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Funny People (2009)

 -  Comedy | Drama  -  31 July 2009 (USA)
6.5
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Ratings: 6.5/10 from 77,631 users   Metascore: 60/100
Reviews: 295 user | 222 critic | 36 from Metacritic.com

When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.

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Cast

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Storyline

George is a very successful stand up comedian who learns that he has an untreatable blood disorder and is given less than a year to live. Ira is a struggling up-and-coming stand up comedian who works at a deli and has yet to figure out his onstage persona. One night, these two perform at the same club and George takes notice of Ira. George hires Ira to be his semi-personal assistant as well as his friend. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

George Simmons was prepared to die, but then a funny thing happened.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language and crude sexual humor throughout, and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

31 July 2009 (USA)  »

Also Known As:

Untitled Judd Apatow/Adam Sandler Project  »

Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend:

£1,001,152 (UK) (28 August 2009)

Gross:

£3,427,741 (UK) (18 September 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The scene where George Simmons asks to see Ira's penis is based on real life. Adam Sandler and director Judd Apatow used to be room mates in college. According to Apatow, Sandler actually asked Apatow: "Let me see your penis". (Apatow actually told this story to David Letterman on The Late Show with David Letterman in 2007.) See more »

Goofs

The MySpace gig takes place far enough away that George and Ira take a private plane. At the end of scene, he gets two girls to go back to his place. But at the end of those scenes the girls leave on their own, apparently left to their own resources to get back. See more »

Quotes

Leo: Why don't you go suck George Simmons's cock?
See more »

Connections

References The Wizard of Oz (1939) See more »

Soundtracks

"Love Is Strange"
Written by Bo Diddley (as Ellas McDaniel), Mickey Baker, Sylvia Robinson
Performed by Wings
Courtesy of MPL Communications, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Good first half, but then...
14 August 2009 | by (Sunderland, MA) – See all my reviews

I really enjoyed the first half of Funny People. I don't think I've ever seen any other Adam Sandler flicks (I didn't want to), so I was happily surprised by the good mix of comedy and drama here.

As soon as Sandler's ex-girlfriend and her family enter the fray, though, the film comes to a screeching halt. And when we learn new facts about his disease, the film turns itself upside down and inside out trying to figure out what it wants to do with this information. No one knows how to react; not Sandler, not the girlfriend, and not her husband. Judd Apatow thinks they do, but it's so hard to follow the character's ideas and feelings here that the film becomes unreadable. Because we don't know where the characters are coming from, we don't know whether we're watching comedy or drama, so we don't know how to feel or react. The little girls, while enjoyable to watch, are cloying and don't advance the story. And when a lot of screen time is devoted to the people playing games and generally goofing around, you're no longer watching the characters--you're watching the actors simply having a good time, which further slows down and confuses the story.

Seth Rogen's character seems to know what's right, but his voice gets lost amid all the confusion until the end, when we get an all-too-convenient moral finish that doesn't address any of the important issues raised in the film.

I think this could have been a much better film with a lot of the meandering in the second half either tightened up or removed.


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