| Photos (See all 29 | slideshow) | Videos (see all 19) |
| Olivia Cooke | ... | Laine Morris | |
| Ana Coto | ... | Sarah Morris | |
| Daren Kagasoff | ... | Trevor | |
| Bianca A. Santos | ... | Isabelle (as Bianca Santos) | |
| Douglas Smith | ... | Pete | |
| Shelley Hennig | ... | Debbie Galardi | |
| Sierra Heuermann | ... | Doris Zander | |
| Sunny May Allison | ... | Doris (10 years old) | |
| Lin Shaye | ... | Paulina Zander | |
| Claudia Katz | ... | Mother | |
| Vivis Colombetti | ... | Nona (as Vivis) | |
| Robyn Lively | ... | Mrs. Galardi | |
| Matthew Settle | ... | Mr. Morris | |
| Afra Sophia Tully | ... | Young Laine (as Afra Tully) | |
| Claire Beale | ... | Young Debbie | |
| Izzie Galanti | ... | Young Sarah | |
| Morgan Peter Brown | ... | Grief Counselor | |
| Bill Watterson | ... | Diner Manager | |
| Kathleen Coyne | ... | Mourner #1 | |
| Leigh Bush | ... | Mourner #2 | |
| Jake Lucas | ... | Institution Guard (as Jacob Lucas) | |
| Ken Blackwell | ... | Internet Expert |
Directed by | |||
| Stiles White | |||
Writing credits | ||
| Juliet Snowden | (written by) & | |
| Stiles White | (written by) | |
Produced by | |||
| Michael Bay | .... | producer | |
| Jason Blum | .... | producer | |
| Jeanette Brill | .... | executive producer (as Jeanette Volturno-Brill) | |
| Stephen Davis | .... | executive producer | |
| Phillip Dawe | .... | associate producer | |
| Andrew Form | .... | producer | |
| Bradley Fuller | .... | producer | |
| Brian Goldner | .... | executive producer | |
| James Moran | .... | associate producer | |
| Rick Osako | .... | co-producer | |
| Daniel Persitz | .... | co-producer | |
| Couper Samuelson | .... | executive producer | |
| Bennett Schneir | .... | producer | |
| Juliet Snowden | .... | executive producer | |
Original Music by | |||
| Anton Sanko | (music by) | ||
Cinematography by | |||
| David Emmerichs | (director of photography) | ||
Film Editing by | |||
| Ken Blackwell | (edited by) | ||
Casting by | |||
| Nancy Nayor | |||
Production Design by | |||
| Barry Robison | (production design by) | ||
Art Direction by | |||
| Cate Bangs | |||
| Jeremy Woolsey | |||
Costume Design by | |||
| Mary Jane Fort | (costume design by) | ||
Makeup Department | |||
| Laura Calvo | .... | makeup artist | |
| Anthony Gordon | .... | makeup department head | |
| Dean Jones | .... | special makeup effects artist | |
| Starr Jones | .... | makeup artist | |
| David Larson | .... | key hair stylist | |
| Sava Markovic | .... | lens technician | |
| Toby Sells | .... | special effects life cast | |
| Mike Smithson | .... | special makeup by | |
| Logan Horberg | .... | Makeup lab tech (uncredited) | |
Production Management | |||
| Laura Altmann | .... | production supervisor | |
| Michael A. Galasso | .... | production supervisor (additional photography) | |
| Steven Kaminsky | .... | post-production supervisor | |
| Rick Osako | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Mark Ballou | .... | second unit assistant director | |
| Danny Giles | .... | second second assistant director | |
| Eric Glasser | .... | second assistant director | |
| James Moran | .... | first assistant director | |
| James Moran | .... | second unit director | |
| Gregory J. Pawlik Jr. | .... | second assistant director | |
Art Department | |||
| Fred Apolito | .... | general foreman | |
| Jody Bergman | .... | buyer | |
| Jack Finch | .... | graphics designer | |
| Joey Genitempo | .... | stand-by painter | |
| Derrick Hinman | .... | property master | |
| Mark Millicent | .... | storyboard artist | |
| Francis J. Roix | .... | prop maker | |
| Vincent Yague | .... | set dresser | |
| Mamie Young | .... | art department coordinator | |
| Síla ÓGrádaigh | .... | art department coordinator: reshoots | |
Special Effects by | |||
| Sean Amborn | .... | special effects coordinator | |
| Thomas Amborn | .... | special effects technician | |
| Anthony Ray Herrera | .... | special effects technician | |
| Jim Schwalm | .... | special effects coordinator | |
Visual Effects by | |||
| Derek Botelho | .... | digital compositor | |
| August Coleman | .... | digital compositor | |
| Jamison Scott Goei | .... | visual effects supervisor | |
| Mark Herman | .... | vfx editor | |
| Maggie Kraisamutr | .... | digital compositor | |
| Anthony Kramer | .... | digital compositor: MassExodus | |
| Mark Maccora | .... | visual effects producer | |
| Arastao Maree | .... | post-vis artist | |
| John R. McConnell | .... | digital compositor | |
| Jay Miller | .... | graphic designer | |
| Brad Moylan | .... | senior compositor: Legion | |
| Sookie Park | .... | digital compositor | |
| Nate Smalley | .... | visual effects producer: Legion Studios | |
| Kyle Spiker | .... | visual effects artist | |
Stunts | |||
