A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
A young man is sentenced to life in prison for killing two children, a crime he didn't commit. DNA evidence sets him free, but there is no hiding from the prison gang that wants him dead. ... See full summary »
Charles S. Dutton
Karen, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there's a problem. They're still alive.
Chloë Grace Moretz
At the start of the film Luli can be seen drawing, using her lap for a drawing table. Another angle shows her feet moving around. If she were drawing or writing on paper in her lap she'd need to keep her feet still to avoid moving her paper. See more »
Yeah, I heard she was born in a bar.
You could shake your knuckles at the sky. You could get mad and say I don't got nothing. You could get stuck.
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I first have to say that I have no problems with the performances; everyone did a great job in that department. Throughout the film Luli is drawing in a sketch book as she narrates and I really liked the simplicity of the drawings. No, what let it down (IMO) was a poorly put together script. They say it's a bad idea to let the writer of a novel attempt the screenplay and I suspect this is a case in point. It probably works very well as a book, but it really didn't work on the screen in this form. I like the actors fine but I found little to like in the characters. Our main focus, Luli, has very few redeeming features; she was a victim of circumstance all the way through and I found it quite frustrating to watch I'm afraid. Sadly not one I can recommend.
SteelMonster's verdict: NOT RECOMMENDED
My score: 4.9/10
You can find an expanded version of this review on my blog: Thoughts of a SteelMonster.
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