When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship causes him to take a relatively green performer under his wing as his opening act.
Bi-polar mall security guard Ronnie Barnhardt is called into action to stop a flasher from turning shopper's paradise into his personal peep show. But when Barnhardt can't bring the culprit to justice, a surly police detective, is recruited to close the case.
A man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.
Jada Pinkett Smith
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
George is a very successful stand up comedian who learns that he has an untreatable blood disorder and is given less than a year to live. Ira is a struggling up-and-coming stand up comedian who works at a deli and has yet to figure out his onstage persona. One night, these two perform at the same club and George takes notice of Ira. George hires Ira to be his semi-personal assistant as well as his friend. Written by
All featured footage of a younger George Simmons is real footage of a younger Adam Sandler, although all of the movies of George Simmons are fake. See more »
Clarke invites Ira and George to watch the football finals from Australia, in a scene taking place in December. Australian football finals are played in September. In case of play-offs they may drag out into early October, but no later. See more »
Watching the Wheels (Acoustic)
Written by John Lennon
Performed by John Lennon
Courtesy of Yoko Ono Lennon
Under exclusive license to Capitol Records
Under license from EMI Film & Television Music See more »
How about "Amusing but Sometimes Sad People" as an alternate title?
Not your typical Judd Apatow movie. But with snippets of a typical Judd Apatow movie.
So different was this film from some of his others (40-Year-Old Virgin, Knocked Up), we actually paused the movie at about the midpoint. I found myself so confused--I was enjoying the movie--laughing frequently, in fact baw-hawing frequently, feeling connected with the characters and even feeling emotional. But then there seemed to be a sudden screeching halt to my enjoyment and a u-turn into "Awkward Hug Land." "Awkward Hug Land" = you met someone for the first time and were having a great time with them, laughing, listening, etc. The end of the night comes and you feel so close to them that you go in to give them a hug goodbye, which takes them by surprise, so you end up half-embracing, which of course leads to a pat or two on the back. Gross.
About an hour or so in, that movie goes there. Instead of seeing Adam Sandler's character as a flawed, damaged person due to his fame and wealth, I see him as so overly selfish he wouldn't hesitate to destroy the lives of children. Instead of enjoying Seth Rogan as the also-ran sidekick who should get the girl, I want to punch him in the nose for being so meddlesome, when clearly his involvement cannot reap any positive gain.
But then, strangely over the next 45 minutes as the movie winds its way to a close, I find myself enjoying the characters again. I start to laugh again. Strangely, I'm left really feeling like I enjoyed the movie, while in retrospect I know that at the point in which I paused it, I was seriously considering shutting it off. Strange.
Highlight--Anziz Answari. He's brilliant.
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