| Photos (See all 16 | slideshow) | Videos (see all 2) |
| Chloë Grace Moretz | ... | Luli McMullen | |
| Christopher Coakley | ... | Kid #1 | |
| Anson Mount | ... | Nick | |
| Juliette Lewis | ... | Tammy | |
| Tim Parati | ... | Male Barfly | |
| Robert Baker | ... | Ray | |
| Bob Stephenson | ... | Lux (as Robert J. Stephenson) | |
| Eddie Redmayne | ... | Eddie Kreezer | |
| Blake Lively | ... | Glenda | |
| Leon Lamar | ... | Clerk | |
| Jonathan Cornick | ... | Cop #2 (as Jon Cornick) | |
| Brian Avery Galligan | ... | EMT | |
| Shaun Sipos | ... | Blane | |
| Dartanian Sloan | ... | Angel | |
| Michael G. Jefferson | ... | Flannel Drunk (as Michael Jefferson) | |
| Matt Malloy | ... | Bunny Looker | |
| Ray McKinnon | ... | Lloyd | |
| Dave Vescio | ... | Stranger (as David Allen Vescio) | |
| Jody Thompson | ... | Bartender | |
| Beth Malone | ... | Sherri | |
| Gina Stewart | ... | Crystal | |
| Rory Culkin | ... | Clement | |
| Alec Baldwin | ... | Beau | |
| Troy Rudeseal | ... | Bus Driver | |
| Daisy De La Hoya | ... | Special LA Bus Guest | |
| Trevor Duke-Moretz | ... | Special LA Bus Guest (as Trevor Moretz) | |
| rest of cast listed alphabetically: | |||
| Chevy Lamont Cofield | ... | Bus Passenger (uncredited) | |
| Jason Damico | ... | Jock (uncredited) | |
| Carolyn Foland | ... | Townie / Mother (uncredited) | |
| Beth Gosnell | ... | Bar Patron (uncredited) | |
| Richard Wes Howren | ... | Bus Rider (uncredited) | |
| Marianne Meador | ... | Woman at Ice Cream Stand (uncredited) | |
| Joe Montanti | ... | L A Bus Driver (uncredited) | |
| Jim Prim | ... | Redneck (uncredited) | |
| Pat Thomas | ... | Bar Patron (uncredited) | |
Directed by | |||
| Derick Martini | |||
Writing credits | ||
| Andrea Portes | (screenplay) | |
| Andrea Portes | (novel) | |
Produced by | |||
| Tommy Brazie | .... | co-executive producer | |
| Jonathan Cornick | .... | producer (as Jon Cornick) | |
| Charles de Portes | .... | executive producer | |
| Charles de Portes | .... | producer | |
| Trevor Duke-Moretz | .... | co-executive producer | |
| Stuart Gibson | .... | co-executive producer | |
| Paul Greenwood | .... | co-executive producer | |
| Michael G. Jefferson | .... | co-producer (as Michael Jefferson) | |
| Teri Duke Moretz | .... | co-executive producer (as Teri Moretz) | |
| Andrea Portes | .... | co-producer | |
| Pedro Portes | .... | co-executive producer (as Dr. Pedro Portes) | |
| Steven Siebert | .... | producer | |
| Anna Margaret Smedvig | .... | co-executive producer | |
| Christian Taylor | .... | producer | |
Original Music by | |||
| Larry Campbell | |||
Cinematography by | |||
| Frank Godwin | |||
Film Editing by | |||
| Mark Yoshikawa | |||
Casting by | |||
| Eyde Belasco | |||
Production Design by | |||
| Roshelle Berliner | |||
Art Direction by | |||
| Brian Stultz | |||
Set Decoration by | |||
| Andy Krish | |||
Costume Design by | |||
| Erika Munro | |||
Makeup Department | |||
| Vivian Baker | .... | makeup artist: Blake Lively | |
| Fabian Garcia | .... | hair department head | |
| Louisa Gore Hamn | .... | key makeup artist (as Louisa Gore) | |
| Emanuel Millar | .... | hair stylist: Blake Lively (as Emmanuel Millar) | |
| Bryan David Moss | .... | additional hair stylist (as Bryan Moss) | |
| Joan Shay | .... | key hair stylist | |
| Leo Won | .... | makeup department head | |
Production Management | |||
| Jonathan Cornick | .... | unit production manager (as Jon Cornick) | |
| Les Franck | .... | production supervisor | |
| Ruheene Masand | .... | production manager | |
| Tim Pedegana | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Ryan Bennett | .... | second second assistant director (as Ryan 'Flash' Bennett) | |
| Brian Avery Galligan | .... | second assistant director | |
| Michael G. Jefferson | .... | first assistant director (as Michael Jefferson) | |
Art Department | |||
| Kim Akers | .... | painter (as Kimberly D. Akers) | |
| Robert Beck | .... | property master (as Robbie Beck) | |
| Kim Breece | .... | art department production assistant (as Kimberly Breece) | |
| Richard Colwell | .... | paint foreman | |
| Amy Dholakia-Jorand | .... | additional graphic artist | |
| Silas Dobyns | .... | propmaker (as Silas P. Dobyns) | |
| Stephanie Hagens | .... | illustrator | |
| Stephanie Hagens | .... | title sequence designer | |
| Margie McLamb Holowaty | .... | art department coordinator (as Margie Holowaty) | |
| Rebecca Lee | .... | painter (as Rebecca D. Lee) | |
| Rebecca Leonard | .... | painter | |
| Richard Pipkin | .... | construction coordinator (as Richard F. Pipkin) | |
| Emma Segasture | .... | on set painter | |
| Adam Willis | .... | set dresser | |
Sound Department | |||
| Jeff Babb | .... | epk sound mixer | |
| Jason Brennan | .... | dialog supervisor | |
| Jason Brennan | .... | sound re-recording mixer | |
| David Jobe | .... | foley mixer | |
