In the mid-1960s, Joan, not long married to comic actor John Le Mesurier, meets and is mutually attracted to comedian Tony Hancock, married to the long-suffering Freddie. Hancock's most ...
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In the mid-1960s, Joan, not long married to comic actor John Le Mesurier, meets and is mutually attracted to comedian Tony Hancock, married to the long-suffering Freddie. Hancock's most successful period is in the past and he has become depressive and alcoholic, recently emerging from a stay in a rehab centre. Joan tells him that if he can remain sober for a year she will leave John for him. Hancock goes to Australia to film a comedy series there but it does not work out and he commits suicide. Joan stays with John until his death in the 1980s. Written by
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[Tony and Joan have had a blazing row because Tony is blind drunk; she grabs his bottles of brandy and throws them at the wall; swearing profusely, Tony staggers across the room and tries to hit her with a coffee table; both of them end up on the floor]
I do enjoy our little after-dinner chats, don't you?
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Just when you get sick of the barrage of reality TV and the dispiritingly banal shows that seem to make up the majority of TV it comes as a real pleasure to come across a TV drama like this. A deceptively straight-forward account of the affair between Tony Hancock and Joan Le Mesurier (wife of the wonderful John) the film follows their relationship from its tentative beginnings through the problems with Hancock's chronic alcoholism, and its devastating impact on both their lives, to the inevitable ending. This is a well written piece that rarely puts a foot wrong but the real heart and soul of the film are the outstanding performances from Stott and Peake who are both exceptional. Indeed, both their performances deserve to get noticed come the next BAFTA awards.
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