| Kevin Abercrombie | .... | stunts | |
| Ben Hernandez Bray | .... | stunt coordinator (as Ben Bray) | |
| Damien Bray | .... | utility stunts | |
| Keenen Bray | .... | stunts | |
| Andrew Emilio DeCesare | .... | utility stunts | |
| Alice Ford | .... | stunt performer | |
| Mike Gunther | .... | stunt coordinator | |
| Greg Harris | .... | stunts | |
| Theo Kypri | .... | additional stunt coordinator | |
| Theo Kypri | .... | utility stunts | |
| Don Lee | .... | utility stunts | |
| Michelle Alvarado Martins | .... | stunt double: Bianca A. Santos | |
| Sarah Molasky | .... | stunt double: Ana Coto, re-shoots | |
| Jessen Noviello | .... | stunt double Daren Kagasoff | |
| Diz Sharpe | .... | stunts | |
| Ray Siegle | .... | stunts: water safety | |
| Monty L. Simons | .... | utility stunts | |
| Mallory Thompson | .... | stunt double: Shelley Hennig | |
| Mark Aaron Wagner | .... | stunt double: Daren Kagasoff | |
| Kyle Woods | .... | stunt rigger | |
Camera and Electrical Department | |||
| Josh Benavidez | .... | second assistant camera: "b" camera | |
| John Beran | .... | best boy grip | |
| Malcolm Bryce | .... | best boy electric | |
| Malcolm Bryce | .... | second unit gaffer | |
| James F. Cornick | .... | lighting technician | |
| Kevin Culligan | .... | grip | |
| Jeremy Emerman | .... | epk | |
| Matt Garber | .... | lighting technician | |
| Frank Anthony Garbutt | .... | grip | |
| John Janusek | .... | key grip | |
| Matt Kennedy | .... | still photographer | |
| Diego Mariscal | .... | a dolly grip | |
| Kevin Massey | .... | gaffer | |
| Larry Nielsen | .... | first assistant camera: "a" camera | |
| David Richert | .... | camera operator | |
| David Richert | .... | director of photography: second unit | |
| David A. Seekins | .... | first assistant camera: additional photography | |
| Robert Settlemire | .... | underwater operator | |
| Chris Shadley | .... | video assist playback | |
| Roxanne Stephens | .... | second assistant camera: additional photography | |
| Eric Stillions | .... | lighting technician | |
| Naomi Villanueva-Brunner | .... | b camera: first assistant (as Naomi Villanueva) | |
Casting Department | |||
| Mayank Bhatter | .... | casting assistant | |
| Ally Conover | .... | additional casting | |
| Sarah Domeier | .... | additional casting | |
| Brandi S. Hawkins | .... | extras casting | |
| Terri Taylor | .... | additional casting | |
| Lindsey Weissmueller | .... | casting associate | |
| Emily Bohbrink | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Frank Alexander | .... | key costumer (Additional Photography) | |
| Mallory Bradley | .... | costume assistant | |
| Sara Fox | .... | costumer | |
| Deborah Hall | .... | costume supervisor | |
| Liz Larson | .... | key on-set costumer | |
| Alma Magaña | .... | set costumer: additional photography | |
| Branden Marks | .... | set costumer | |
Editorial Department | |||
| Eric R. Brodeur | .... | first assistant editor | |
| Christy Conyers | .... | post-production assistant | |
| Adrian DeLude | .... | colorist: dailies | |
| Vinka Jurisic | .... | post-production coordinator | |
| Joe Ken | .... | digital intermediate editor: Company 3 | |
| Ken Lebre | .... | dailies producer | |
| Niccole Osborn | .... | post-production coordinator | |
| Jared Pecht | .... | color assistant | |
| Joe Pestana | .... | dailies assistant | |
| Christian Prejza | .... | digital intermediate producer | |
| Brett Sobel | .... | post production assistant | |
| Arthur Tremeau | .... | dailies producer | |
| Ian Sullivan | .... | digital intermediate accountant (uncredited) | |
Music Department | |||
| Amie Doherty | .... | additional orchestration | |
| Shannon Erbe | .... | music editor | |
| Nate Finan | .... | composer: additional music | |
| Zigmund Gron | .... | music editor | |
| Joachim Horsley | .... | orchestrator | |
| Alessio Nanni | .... | composer: additional music | |
| Joel Thompson | .... | composer: additional music | |
| Tracie Turnbull | .... | score coordinator | |
| Lianne Ward | .... | assistant to composer | |
Transportation Department | |||
| David W. Dale | .... | driver: additional photography | |
| Joey Freitas | .... | picture car coordinator | |
| Dennis Lape | .... | driver | |
| James Messersmith | .... | driver | |
| John Yarbrough | .... | transportation captain | |
Other crew | |||
| Renetta G. Amador | .... | script supervisor | |
| Christian Antolin | .... | main title designer: Prologue Films | |
| Ryan Aragon | .... | office production assistant: additional photography | |
| Kandice Billingsley | .... | location manager | |
| Chance Bostick | .... | production assistant | |
| Caleb Brewster | .... | production coordinator: additional photography | |
| Justin Carville | .... | production accountant | |
