Award-winning actor/comedian Ricky Gervais' first-ever HBO stand-up special features his unique takes on such disparate issues as fund-raising, autism, fame, nursery rhymes, Nazis, moronic friends, obesity and more.
Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts.
It's 1973 in Cemetery Junction, a Reading suburb. Three working class lads, best friends, are coming of age. Freddie wants to rise above his station, taking a job selling life insurance, wearing a suit and tie. Snork works at the railway station and wants a girlfriend some day. Bruce talks of leaving but seems on track to work at a factory, drink and fight, and become like his dad, in front of the telly with beer on hand; and he's trying the patience of the police officer who gets him out of jams. Freddie's job leads the lads toward a few small changes. He runs across a childhood friend, Julie, his boss's daughter who's engaged to the firm's top seller. Can the lads break out? Written by
The period depicted in the film - 1973 - was one of great political upheaval. The country was beset by skyrocketing inflation, battered by the oil crisis, while the incumbent Conservative government was locked in a bitter battle with the trade unions. This led to widespread strikes of all services and a 3-day working week. See more »
The film is set in 1973, yet all of the trains seem are in liveries from the 1960's. (While it is true that the last of the crimson coaches weren't repainted until 1974, by 1973 almost all locomotives were blue and coaches blue or blue and grey.) See more »
Frederick Taylor. Freddie Taylor. Welcome to Vigilant Life Assurance. I see you grew up in Cemetery Junction. Went to Stone Meade, the worst school in the south of England.
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I'm always surprised when a film I'd heard had mixed reviews at best, turns out to be so much better than I was expecting and Cemetery Junction is a great example of this.
It's an old fashioned feel good movie. Sure it's maybe a little twee in places and ties things up nicely at the end but what's wrong with that sometimes? Great casting with superb performances from the central few characters and again a stunning turn from Ralph Fiennes. How good an actor is that guy? Poignant, touching, both gently and laugh out loud funny in places, a great character driven plot and just very very good film making IMO. Great use of music too, which like Tarantino movies always adds massively to the overall appeal.
Can't recommend it enough. Gervais and Merchant should be very proud of themselves and I hope they're aware that this is a much better film than the box office takings would suggest.
Similar film styles would be East is East, Sideways and maybe, Letter to Brezhnev. If you liked those, watch this. You'll love it.
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