The Last Templar (2009– ) 4.5
An adaptation of Raymond Khoury's novel about a New York archaeologist researching the lost secrets of the medieval Knights Templar. |
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The Last Templar (2009– ) 4.5
An adaptation of Raymond Khoury's novel about a New York archaeologist researching the lost secrets of the medieval Knights Templar. |
|
| 0Share... |
| Cast overview, first billed only: | |||
| Mira Sorvino | ... |
Tess Chaykin
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| Victor Garber | ... |
Monsignor De Angelis
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| Scott Foley | ... |
Sean Daley
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| Anthony Lemke | ... |
Clive Edmonston
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| Kenneth Welsh | ... |
Bill Vance
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Danny Blanco Hall | ... |
Plunkett
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| Omar Sharif | ... |
Konstantine
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Rebecca Windheim | ... |
Kim
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| Christian Paul | ... |
Nick Aparo
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Paul-Antoine Taillefer | ... |
KnightsTemplar Aimard
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| Stéphane Demers | ... |
Knights Templar Martin
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Christian Grenier | ... |
Knights Templay Hugh
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Mario Davignon | ... |
William of Beaujeu
(as Mario Davignon)
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Adam Bramble | ... |
Archbishop of New York
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| Claudia Ferri | ... |
FBI Agent Louisa Acevedo
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During a gala museum event featuring precious Vatican artifacts, a group of men posing as Templar knights stage a daring robbery. Their primary interest is in obtaining a mechanical decoding device that can supposedly decipher the location of the Templar treasure. Archaeologist Tess Chaykin reluctantly works with FBI Agent Sean Daley to uncover the mastermind behind the plot and possibly locate the treasure. Written by garykmcd
This groaner ran in Canada a week earlier than NBC and I don't feel privileged because of it. The production, directing and acting are strictly amateurish. It was produced by Global TV in Canada and it reflects the poor economy and tight budgets likely shadowing the production. Even the "middle-ages" boating flashbacks look like they were filmed in a bathtub. Mira Sorvino's character is unrealistically like a female Indy Jones, jousting from the back of a mounted-policeman's steed, overpowering 3 hoods and performing various other unlikely feats of daring-do. It's devoid of mystery, drama or intrigue and too reminiscent of most dull network movies of the past decade.