| H.M. Wynant | ... | General Scottmanson | |
| Frank Dietz | ... | Reet Pappin | |
| Christine Romeo | ... | Sandra Fleming | |
| Brian Howe | ... | Peter Fleming | |
| Fay Masterson | ... | Betty Armstrong | |
| Robert Deveau | ... | Handscomb Draile | |
| Kevin Quinn | ... | Carl Traeger | |
| Larry Blamire | ... | Dr. Paul Armstrong | |
| Daniel Roebuck | ... | Gondreau Slykes | |
| Susan McConnell | ... | Lattis | |
| Andrew Parks | ... | Kro-Bar | |
| Dan Conroy | ... | Jungle Brad | |
| Trish Geiger | ... | Dr. Ellamy Royne | |
| Jennifer Blaire | ... | Animala | |
| Alison Martin | ... | Chinfa - Queen of the Cantaloupe People | |
| John Stuart West | ... | Bentivegitantus | |
| Frank Ippolito | ... | The Magraclop / The Gralmanopidon | |
| David J. Schow | ... | Cantina Bartender | |
| Paul Bunnell | ... | Cheepta | |
| Phoef Sutton | ... | Sangrampa | |
| Michael Schlesinger | ... | Hupto |
Directed by | |||
| Larry Blamire | |||
Writing credits(in alphabetical order) | ||
| Larry Blamire | written by | |
Produced by | |||
| Michael Schlesinger | .... | producer | |
| Mark Allen Stuart | .... | producer | |
| Anthony Tremblay | .... | co-producer | |
| F. Miguel Valenti | .... | co-producer | |
| Sara Van der Voort | .... | producer | |
Original Music by | |||
| John W. Morgan | |||
| William T. Stromberg | |||
Cinematography by | |||
| Anthony J. Rickert-Epstein | |||
Film Editing by | |||
| Bill Bryn Russell | |||
Production Design by | |||
| Anthony Tremblay | |||
Art Direction by | |||
| Jason Garner | |||
Set Decoration by | |||
| Darrin Cummings | |||
Costume Design by | |||
| Kristina West | |||
Makeup Department | |||
| Diana Hauner | .... | makeup artist | |
| Frank Ippolito | .... | makeup department head | |
| Christina Schock | .... | makeup artist | |
| Stacy A. Smith | .... | makeup artist | |
| Stephanie Timoteo | .... | assistant makeup artist | |
| Katie Zamora | .... | assistant makeup artist | |
Second Unit Director or Assistant Director | |||
| Marcelo Chow | .... | second assistant director | |
| Colleen Cortes | .... | first assistant director | |
| Isaac Stovall | .... | second second assistant director | |
Art Department | |||
| Larry Blamire | .... | storyboard artist | |
| Chris Coats | .... | construction | |
| Chris Coats | .... | set dresser | |
| Michelle Floodstrand | .... | buyer | |
| Sofia Jimenez | .... | set dresser | |
| Johnny Lawson | .... | construction coordinator | |
| Ryan Neff | .... | assistant property master | |
| Dian Agus Pranoto | .... | construction | |
| Mark Richardson | .... | property master | |
| Justin Setchell | .... | set dresser | |
| Jessica Sydow | .... | set dresser | |
| Leon von Verseveld | .... | set dresser | |
| Ross Willett | .... | construction | |
Sound Department | |||
| Matt Hovland | .... | commentary mixer | |
| Brian Linder | .... | sound mixer | |
| Bob Packo | .... | boom operator | |
| Tom Reiner | .... | boom operator | |
| Bill Bryn Russell | .... | sound designer | |
| Bill Bryn Russell | .... | sound editor | |
| Bill Bryn Russell | .... | sound re-recording mixer | |
| Jay Verkamp | .... | boom operator | |
Special Effects by | |||
| Ben Bayouth | .... | monster crew | |
| Charles Chiodo | .... | monster painter | |
| Tracy Cotta | .... | monster crew | |
| Bruce Lau | .... | miniatures | |
| Erin Somerset Sullivan | .... | monster crew (as Erin Sullivan) | |
| Ezekiel Zabrowski | .... | creatures (as Zeke Zabrowski) | |
Visual Effects by | |||
| Bill Bryn Russell | .... | animator | |
| Bill Bryn Russell | .... | visual effects | |
Stunts | |||
| Kristen Garcia | .... | stunt coordinator | |
Camera and Electrical Department | |||
| William Allegar | .... | grip | |
| Noah Applebaum | .... | second assistant camera | |
| Luke Barger | .... | grip | |
| Kirk Bartolata | .... | gaffer | |
| Lauren Blair | .... | best boy electric (as Lauren Fitton) | |
| Chris Cotterman | .... | best boy: electric | |
| Christopher Clark Cowan | .... | camera operator | |
| Trish Geiger | .... | behind-the-scenes videographer | |
| Frank Ippolito | .... | behind-the-scenes videographer | |
| Joe Lara | .... | best boy grip | |
| Axel Llorens | .... | key grip | |
| Stephen J. Murray | .... | first assistant camera (as Stephen Murray) | |
| Nick Sogard | .... | grip | |
Costume and Wardrobe Department | |||
| Jessica Dalager | .... | assistant costume designer | |
| Jeanne Harriott | .... | costumer | |
| Anita Rinaldi-Harnden | .... | seamstress | |
| Liz Wrightson | .... | seamstress | |
Editorial Department | |||
| Bill Bryn Russell | .... | colorist | |
| Bill Bryn Russell | .... | on-line editor | |
Music Department | |||
| Bill Ferguson | .... | composer: additional music | |
Transportation Department | |||
| Jared Robbins | .... | transportation captain | |
Other crew | |||
| Rory Dauson | .... | location manager | |
| Brent Felix | .... | production intern | |
| Noelle Felix | .... | production intern | |
| Ari Halpern | .... | script supervisor | |
| Susan Hernandez | .... | craft service | |
| Tom Price | .... | production intern | |
| Bill Bryn Russell | .... | post-producion supervisor | |
| Andrew Steig | .... | key set production assistant | |
| Michael Watt | .... | production coordinator | |
| Mike Watt | .... | production coordinator | |
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| S4 | Otis | Dark and Stormy Night | Meet the Mobsters | Trail of the Screaming Forehead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Maybe its because I saw this one first, but this movie is amazing. Yes, the first one has better flow, but the dialog of this one is sooooo much better, especially Paul with his bitterness speech. Animala gets way more play, I love Dr. Ellemy Royne, because she really is a villain scientist, and not quite as pathetic as Rudolf Yaber, Betty is even sillier here, Jungle Brad is way more manly - As someone who has watched a ton and a half of MST3k, as well as some other really bad movies, this was awesome.
I agree we could have done with less of Chinfa, but I love the cantaloupe dance, and her interaction with Animala is worth putting up with the strains of the double negative. Although its the first time Grammar has been traded for goods, so I have to give a bow to the novelty of that.
And also, there is more skeleton. And if there is a third movie I want way way more skeleton, cause he's awesome sauce.
And yes, some people won't get it, because it's a genre film, and its just not some people's cup of tea. But I think people who don't get it should just admit they don't get it and not automatically blame the movie just cause its not their taste. Feel free to watch something you like better, and leave the cheesy fun to us.