Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
In San Francisco, after a year's relationship, Tom proposes to Violet; she accepts. She's an experimental psychologist, hoping for a post-doc at Cal. He's a sous chef who runs the kitchen when the chef is away. When Cal falls through and she gets an offer in Ann Arbor, Tom agrees to support the move, turning down a job as chef at a new restaurant. The move requires postponing the wedding. At Michigan, Violet is in her element, but Tom is underemployed and frustrated; he's Stoic for a while, but when two years in Michigan become four, Tom's frustrations boil over, and on the eve of yet another wedding date, they must make a choice. Is there any other alternative? Written by
Zingerman's, the restaurant where Tom works after moving to Michigan, is a real delicatessen in Ann Arbor that first opened in 1982. See more »
The morning after Tom and Violet's engagement party, Tom's hand is inconsistently holding to Violet's arm in succeeding sequences. See more »
He kissed me, Tom!
K, you know what? That is a cop out. That is not fair. Yes, he may have been the one who kissed you. But there is a reason that he felt like that was an option. You know that's the truth.
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The first minutes of this movie seemed promising, but it quickly sank into a horrible, slow paced film where nothing seemed important. The length of this movie is just silly, I love slow movies and sat through this movie longer than I would have anyway because I liked that it was a different pacing than most Hollywood flicks. But by half way through I realised that this pacing does not work for this film, because there is not enough happening to keep us interested through the slow points. The characters are not highly complex, the drama isn't compelling, and neither is their relationship or any of the relationships around them.
I feel as though half of this film should have been left on the cutting room floor, a very poor job in editing as well as script editing. This seems to me as a first draft. I loved forgetting Sarah Marshall, and feel as though the producers probably rushed the script of 'The Five Year Engagement' into production before it was developed. So what we are left with is a very slow, very boring, and sometimes plain laughable movie.
I never walk out on movies, and I walked out on this one because I felt the horror couldn't go on any longer - and surely it would come to an end soon, only to realise there was another hour to go. A really poor movie.
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