could have been more on par to Danny Boyle's 'Slumdog Millionaire' if it wasn't for the Peruvian-Spanish meagre budget available to Peruvian young director Claudia Llosa. If you expect to see acting beaus or beautés, famous screenwriters and crew, expensive car explosions or CGI, go elsewhere. LTA is neat magic-realism, a territory where people may be poor but not disgusting, where their houses are mere recreation centres for fantasy and everyday life to play happily together. Only time will tell if the trend keeps up, spreads globally, and ends up being called Globbywood.
This is a well-told tale of hope where only two professional actors are involved. And this was as clear to Berlinale judges as it is for the general public -those with a thirst for veritable, honest, witty craftsmanship at film-making.
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