When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
George is a very successful stand up comedian who learns that he has an untreatable blood disorder and is given less than a year to live. Ira is a struggling up-and-coming stand up comedian who works at a deli and has yet to figure out his onstage persona. One night, these two perform at the same club and George takes notice of Ira. George hires Ira to be his semi-personal assistant as well as his friend. Written by
When Ira is playing the mix he made for George, George objects to the first song because Bob Marley died of cancer, which reminds George of his own medical condition. Actually, all three of the songs that Ira plays have a strong connection to a famous man who died of cancer: in addition to the Bob Marley song, he plays "(I've Had) The Time of My Life", which is most famous for its prominent inclusion in the movie Dirty Dancing (1987) (that movie's star, Patrick Swayze, was undergoing treatment for pancreatic cancer while this movie was being filmed, and he died in September 2009), and next, he plays "Keep Me In Your Heart" by Warren Zevon, who died of lung cancer in 2003. See more »
The MySpace gig takes place far enough away that George and Ira take a private plane. At the end of scene, he gets two girls to go back to his place. But at the end of those scenes the girls leave on their own, apparently left to their own resources to get back. See more »
Don't put me in this position where I have to fuck my way out of a corner!
He'll do it too. I've seen him.
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I really enjoyed the first half of Funny People. I don't think I've ever seen any other Adam Sandler flicks (I didn't want to), so I was happily surprised by the good mix of comedy and drama here.
As soon as Sandler's ex-girlfriend and her family enter the fray, though, the film comes to a screeching halt. And when we learn new facts about his disease, the film turns itself upside down and inside out trying to figure out what it wants to do with this information. No one knows how to react; not Sandler, not the girlfriend, and not her husband. Judd Apatow thinks they do, but it's so hard to follow the character's ideas and feelings here that the film becomes unreadable. Because we don't know where the characters are coming from, we don't know whether we're watching comedy or drama, so we don't know how to feel or react. The little girls, while enjoyable to watch, are cloying and don't advance the story. And when a lot of screen time is devoted to the people playing games and generally goofing around, you're no longer watching the characters--you're watching the actors simply having a good time, which further slows down and confuses the story.
Seth Rogen's character seems to know what's right, but his voice gets lost amid all the confusion until the end, when we get an all-too-convenient moral finish that doesn't address any of the important issues raised in the film.
I think this could have been a much better film with a lot of the meandering in the second half either tightened up or removed.
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