Jerranium 90, a "little rock" that made all the papers, is buried deep within the Amazon. And everybody wants it, including crooked importer Handscomb Draile, slimy Gondreau Slykes, cheap ... See full summary »
When a motorbike gang kills an occultist, the evil spirit he was summoning inhabits a damaged bike. The bike is then bought and restored, but reveals its true nature when it tries to exact ... See full summary »
A truly mad concoction, blending 1950s juvenile delinquents, sci-fi melodrama, song-and-dance, and a touch of horror, everything in just the right combination to create an engaging big ... See full summary »
De Anna Joy Brooks
A quirky anthology, consisting of four separate short films connected by host segments. The first one, BOOGIE WITH THE UNDEAD, has an all girl rock band booked to play a gig in a town ... See full summary »
Edward L. Plumb
Forrest J Ackerman
A small town infestation of crawling alien foreheads that begin attaching to people and taking them over collides with a scientist's experiments to extract foreheadazine and things go horribly horribly wrong.
On the outside Adam appears to be a normal teenager, but underneath...his mind has been so rotted by trauma from his past and the gory films he watches, that he has blurred the lines ... See full summary »
Jerranium 90, a "little rock" that made all the papers, is buried deep within the Amazon. And everybody wants it, including crooked importer Handscomb Draile, slimy Gondreau Slykes, cheap crook Carl Traeger and evil scientist Dr. Ellamy Royne. Written by
Lost Skeleton Returns Again for the First Time. And None Too Soon
If I may borrow the immortal words of Tom Servo, Larry Blamire is "a national friggin' treasure." Many writers and directors have trafficked in parody and pastiche, but Larry has three things going for him that I've rarely seen demonstrated by other filmmakers: An encyclopedic knowledge of movies, from the most obscure Poverty Row programmer on up; an infectious enthusiasm for the output of auteurs whose ambitions are bigger than their brains; and a unique style which combines brilliant wordplay and antic comedy in a way that makes one suspect he's actually the secret love child of Preston Sturges and Dr. Seuss. In other words -- he's a triple threat. And all of these qualities combined to make THE LOST SKELETON OF CADAVRA one of the funniest films of the last few years.
So how does the sequel fare? Surprisingly, it doesn't really feel like a sequel. I went in prepared for more of the same, but THE LOST SKELETON RETURNS AGAIN takes on a whole new series of clichés, primarily drawn from those low budget adventure epics -- rich in potted ferns and stock footage -- that thrived on cheap back lots from the early 30s to the late 50s. But LSRA wanders beyond the narrow confines of jungle pictures, parodying everything from gangster movies (there's a hilarious scene which pretty much guarantees you'll burst out laughing the next time you see a movie character order another to "take your gun out -- slowly") to those Mondo films of the 1960s, with their salacious native dances (believe me, you'll never look at cantaloupes the same way again).
All the actors from the original film make a return appearance, alongside a few new additions to the Blamire stock company. But it's not necessary to have seen the original LOST SKELETON (although I'd recommend checking out the DVD), or even many of the films the sequel lovingly mocks, because the jokes come so thick and fast there's something there for everybody. If you can appreciate a comedy that's smart and silly at the same time, you'll enjoy THE LOST SKELETON RETURNS AGAIN.
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