In the 16th century in the Cévennes, a horse dealer by the name of Michael Kohlhaas leads a happy family life. When a lord treats him unjustly, he raises an army and puts the country to fire and sword in order to have his rights restored.
A teenage girl with nothing to lose joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.
In the early years of the film's development, Shia LaBeouf dropped out of the project and the title role was briefly given to Zac Efron before LaBeouf returned to the project. See more »
When Charlie Countryman is running back to his hostel after Gabi Ibanescu tells him she'll kiss him if he finds her tomorrow, Charlie runs without his shoes and socks on after he removed them to show Gabi a ballet move. But when he is hit by the car he has his shoes and socks back on. See more »
At the end of this movie my reaction was - 'WTF ! !' - I had no idea what to make of this story. It was just stupid ... I was as lost at what to make of it as Charlie was in seeking love and purpose. But the movie had one thing very important going for it, it kept my attention and I wanted to know just what was the fate of Charlie Countryman.
Then it occurred to me that this movie is just like a graphic novel ! The scenes, the pace of the story, the action, the dialog, the exaggerated faces of the central characters, Gabi's overly done makeup, Charlie's perpetual innocent expression and unending energy, the spooky ugliness of Nigel, the demon like Darko and the anger displayed by Victor. All these characterizations can be found in action packed romantic graphic novels. Once I considered the movie in this context, suddenly everything made sense and I'm now crazy for this flick.
I have no idea if this was Fredrik Bond's intention - but it works for me! It's beautifully photographed, loaded with wonderful characters, dialog is fantastic, and every scene is its' own art. It's a must see for cinema fans!
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