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The Milk of Sorrow (2009)
"La teta asustada" (original title)

6.7
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Ratings: 6.7/10 from 4,869 users   Metascore: 68/100
Reviews: 24 user | 71 critic | 10 from Metacritic.com

Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. ... See full summary »

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Nominated for 1 Oscar. Another 15 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Fausta
Susi Sánchez ...
Aída
Efraín Solís ...
Noé
Bárbara Lazón ...
Perpetua
Delci Heredia ...
Carmela
Karla Heredia ...
Severina
Fernando Caycho ...
Melvin
Miller Revilla Chengay ...
Melvincito
Spencer Salazar ...
Jonathan
Summy Lapa ...
Chicho
María del Pilar Guerrero ...
Máxima
Leandro Mostorino ...
Jhonny
Anita Chaquiri ...
Abuela
Edward Llungo ...
Marcos
Daniel Núñez ...
Amadeo
Edit

Storyline

Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. While living in constant fear and confusion due to this disease, she must face the sudden death of her mother. She chooses to take drastic measures to not follow in her mother's footsteps. Written by Pusan International Film Festival

Plot Summary | Add Synopsis

Taglines:

A journey from fear to freedom.

Genres:

Drama | Music

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Details

Country:

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Language:

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Release Date:

13 February 2009 (Spain)  »

Also Known As:

A Teta Assustada  »

Filming Locations:


Box Office

Opening Weekend:

$1,914 (USA) (27 August 2010)

Gross:

$10,376 (USA) (24 September 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Most of the filming locations are set in Manchay, an impoverished suburban area in Pachacamac, south-east of Lima, that indigenous people invaded during 1980s to escape from terrorism, and next to a high-class area from Lima, Cieneguilla See more »

Connections

Featured in The 82nd Annual Academy Awards (2010) See more »

Soundtracks

Amor porqué me matas
Written by Oscar Emilio Casas Miguel
Performed by Los Destellos de Edith Delgado
See more »

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User Reviews

 
Hollywood, Bollywood, Globbywood
17 February 2009 | by (Barcelona, Spain) – See all my reviews

A realistic portrayal of the impoverished suburbia of Lima, Peru is the frame-set for this fantastic story. Fausta, daughter of a woman raped by terrorists some 25 years ago, assists her mother's death and decides to take her remains back to her hometown, in the high Andes. But, apart from having to work hard to collect the money she needs for it, Fausta has a reason, deep inside, that prevents her from enjoying life or accepting her outstanding physical beauty as a normal girl.

Mastery at low-budget cinematic skill should be credited to Bollywood (the Mumbai-based Hindi language film industry) films, which may not be the most groundbreaking in technical or screen writing terms, but contain music in the form of song-and-dance numbers woven into the script in order to appeal to all segments of the audience and maximise box office receipts. Since Hollywood's multi-million budgets would never have helped shoot realistic and colourful, but rough Brazilian imagery, 'Central Station' (1998) and 'Cidade de Deus' (2002) garnered indisputable acclaim at renowned film festivals after being funded on their own. The example set by off-Hollywood movie makers' efforts have become heroic in countries where movie industry budgets are, to say the least, scarce.

This is the case for LTA. It could have been more on par to Danny Boyle's 'Slumdog Millionaire' if it wasn't for the Peruvian-Spanish meagre budget available to Peruvian young director Claudia Llosa. If you expect to see acting beaus or beautés, famous screenwriters and crew, expensive car explosions or CGI, go elsewhere. LTA is neat magic-realism, a territory where people may be poor but not disgusting, where their houses are mere recreation centres for fantasy and everyday life to play happily together. Only time will tell if the trend keeps up, spreads globally, and ends up being called Globbywood.

This is a well-told tale of hope where only two professional actors are involved. And this was as clear to Berlinale judges as it is for the general public -those with a thirst for veritable, honest, witty craftsmanship at film-making.


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