John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
Walt Kowalski is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy old man who can't get along with either his kids or his neighbors. He is a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao, a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao's family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood. Written by
According to Bee Vang, the Hmong actors for this film were isolated from the rest of the cast and crew. According to Vang, efforts by the Hmong actors to correct the portrayal of Hmong traditions were ignored. He has also refuted claims that the Hmong actors were encouraged to improvise. According to Vang, when he tried to improvise, Clint Eastwood told him to "stick to the script." Vang also stated that the cast and crew had attended a baseball game, but the Hmong actors were not invited. It was assumed that the Hmong actors were immigrants and did not know about baseball, but the majority of the Hmong actors were U.S. natives. Bee Vang later participated in a parody of the film, "Thao Does Walt," in which he played an elderly Hmong man to a teenage Caucasian boy, highlighting perceived racial stereotyping in the original scene. See more »
At Walt's funeral he is shown in an open casket. At a Catholic funeral, the casket would be closed and covered with a white cloth (as it was at Dorothy's funeral) See more »
God, I am sorry for Dorothy, Walt. She was a real peach.
Thanks for coming, Al.
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The credits scroll over a highway overlooking the lake shore, with the Warner Logo appearing in black and white. See more »
As Clint Eastwood reaches the end of his life, he presents us with yet another performance which is nothing short of legendary. Wishing to preserve the element of surprise, I will not reveal anything by trying to analyse this great work of art.
I will say this. There are similar qualities to his previous work, but I would say that both his directing and acting have reached a level of maturity comparable to that of an excellent wine. The story was compelling and, mixed with the drama was a refined touch of humour; the perfect combination for a pleasant evening.
I would like to finish by thanking Mr. Eastwood for sharing this touching moment with his audience at a time when most of the cinematic "art" produced in Hollywood consists of stunts and bad jokes.
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