When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
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When an alcoholic relapses, causing him to lose his wife and his job, he holds a yard sale on his front lawn in an attempt to start over. A new neighbor might be the key to his return to form.
Director:
Dan Rush
Stars:
Will Ferrell,
Christopher Jordan Wallace,
Rebecca Hall
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
In order to raise the tuition to send her young son to private school, a mom starts an unusual business -- a biohazard removal/crime scene clean-up service -- with her unreliable sister.
George is a very successful stand up comedian who learns that he has an untreatable blood disorder and is given less than a year to live. Ira is a struggling up-and-coming stand up comedian who works at a deli and has yet to figure out his onstage persona. One night, these two perform at the same club and George takes notice of Ira. George hires Ira to be his semi-personal assistant as well as his friend. Written by
Anonymous
When Ira is playing the mix he made for George, George objects to the first song because Bob Marley died of cancer, which reminds George of his own medical condition. Actually, all three of the songs that Ira plays have a strong connection to a famous man who died of cancer: in addition to the Bob Marley song, he plays "(I've Had) The Time of My Life", which is most famous for its prominent inclusion in the movie Dirty Dancing (that movie's star, Patrick Swayze, was undergoing treatment for pancreatic cancer while this movie was being filmed, and he died in September 2009), and next, he plays "Keep Me In Your Heart" by Warren Zevon, who died of lung cancer in 2003. See more »
Goofs
When George and Ira are at George's house and Laura shows up, behind them you can see pool cleaners cleaning the pool. However, when it switches to the security camera, there is no one cleaning the pool. See more »
I'll start by saying that I am a Judd Apatow fan. I've loved most of his movies, including the two previous movies he's directed, The 40-Year-Old Virgin and Knocked Up. I've seen each many times, and they are two of my favorite comedies.
This, however, didn't prepare me for his newest, Funny People. Apatow has become well known for his sweet, adult comedies, but this movie is very different from his others. I would almost call it a "funny drama." This has it's pros and cons. I don't think I laughed out loud as much as in either of the other two films, but what I got in return, is an actual good movie, that's actually ABOUT something.
I liked Adam Sandler before I knew what a good movie was, as I grew up watching his lighter movies, like Waterboy, Happy Gilmore, etc. I've seen him so much that he ceased becoming an actor to me and actually reached a point of self-parody. His role as comedian George Simmons is perfect for him, because he's basically playing himself, to a point. He gives the performance of his life, even better than Punch-Drunk- Love. His portrayal is cold and confused, angry and hurt. It's what a comedian might truly be like when he's not on stage. He plays it perfectly, providing a likable character while at the same time showing us there might not be so much to like. He's the best part of this movie, and that's saying something
The supporting cast is great, as usual. Seth Rogan actually plays a different character than his other movies as Ira, who acts as a great foil to George Simmons. Jason Schwartzman and Jonah Hill provide some great comedic backup, including their hilarious fictional sitcom "Yo, Teach". In fact, a lot of the laugh out loud comedy from the film stems from the many supporting performances and cameos (My favorites being Marshall Mathers and James Taylor). Eric Bana is very funny, and Leslie Mann gives an impressive performance as well.
Funny People's only real problem is it's ambition, and that's definitely the best problem to have. It's nearly two and a half hours, and while I didn't have a problem with the length, it obviously had to end when it did, as there aren't many people who would want to sit through a three hour comedy. I wish it could have ran even longer, as some subplots weren't fleshed out nearly enough. I really liked the romance between Ira and Daisy (Played by Aubrey Plaza, who is sweet and funny in every scene she's in), but it was rushed, and in the end cut short, which is a shame, because it's one of the best parts of the movie.
Above all, this is a real movie. It's success doesn't just depend on the amount of laughs it receives. Thanks to Sandler and a thought provoking story, this is more than just another raunchy-sweet comedy. The movie will definitely divide people more than the others, and I'm not sure it will find as big of an audience. Judd Apatow has improved tremendously with each movie he's directed, and, despite his detractors, he's going to be the king of the comedy movie for a long, long time.
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I'll start by saying that I am a Judd Apatow fan. I've loved most of his movies, including the two previous movies he's directed, The 40-Year-Old Virgin and Knocked Up. I've seen each many times, and they are two of my favorite comedies.
This, however, didn't prepare me for his newest, Funny People. Apatow has become well known for his sweet, adult comedies, but this movie is very different from his others. I would almost call it a "funny drama." This has it's pros and cons. I don't think I laughed out loud as much as in either of the other two films, but what I got in return, is an actual good movie, that's actually ABOUT something.
I liked Adam Sandler before I knew what a good movie was, as I grew up watching his lighter movies, like Waterboy, Happy Gilmore, etc. I've seen him so much that he ceased becoming an actor to me and actually reached a point of self-parody. His role as comedian George Simmons is perfect for him, because he's basically playing himself, to a point. He gives the performance of his life, even better than Punch-Drunk- Love. His portrayal is cold and confused, angry and hurt. It's what a comedian might truly be like when he's not on stage. He plays it perfectly, providing a likable character while at the same time showing us there might not be so much to like. He's the best part of this movie, and that's saying something
The supporting cast is great, as usual. Seth Rogan actually plays a different character than his other movies as Ira, who acts as a great foil to George Simmons. Jason Schwartzman and Jonah Hill provide some great comedic backup, including their hilarious fictional sitcom "Yo, Teach". In fact, a lot of the laugh out loud comedy from the film stems from the many supporting performances and cameos (My favorites being Marshall Mathers and James Taylor). Eric Bana is very funny, and Leslie Mann gives an impressive performance as well.
Funny People's only real problem is it's ambition, and that's definitely the best problem to have. It's nearly two and a half hours, and while I didn't have a problem with the length, it obviously had to end when it did, as there aren't many people who would want to sit through a three hour comedy. I wish it could have ran even longer, as some subplots weren't fleshed out nearly enough. I really liked the romance between Ira and Daisy (Played by Aubrey Plaza, who is sweet and funny in every scene she's in), but it was rushed, and in the end cut short, which is a shame, because it's one of the best parts of the movie.
Above all, this is a real movie. It's success doesn't just depend on the amount of laughs it receives. Thanks to Sandler and a thought provoking story, this is more than just another raunchy-sweet comedy. The movie will definitely divide people more than the others, and I'm not sure it will find as big of an audience. Judd Apatow has improved tremendously with each movie he's directed, and, despite his detractors, he's going to be the king of the comedy movie for a long, long time.