| Steve Mann | .... | sound effects editor | |
| Jason Oliver | .... | adr mixer | |
| Terry Rodman | .... | sound designer | |
| Terry Rodman | .... | sound re-recording mixer | |
| Terry Rodman | .... | supervising sound editor | |
| Carl Rudisill | .... | sound mixer | |
| John Skoglund | .... | sound utility | |
| Andy Stallabrass | .... | adr mixer | |
| Deron Street | .... | first assistant sound editor | |
Special Effects by | |||
| David Beavis | .... | special effects supervisor | |
| Susan Beavis | .... | special effects buyer | |
| Jeffrey L. Loy | .... | special effects foreman | |
Visual Effects by | |||
| Dan Browne | .... | systems admistrator: Evil Eye Pictures | |
| John L. Jack | .... | visual effects producer | |
| Sohee Kim | .... | roto/paint artist: Evil Eye Pictures | |
| Patrick Louie | .... | rotoscope artist: Evil Eye Pictures | |
| Ruheene Masand | .... | vfx production manager | |
| Daniel P. Rosen | .... | visual effects supervisor: Evil Eye Pictures | |
Stunts | |||
| Jeremy Conner | .... | stunts | |
| Bob Fisher | .... | stunt coordinator | |
| John Gilbert | .... | stunt coordinator | |
| John Gilbert | .... | stunt double: Eddie Redmayne | |
| Dino Muccio | .... | stunt coordinator | |
| Haley Nott | .... | stunt coordinator | |
| Michele Waitman | .... | stunts | |
| Haley Nott | .... | utility stunts (uncredited) | |
| Michele Waitman | .... | stunt double: Chloe Moretz (uncredited) | |
Camera and Electrical Department | |||
| Andy Bader | .... | camera loader | |
| Stacy Barnhill | .... | grip | |
| Logan R. Berkshire | .... | key grip | |
| Patrick Borowiak | .... | first assistant camera | |
| Troy Carlton | .... | crane operator | |
| Troy Carlton | .... | grip | |
| Scott Frye | .... | dolly grip | |
| Bryan Kupko | .... | camera production assistant | |
| Matt Malloy | .... | gaffer | |
| John McIntyre | .... | second assistant camera | |
| Jeff Moore | .... | camera operator | |
| Ritchie Nannini | .... | grip | |
| Fred Norris | .... | still photographer | |
| Neil Orchard | .... | electrician | |
| Kenny Rivenbark | .... | libra operator | |
| Eric Townsend | .... | grip | |
| Sean Yaple | .... | second assistant camera: "b" camera | |
Casting Department | |||
| Nathaniel Kistler | .... | casting assistant | |
| Vanessa Neimeyer | .... | extras casting | |
Costume and Wardrobe Department | |||
| Karman Graham Franck | .... | costume assistant | |
| Joyce Marling | .... | wardrobe supervisor | |
Editorial Department | |||
| Liz Calandrello | .... | assistant editor | |
| Dannielle Carr | .... | post-production assistant | |
| Christy House | .... | post-production coordinator | |
| Kindra Marra | .... | associate editor | |
| Scot Olive | .... | digital intermediate colorist | |
Music Department | |||
| P.J. Bloom | .... | music supervisor | |
| Larry Campbell | .... | composer: theme music | |
| Bob Dylan | .... | composer: main title theme | |
| Jon Mooney | .... | music editor | |
Transportation Department | |||
| Russell l Byrd | .... | driver (as Russell Byrd) | |
| Neil Castles Jr. | .... | camera car driver | |
| Ty Church | .... | transportation coordinator | |
| Mark McNeill | .... | transportation captain | |
| Rick Parkinson | .... | driver | |
| Linda Pickett | .... | driver | |
| Jesse Smith | .... | driver | |
| Greg Stancil | .... | picture car coordinator | |
| Greg Stancil | .... | transportation co-captain | |
Other crew | |||
| T. Julian Bell | .... | stand-in/photo double | |
| Michelle Lee Brown | .... | craft service (as Michelle Brown) | |
| Robyn M. Brown | .... | craft service assistant (as Robyn Brown) | |
| Michael Buster | .... | dialect coach: Eddie Redmayne | |
| Randy Byers | .... | assistant location manager | |
| Victoria Carnall | .... | payroll accountant | |
| Karen Chalk Wheeler | .... | production accountant (as Karen Chalk Hughes) | |
| Andrew Chalk | .... | accounting clerk | |
| Carol A. Compton | .... | script clearance | |
| Ryan Daeche | .... | location representative | |
| Trevor Duke-Moretz | .... | acting coach: on set | |
| Brandon Goertz | .... | assistant to production supervisor | |
| Jonathan Gray | .... | production counsel | |
| James Billy Hill III | .... | location assistant | |
| Corey L. Howard | .... | set production assistant | |
| Ingrid Johanson | .... | production coordinator | |
| Michael L. Kuhn | .... | location assistant | |
| Andrew L. Lanier | .... | location scout | |
| Brian A. Litman | .... | assistant post-production accountant | |
| Ashley Mayfield | .... | office production assistant | |
| Shaun O'Rourke | .... | office production assistant | |
| Tarah Phillippi | .... | first production accountant | |
| Patrick Priest | .... | set production assistant | |
| Chayne Ryan | .... | accounting intern | |
| Geoffrey Ryan | .... | location manager | |
| David Ryder | .... | production secretary | |
| Howard Samuelsohn | .... | dialect coach | |
