Pietro and Lucia live on an isolated farm with Alice, Lucia's younger sister. Poor farmers, they live tilling the soil. Pietro is a good worker and a strong man who, unlike his three ... See full summary »
Nine people find themselves trapped in a warehouse that contains the remains of the old Frightworld Amusement Park - a place haunted by the spirit of Verden Fell, a serial killer who died there a year before.
David R. Williams,
Kamillia Kataxenna Kova,
A Seattle history professor, drawn back to his estranged family on the Oregon coast to execute his late mother's estate, is reaquainted with his best friend from childhood, with whom he has... See full summary »
A middle-aged woman, traumatized from the death of her adulterous lover, moves into a room at a New Orleans boarding house where the blind landlord becomes suspicious to her activities of continuing her affair with her dead lover.
Dr Herbert West and his assistant are working in a makeshift lab on the Eastern Front. As bombs drop and the fighting nears, West attempts to re-animate the corpse of a Waffen SS officer - with disastrous results.
When a virginal artist falls in love with a call girl, she turns out to be the chosen bride of the alien god Cthulhu. To save her, he must stop an ancient cult from summoning their god and destroying mankind.
David Phillip Carollo,
Nicolette le Faye
Bits and pieces from the segment "Invasion of Privacy" by Kim Sønderholm was used in a short film competing at the Nine Inch Nails announced online film festival "Ghosts". Those bits however were censored for violence and nudity, while the version released in The Horror Vault 2 (2009) was released in the uncut version. See more »
I must admit, I've only seen the "Dead Chick in the Closet"-segment, although the extended version. It was definitely okay low-budget horror comedy. But furthermore it once again showed the potential of the Branbomm boys.
Their most recent full length feature, "Dead on arrival", was a huge step forward for the crew. With this one they play over many genres and I sense flashes of Pulp Fiction's gruesome-death-turn-into-practical-problem. Also i get some Fear and Loathing in Las Vegas vibes from some of the costumes and shots.
They do lack the final touch, and I think they could've gotten even more out of this - but it's all in their grasp and I'll be curious to see what they deliver next.
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