It's 1973 in Cemetery Junction, a Reading suburb. Three working class lads, best friends, are coming of age. Freddie wants to rise above his station, taking a job selling life insurance, wearing a suit and tie. Snork works at the railway station and wants a girlfriend some day. Bruce talks of leaving but seems on track to work at a factory, drink and fight, and become like his dad, in front of the telly with beer on hand; and he's trying the patience of the police officer who gets him out of jams. Freddie's job leads the lads toward a few small changes. He runs across a childhood friend, Julie, his boss's daughter who's engaged to the firm's top seller. Can the lads break out? Written by
When Julie asks Freddie where he'd like to travel, her globe is showing Australia then she spins it to stop on Africa. But as he chooses Cornwall, her globe is instantly showing Australia again. See more »
Frederick Taylor. Freddie Taylor. Welcome to Vigilant Life Assurance. I see you grew up in Cemetery Junction. Went to Stone Meade, the worst school in the south of England.
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Ricky Gervais comes of age with "Cemetery Junction"
Cemetery Junction is one of those poor, small British towns, where the men go to work in factories and the women try to keep their kids out of jail. Freddy (Christian Cooke) wants something different; he wants to wear a suit to work, drive a Rolls Royce home to a beautiful wife and kids in a big house. He thinks this is a more noble life to live, and at least he's doing something about it.
I'm presuming this is a personal project for Ricky Gervais. The honesty and sheer accuracy of the time shine throughout the film. "Cemetery Junction" is a slice-of-life for young men growing up in poor suburbs in the 1970s. Freddy wants to get a job, his friends just want to get out. As they strive for what is supposed to be a better life, they realize the dark truths within everybody else in the town and what awaits them in their future.
"Cemetery Junction" is not the laugh-out-loud, farcical comedy that we would expect from Gervais. It's a meaningful, subtle dramedy exploring young men coming of age. And here, Gervais himself has certainly come of age as a director, we know this is 1970s England, looking poor and spectacular at the same time, and highlighting some exceptional performances by the young cast of Cooke, Tom Hughes, Matthew Goode, Jack Doolan, Emily Watson and the beautifully angelic Felicity Jones.
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