| Jeff Sanders | .... | legal services: production finance | |
| Dee Schuka | .... | post production accountant | |
| Kate Segovis | .... | assistant: Jonathan Cornick | |
| Andy Sleet | .... | location scout (as Andrew Sleet) | |
| Justin Soponis | .... | assistant production coordinator | |
| Tarin Squillante | .... | set production assistant | |
| London Stewart | .... | location scout | |
| Ian M. Stratford | .... | financial counsel | |
| Anita Surendran | .... | production counsel | |
| Aaron Lee Syrett | .... | film commissioner | |
| Jennifer Taginski | .... | set medic | |
| Laura Torrance | .... | studio teacher | |
| Tony Wallace | .... | key assistant location manager | |
| Lauren Weingarten | .... | location assistant | |
| Matthew Wright | .... | location assistant | |
| Karman Graham Franck | .... | post payroll accountant (uncredited) | |
|
|
|
|
|
| About Schmidt | Election | How to Train Your Dragon | The House Without a Christmas Tree | Terms of Endearment |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I saw it as a movie that works with a young girl's expectations and anxiety, while she grows fast in a very complicated environment, passing through tough situations. She's in the middle of building a new identity, because of her age, after her family brakes up and abandons her in the middle of nowhere. She is in a completely fragile and vulnerable position, but her mind, heart and soul are trying to find a way for her life, for her personality and for her values. She brings memories and integrity from childhood that now have to face a grown up world, without any help. It's a movie about a story to be, that can't find a solution until it ends.
Characters and plot are searching, they are all in the road and this constant reference to the road makes the extreme beauty of this movie. Hick, or Luli, the girl is not just the main character but she is also the personification of this story to be, girl to be, to find her own answers and life while passing through all the changes of her age and without any base but two very problematic older friends she met. There is a total identity between the girl and the space she lives in an is trying to get out of. The light, the desert sceneries, they make Luli great, strong, and that's why she keeps going on. Because, after all, that's her world and her life, and we see all the action as if those were her own mind working, searching for answers and for a way out of the trouble.
She is completely alone and lost, but she wants to experience this new life, she desires this new world, so it's not only a drama, it's also an adventure. She loves the ones that cannot love her back the way she needs the most, neither the way she wants, but they love her two, while lost in their own worlds. They couldn't find anything better, while she just doesn't give up, and that is a conflict with bad consequences, as the sexual molest. Luli is growing up in a extreme situation and she is determined to patiently pass through everything she'll have to go through, to get over it.
The most simple things of life are not allowed here, there is no access to it. In a situation like that, what would anyone do? That's what this movie is about. Hick represents a distance from the possible world and from the real world. It's a situation her people are indeed struggling so desperately every day to keep their lives. But, somehow, in the edges of this forgotten world it's effectively reality who keeps them prisoners, so this story asks for reflection too.
It's not exactly an imaginary story, elements are very real and we can feel their impact in social differences or in the power relation between men and women, and in the uneven risks a young girl has to take to go on with her life. We can find all this elements in our daily lives. Luli feels deep love and friendship and learns its forms in this very disturbing world. She can't just say no and go back to anything before that. She has this chance repeatedly but she knows she has to move forward, no matter what, it's her only way out.
Chloë Grace Moretz, Eddie Redmayne and Blake Lively hold the story with an intense acting, strong rhythm and gradual tension, until the outcomes. I also liked very much the direction of Derick Martini and the approach of the story. It's not inappropriate at all, if we think that sexuality gains more and more importance every day in our times, in this culture where precocity and desire are so stimulated, and we have Internet. There's got to be a permanent discussion about it. Chloë is a very mature girl for her age, that can be seen in the movie, as an actress she entirely dominates her role and gives it strong traces and emotions. One more great job for her brilliant career. Eddie Redmayne and Blake Lively worked with her in perfect connection and that allowed this movie to be so expressive in a very single story.