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Directed by | |||
| George Hickenlooper | |||
Writing credits(WGA) | ||
| Norman Snider | (written by) | |
Original Music by | |||
| Jonathan Goldsmith | |||
Cinematography by | |||
| Adam Swica | |||
Film Editing by | |||
| William Steinkamp | |||
Casting by | |||
| Marjorie Lecker | |||
Production Design by | |||
| Matthew Davies | |||
Art Direction by | |||
| Peter Emmink | |||
Set Decoration by | |||
| Patricia Cuccia | |||
Costume Design by | |||
| Debra Hanson | |||
Makeup Department | |||
| Marlene Aarons | .... | makeup artist | |
| Paul R.J. Elliot | .... | hair department head (as Paul Elliot) | |
| Cliona Furey | .... | hair stylist | |
| Jo-Ann MacNeil | .... | assistant makeup department head | |
| Donald Mowat | .... | makeup department head | |
| Sondra Treilhard | .... | assistant hair department head | |
Production Management | |||
| D.J. Carson | .... | unit production manager | |
| Gregor Hutchison | .... | post-production supervisor | |
| Caroline O'Brien | .... | production manager: second unit | |
Art Department | |||
| Rob Ballantyne | .... | storyboard artist | |
| Peter Clifford | .... | on-set dresser | |
| Dwight Doerksen | .... | construction coordinator | |
| Ed Doerkson | .... | head carpenter | |
| Neil Floyd | .... | second assistant art director | |
| Jennifer Jacobsen | .... | set decorations buyer | |
| William Koon | .... | key scenic | |
| Sang Maier | .... | props assistant | |
| Mario Moreira | .... | assistant property master | |
| James R. Murray | .... | property master | |
| Gord Peterson | .... | first assistant art director | |
| J. Zachary Smith | .... | set dresser (as Zack Smith) | |
Sound Department | |||
| Sean Paul Armstrong | .... | second boom operator | |
| Steve Baine | .... | foley artist | |
| David Berti | .... | sound consultant: Dolby | |
| Matt Dawson | .... | adr mixer | |
| Keith Elliott | .... | sound re-recording mixer | |
| Paul Germann | .... | sound effects editor | |
| Barry Gilmore | .... | adr editor | |
| Barry Gilmore | .... | dialogue editor | |
| Gina Gyles | .... | foley assistant | |
| Colin McLellan | .... | adr recordist | |
| Steve Medeiros | .... | first assistant sound editor | |
| Steve Munro | .... | sound effects editor | |
| Peter Persaud | .... | foley recordist | |
| Jane Tattersall | .... | supervising sound editor | |
| Andrew Tay | .... | sound re-recording mixer | |
| John J. Thomson | .... | sound mixer | |
| Alan Zielonko | .... | boom operator | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| John MacGillivray | .... | special effects coordinator | |
| Fiona MacPherson | .... | special effects shop coordinator | |
Visual Effects by | |||
| Kyle Boylen | .... | digital compositor | |
| Drake Conrad | .... | digital colorist | |
| Noel Hooper | .... | visual effects supervisor | |
| Matthias Jürgensen | .... | digital compositor | |
| Haydn Masuda | .... | digital compositor | |
| Michael Morley | .... | digital compositor | |
| Christa Tazzeo | .... | visual effects producer | |
| Neil Williamson | .... | visual effects executive producer | |
Stunts | |||
| Kelly Jones | .... | stunt double: Kidan | |
| Cotton Mather | .... | stunt double: Boulis | |
| Alison Reid | .... | stunt coordinator | |
| Geoff Williams | .... | stunt double: Big Tony | |
Camera and Electrical Department | |||
| Rod Benjamin | .... | key grip | |
| Dave Erlichman | .... | dolly grip | |
| Roger Finlay | .... | camera operator: 'b' camera | |
| Roger Finlay | .... | director of photography: second unit | |
| Colin Hoult | .... | camera operator: "a" camera | |
| Bernie Lalonde | .... | grip | |
| Mike McGowan | .... | director of photography: second unit | |
| Brian Pruitt | .... | key grip: second unit, Florida | |
| Razor Reyes | .... | grip (as Ramon Reyes) | |
| Neil Roy | .... | best boy grip | |
| Darren Spriet | .... | data management | |
| Jesse Stanley | .... | grip | |