| Sungmi Choi | .... | head of marketing: Blumhouse | |
| Meghan Cirillo | .... | titles: producer | |
| Sean Cummings | .... | assistant to producer | |
| David Danberg | .... | key crafts service | |
| Sofie Dejus | .... | assistant production coordinator: additional photography | |
| Hillel Elkins | .... | head of business and legal affairs: Blumhouse | |
| Jacob Gilbert | .... | production assistant | |
| Kirsten Gunnarshaug | .... | production secretary: additional photography | |
| Paula Henry | .... | production assistant | |
| Doug Hodges | .... | insurance broker: Truman Van Dyke | |
| Jamie Kapili | .... | production staff | |
| Aaron Khristeus | .... | post-production accountant | |
| S. Dylan Kirkland | .... | key assistant location manager | |
| Jennifer Levine | .... | set medic | |
| Erin Manacker | .... | clearance and research: Hollywood Script Research | |
| Cassandra Martinez | .... | payroll accountant (as Cassandra Johansen) | |
| Kelly McCrossan | .... | accounting clerk | |
| Olga Midlenko | .... | opening credits designer: Prologue Films | |
| Don Napoli | .... | key production accountant: marketing shoot | |
| Chelsea Stardust Peters | .... | assistant: Mr. Blum (as Chelsea Peters) | |
| Meredith C. Powell | .... | production assistant | |
| Mishi Reyes | .... | assistant: Mr. Fuller & Mr. Form | |
| Mark Anthony Rojas | .... | key layout board technician | |
| Madison Romero | .... | second assistant accountant | |
| Tiffany Romero | .... | payroll accountant | |
| Brian Rosko | .... | production assistant | |
| Chris Ruiz | .... | assistant production office coordinator | |
| Matthew Ryckman | .... | assistant: Mr. Blum | |
| Brady Smoot | .... | production legal counsel: Reder & Feig LLP | |
| Dennis Whitcomb | .... | clearance and research: Hollywood Script Research | |
| Mandy Yaeger | .... | production coordinator | |
| Edward Albolote | .... | assistant: Michael Bay (uncredited) | |
| Nikhil Jassawalla | .... | consultant (uncredited) | |
|
|
|
|
|
| Jumper | Charlie's Angels | Sickness | Thirty Second Doom | Tracker |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Fantasy section | IMDb USA section |
Following the mysterious death of her best friend Debbie (Shelley Hennig), Laine (Olivia Cooke) finds an old Ouija board in Debbie's room and wants to use it to try to say goodbye. To help her, she enlists her and Debbie's friends Trevor, Sarah, Isabelle, and Pete (Daren Kagasoff, Ana Coto, Bianca A. Santos, and Douglas Smith) to try to communicate with Debbie with the board. Instead of contacting Debbie, they find someone else. Now she and her friends must discover this spirit's past and to close the portal they've opened in order for them to not suffer its fate
When I heard about this film near the end of last year, I thought it had a lot of potential based on the subject matter. But it turned out to be a vanilla/PG-13 (I use these terms interchangeably) horror movie. If you think watching people sit at a table is exciting, than this film is for you. I just wished it could have gone further in many areas. I personally did not find this film very scary which disappointed me but I was not surprised considering what I knew about the film. This is what happens when the film is marketed for a YA/tween audience. I guess it didn't want to alienate them. I think they are better than that. I found the story rather predictable where I was able to guess what happened next most of the time. I also found that the film skimmed over a few things story-wise which meant just having to accept things that are thrown at you and it suffers from many underdeveloped characters such as all of them. I never really cared about any of the characters so I wasn't too emotionally invested in them either. In my opinion, good horror movie have a few characters that are developed to the point that you become emotionally invested and care about what happens to them so we get scared with them because we believe that something bad is about to happen to them. They also have characters that we tend to not care as much about because they need people to kill off. I never got to learn too much about any of the characters so I didn't care about what happened to them and I will not spoil what happens but I will say that it did not do enough. Also the film was too short in that another 15 minutes could have done it some good. The end was pointless because it tried to hint at a sequel which is unnecessary and will probably not happen judging by how poorly the film did at the box office. Its a shame that the film was marketed to a younger audience because if it could have gone a little darker and dived a little deeper into the subject matter then the film could have been decent.
Score: 6/10 keithlovesmovies.com