A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Anna Brady plans to travel to Dublin, Ireland to propose marriage to her boyfriend Jeremy on Leap Day, because, according to Irish tradition, a man who receives a marriage proposal on a leap day must accept it.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Anna Foster has never had an ordinary life. At eighteen years old, she is the most protected girl in America; she is the First Daughter. Frustrated with her overprotective father, the ... See full summary »
Sandy, upon discovering her husband's infidelity while watching her son's birthday video, leaves the suburbs and moves into the city. She gets an apartment that's above a coffee house where she befriends one of the workers, Aram, a guy whose wife only married him so she could get a green card. Aram's family thinks he's wasting his life and education by working in the coffee house. Soon after moving into the apartment, Sandy hires Aram to be her nanny while she takes on work for the first time since her children where born. It isn't long when Aram and Sandy find they get along wonderfully and start to date. But the question is: is their relationship real or is it, in fact, just a rebound for both of them? Written by
for a person who never have special feeling toward Catherine Zeta-Jones, this piece of work of her playing a middle aged mother is truly the best one from her career as far as I believe. Justin Bartha is also the main reason makes this story believable. one of the great example of how right casts can push a B level of the production, script and its director to even possibly work. there are some good moments but most of the time one just so much hope the director can go deeper and build on characters in a much more personal angles, sadly he did't. without these two main actors, the movie would be a 4-5 out of 10 piece of work.
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