A member of the ETA terrorist organization belongs to a commando which is preparing an outrage in Madrid. But he sets other priorities when he meets a girl who is addicted to drugs and for ... See full summary »
Opening at the funeral mass for Mikel, we flashback to those that played a part in Mikel's life and death; his estranged wife, his traditional Basque mother, a female impersonator and ... See full summary »
In the MARSHLAND a serial killer is on the loose. Two homicide detectives who appear to be poles apart must settle their differences and bring the murderer to justice before more young women lose their lives.
Already in production when Rosales got several Goya awards for the outstanding "La soledad", "Tiro en la cabeza" echoes another experiment made by Alan Clarke in the late 1980s called "Elephant". It is a cold, austere work that doesn't allow the viewer to feel for or identify with the characters for most of its duration. Rosales makes sure of this by using an almost surveillance-like camera-work. It all feels very distant. Sound-wise, the Spanish filmmaker keep us away from the dialogue too; politically mistreated and overexploited feature in the Basque conflict that, although present in the film, we don't have access to. The general decontextualization and the suppression of the ideological element in the film help to accentuate the absurdity in the final events. Overall, an imperfect but much needed both exploration of the possibilities of cinema and view on the Basque conflict.
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