Eryka travels to Spain from the African Sahrawi refugee camps where she has been shooting a documentary. On arriving she discovers that her boyfriend, Marc, has vanished hang-gliding over ... See full summary »
Ingrid García Jonsson,
13 European directors explore the theme of Sarajevo and what this city represents in European history over the past hundred years, and what Sarajevo incarnates today in Europe. From ... See full summary »
The father of an ill girl tries to obtain her daughter last wish, the dress of the main character of a Japanese TV series. Because of this last wish he will meet a disturbed girl and a retired professor.
Already in production when Rosales got several Goya awards for the outstanding "La soledad", "Tiro en la cabeza" echoes another experiment made by Alan Clarke in the late 1980s called "Elephant". It is a cold, austere work that doesn't allow the viewer to feel for or identify with the characters for most of its duration. Rosales makes sure of this by using an almost surveillance-like camera-work. It all feels very distant. Sound-wise, the Spanish filmmaker keep us away from the dialogue too; politically mistreated and overexploited feature in the Basque conflict that, although present in the film, we don't have access to. The general decontextualization and the suppression of the ideological element in the film help to accentuate the absurdity in the final events. Overall, an imperfect but much needed both exploration of the possibilities of cinema and view on the Basque conflict.
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