Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
The Rizzos, a family who doesn't share their habits, aspirations, and careers with one another, find their delicate web of lies disturbed by the arrival of a young ex-con (Strait) brought ... See full summary »
Raymond De Felitta
It's 1973 in Cemetery Junction, a Reading suburb. Three working class lads, best friends, are coming of age. Freddie wants to rise above his station, taking a job selling life insurance, wearing a suit and tie. Snork works at the railway station and wants a girlfriend some day. Bruce talks of leaving but seems on track to work at a factory, drink and fight, and become like his dad, in front of the telly with beer on hand; and he's trying the patience of the police officer who gets him out of jams. Freddie's job leads the lads toward a few small changes. He runs across a childhood friend, Julie, his boss's daughter who's engaged to the firm's top seller. Can the lads break out? Written by
The minute he learned that he had landed the part in the film, Christian Cooke let his hair grow. Apart from some minute extensions around the ears, that is all his own hair. See more »
When Julie asks Freddie where he'd like to travel, her globe is showing Australia then she spins it to stop on Africa. But as he chooses Cornwall, her globe is instantly showing Australia again. See more »
Frederick Taylor. Freddie Taylor. Welcome to Vigilant Life Assurance. I see you grew up in Cemetery Junction. Went to Stone Meade, the worst school in the south of England.
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I'm always surprised when a film I'd heard had mixed reviews at best, turns out to be so much better than I was expecting and Cemetery Junction is a great example of this.
It's an old fashioned feel good movie. Sure it's maybe a little twee in places and ties things up nicely at the end but what's wrong with that sometimes? Great casting with superb performances from the central few characters and again a stunning turn from Ralph Fiennes. How good an actor is that guy? Poignant, touching, both gently and laugh out loud funny in places, a great character driven plot and just very very good film making IMO. Great use of music too, which like Tarantino movies always adds massively to the overall appeal.
Can't recommend it enough. Gervais and Merchant should be very proud of themselves and I hope they're aware that this is a much better film than the box office takings would suggest.
Similar film styles would be East is East, Sideways and maybe, Letter to Brezhnev. If you liked those, watch this. You'll love it.
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