| Brendan Steacy | .... | director of photography: second unit | |
| John Sztejnmiler | .... | generator operator | |
| Franco Tata | .... | gaffer | |
| Annie Wengenroth | .... | additional assistant camera | |
| Ken Woroner | .... | still photographer | |
Casting Department | |||
| Heather Farah | .... | extras casting assistant | |
| Ellen Jacoby | .... | extras casting: location | |
| Jane Rogers | .... | background casting | |
Costume and Wardrobe Department | |||
| Catherine Ashton | .... | assistant costume designer | |
| Andre Schulz | .... | costumer: Kevin Spacey | |
Editorial Department | |||
| Kevin Downer | .... | assistant digital intermediate editor | |
| Lee Hughes | .... | digital intermediate project manager | |
| Tom Mayclim | .... | digital intermediate scanner and recorder | |
| Dave Muscat | .... | assistant digital intermediate editor | |
| Lorraine Samuel | .... | post-production coordinator | |
| Dawn M. Stoliar | .... | first assistant editor | |
| Motassem Younes | .... | digital intermediate editor | |
Music Department | |||
| Kevin Banks | .... | music editor | |
| Michael Banton-Jones | .... | score recording engineer & mixer | |
| Carl Berger | .... | musician | |
| Cadence | .... | musician | |
| Amy Fritz | .... | music supervisor | |
| Aaron Jensen | .... | musician | |
| Ross Lynde | .... | musician | |
| Dan Parr | .... | conductor | |
| Dan Parr | .... | orchestrator | |
| Kurt Sampson | .... | musician | |
Transportation Department | |||
| John Mourtzis | .... | picture car captain | |
| Regina Petrik | .... | driver | |
| Bruce Raymer | .... | transportation coordinator | |
| Reg Reynolds | .... | driver: honeywagon | |
| Steven Sacrob | .... | transportation captain | |
Other crew | |||
| Cynthia Amsden | .... | unit publicist | |
| Cam Cannon | .... | development executive: hannibal pictures | |
| Jonathan Collins | .... | director of sales | |
| Claude Forest | .... | insurance broker | |
| Paul Franklin | .... | location scout | |
| Sabine Graham | .... | production coordinator | |
| Sara Holmes | .... | post production accountant | |
| Ben Hong | .... | production assistant | |
| Aaron Horton | .... | assistant production coordinator | |
| Ronan Keane | .... | payroll accountant | |
| Hayley Magouirk | .... | project manager | |
| Jennifer Mesich | .... | assistant to director | |
| Lindsey Molnar | .... | production assistant | |
| Andrew O'Sullivan | .... | location manager | |
| Daniela Saioni | .... | script supervisor | |
| Wendie Saltarski | .... | production accountant | |
| Teri Spasov | .... | production accountant | |
| Srdjan Vilotijevic | .... | assistant location manager | |
| Al Vrkljan | .... | armorer | |
| Danny Webber | .... | legal counsel | |
| Greg Whiteside | .... | satellite technician | |
| Eardley Wilmot | .... | location manager | |
Thanks | |||
| Peter Barnes | .... | special thanks | |
| Cybill Lui | .... | special thanks | |
| Rod Lurie | .... | special thanks | |
| Jason Reitman | .... | special thanks | |
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| Igby Goes Down | Thank You for Smoking | Capote | Party Monster | Freeway |
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Both gobsmakingingly awesome in its (true) take on Washington and just way OTT look at the Beltway, CJ is just so good. Honestly, if this had been made as fiction you'd shoot it down as implausible - the stink goes how high? - but here we see lobbyist and senators in cahoots to get the dollar in their pocket at the expense of just about every body else.
Spacey is in fine form, with a sterling support cast, and the film is best viewed as a buckle up and grin fair ride to the underbelly of politics - it really is so way beyond your standard black comedy or satire that it's just jaw dropping.
We enjoyed CJ - it doesn't aim to be a political thriller or have any great message but it is a lot of black comedy and seriously messed-up situations from beginning to end.....
Have fun now.....