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When an ambulatory TV news unit live broadcasts the embarrassing defeat of a police battalion by five bank robbers in a ballistic showdown, the credibility of the police force drops to a ... See full summary »
With the nickname Peggy, a new recruit is mentored by Dog-Head, while undergoing on-job training while tracking down a gang of well organized armed heist robbers. The police use the surveillance cameras trying to track their identities.
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Champion competitive marksman Ken comes across an armored van robbery. He sees a policeman held hostage and shoots and kills four of the robbers. One of the robbers escapes and the ... See full summary »
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime Syndicates.
Hong Kong nihilism. December 22, a street quarrel leads to the death of a gang leader's son. Next day, he seeks revenge on his brother, a rival boss. He calls on Liu, a fixer, to import a ... See full summary »
Accident might just be the most refined and intelligent piece of Hong Kong cinema since 2002's Infernal Affairs. The film probably won't prove as popular with mainstream audiences due to its almost meditative, slow-burn pacing - but for anyone with an interest in inventive genre cinema, Soi Cheang's newest outing is a must-see.
Taking its cues from Jean-Pierre Melville, Accident revolves around a group of assassins who stage their murders like accidents. The group is led by Brain (Louis Koo in a career-defining performance), who grows increasingly paranoid when one of the group's accidents goes awry and kills another member.
Thankfully, while the actual "accidents" are impressive and cleverly put together, Soi Cheang doesn't make the mistake of letting gimmicky set pieces dominate his film. Instead, Accident becomes a fascinating character study of a man who gradually destroys himself through paranoia and guilt. As such, the film largely depends on Louis Koo's performance - and what a performance it is; with this film, Koo finally deserves to be elevated from the hotpot of mediocre HK-popstars-cum-actors people used to include him in.
Add to this an elegiac score by Xavier Jamaux, elegant cinematography and you end up with the most compelling film to come out of Asia in the past 2 years.
If there is any problem to be found in this, it's that Accident is purely a Milkyway Image film, not a Soi Cheang film. Anyone hoping to find the director's trademark relentlessness here will be disappointed
although it could be argued some of the nihilism found in works like
Dog Bite Dog was carried over into Accident's finale.
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