Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Dispatched from his basement room on an errand for his widowed mother, slacker Jeff might discover his destiny (finally) when he spends the day with his unhappily married brother as he tracks his possibly adulterous wife.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
In San Francisco, after a year's relationship, Tom proposes to Violet; she accepts. She's an experimental psychologist, hoping for a post-doc at Cal. He's a sous chef who runs the kitchen when the chef is away. When Cal falls through and she gets an offer in Ann Arbor, Tom agrees to support the move, turning down a job as chef at a new restaurant. The move requires postponing the wedding. At Michigan, Violet is in her element, but Tom is underemployed and frustrated; he's Stoic for a while, but when two years in Michigan become four, Tom's frustrations boil over, and on the eve of yet another wedding date, they must make a choice. Is there any other alternative? Written by
Almost all of the restaurant scenes are shot inside the MGM Grand Detroit. See more »
During Tom's conversation with his parents at breakfast, Tom picks up his fork and in the next shot he picks it up again. His mom's drink also changes positions and levels throughout the meal. See more »
I think I understand why I have communication issues. Mom, maybe you should slow down on the Bloody Mary's. You don't need any more.
Let her have it.
You're going to tell me what to do? No. I am going to ask you again. What are you doing with Violet? You're being dumb! You are being so fucking dumb, you idiot. You love Violet. I love Violet. Your father loves Violet and you're letting her go. Fuck you, you dummy.
Since when do you talk like this?
It's not funny, Tom.
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This picture is being sold as a comedy...however it is more like a drama with some comedic elements...and those few comedic moments aren't really that funny. The movie examines with a cynical eye a relationship that the director wants to present as a real loving one. However, anyone in the audience can see that this relationship has problems. The female lead is an annoying selfish character while the male character is wimpy and feels sorry for himself.
The movie is extremely self indulgent...it was written by the director and by the star. I don't think they wanted to leave any scenes out. The movie meanders for over two hours. It could have easily been a 90 minute film.
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