Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
Dispatched from his basement room on an errand for his widowed mother, slacker Jeff might discover his destiny (finally) when he spends the day with his unhappily married brother as he tracks his possibly adulterous wife.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
In San Francisco, after a year's relationship, Tom proposes to Violet; she accepts. She's an experimental psychologist, hoping for a post-doc at Cal. He's a sous chef who runs the kitchen when the chef is away. When Cal falls through and she gets an offer in Ann Arbor, Tom agrees to support the move, turning down a job as chef at a new restaurant. The move requires postponing the wedding. At Michigan, Violet is in her element, but Tom is underemployed and frustrated; he's Stoic for a while, but when two years in Michigan become four, Tom's frustrations boil over, and on the eve of yet another wedding date, they must make a choice. Is there any other alternative? Written by
During Tom's conversation with his parents at breakfast, Tom picks up his fork and in the next shot he picks it up again. His mom's drink also changes positions and levels throughout the meal. See more »
The first minutes of this movie seemed promising, but it quickly sank into a horrible, slow paced film where nothing seemed important. The length of this movie is just silly, I love slow movies and sat through this movie longer than I would have anyway because I liked that it was a different pacing than most Hollywood flicks. But by half way through I realised that this pacing does not work for this film, because there is not enough happening to keep us interested through the slow points. The characters are not highly complex, the drama isn't compelling, and neither is their relationship or any of the relationships around them.
I feel as though half of this film should have been left on the cutting room floor, a very poor job in editing as well as script editing. This seems to me as a first draft. I loved forgetting Sarah Marshall, and feel as though the producers probably rushed the script of 'The Five Year Engagement' into production before it was developed. So what we are left with is a very slow, very boring, and sometimes plain laughable movie.
I never walk out on movies, and I walked out on this one because I felt the horror couldn't go on any longer - and surely it would come to an end soon, only to realise there was another hour to go. A really poor movie.
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