When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
A man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.
Jada Pinkett Smith
While in his teens, Donny fathered a son, Todd, and raised him as a single parent up until Todd's 18th birthday. Now, after not seeing each other for years, Todd's world comes crashing down when Donny resurfaces just before Todd's wedding.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
George is a very successful stand up comedian who learns that he has an untreatable blood disorder and is given less than a year to live. Ira is a struggling up-and-coming stand up comedian who works at a deli and has yet to figure out his onstage persona. One night, these two perform at the same club and George takes notice of Ira. George hires Ira to be his semi-personal assistant as well as his friend. Written by
When George enters Ira's house for Thanksgiving dinner, he points out to Leo that they have the poster for his movie "Re-Do" (the baby movie) hanging on the wall. During the scene while George and Leo are discussing the movie, the poster behind Leo switches from "Re-Do" to another film. See more »
I really enjoyed the first half of Funny People. I don't think I've ever seen any other Adam Sandler flicks (I didn't want to), so I was happily surprised by the good mix of comedy and drama here.
As soon as Sandler's ex-girlfriend and her family enter the fray, though, the film comes to a screeching halt. And when we learn new facts about his disease, the film turns itself upside down and inside out trying to figure out what it wants to do with this information. No one knows how to react; not Sandler, not the girlfriend, and not her husband. Judd Apatow thinks they do, but it's so hard to follow the character's ideas and feelings here that the film becomes unreadable. Because we don't know where the characters are coming from, we don't know whether we're watching comedy or drama, so we don't know how to feel or react. The little girls, while enjoyable to watch, are cloying and don't advance the story. And when a lot of screen time is devoted to the people playing games and generally goofing around, you're no longer watching the characters--you're watching the actors simply having a good time, which further slows down and confuses the story.
Seth Rogen's character seems to know what's right, but his voice gets lost amid all the confusion until the end, when we get an all-too-convenient moral finish that doesn't address any of the important issues raised in the film.
I think this could have been a much better film with a lot of the meandering in the second half either tightened up or removed.
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