Two friends deal with loss amidst events bigger than them. Andrew is the friend we all have, the one who convinces you to come along despite your better judgment. Talented but with ... See full summary »
John is taken on a murder-fueled ride by a mysterious stranger that transforms the weak-willed, disillusioned husband and father into a desperate hero willing to go to any length to protect his family.
Samuel L. Jackson,
Price, a former hitman, is struggling to cope with retirement. He left the assassination business to live the "easy life." However, retirement arrived with its own agenda. It was not the ... See full summary »
At a Pennsylvania college, Charlie Thurber is a good teacher without publications. His tenure review is in three months, and he's trying to get an article in print. Out of the blue, the dean announces that a new assistant professor will join them, a scholarly young woman from Yale. Charlie now faces competition. His best friend Jay, an anthropologist looking for Sasquatch, urges Charlie to declare war on the new colleague. He gives in to his better judgment and goes along. Meanwhile, his father hates the local assisted living facility where he lives, Charlie tries to connect with a woman he sees on television, and one of his students makes a pass. Is tenure in the works? Written by
Mike Million's 'Tenure' gives the impression that it's a university campus comedy. I found the premise refreshing and appealing. The problem is that the comedy parts are just not that funny and Million tries too much to make it quirky funny to the point that it backfires as he goes way over the top and tumbles down.
I found the Jay Hadley character very annoying and not to be a very believable professor. The Rosemarie DeWitt track also felt out-of-place. The movie should have just stayed focused on the key character Charlie Thurber. Many people of his age would be able to relate to what he's going through. I liked the Million avoids clichés in places. For example, the Teacher's pet sequence was well done.
On the technical side, the score is pretty good and the camera captures the simplicity and beauty of the location. The woods and countryside are nice to look at. The pacing is very slow, especially at the beginning. Luke Wilson is terrific. His restrained performance as Charlie makes the character all the more real. And if this film is worth watching then it's mostly because of him. David Koechner does his best with an ill-written character. Gretchen Mol is cute and likable. Sasha Alexander is wasted.
Overall, it's not as bad as many reviewers have made it out to be but it could have easily been a lot better.
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