Italian Revolution, 1968. Police officer, Nicolas, wants to become an actor. He goes out in plain clothes and meets Laura who is among students against the government, Vietnam War and who ...
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Marcello is a successful architect, a husband and a distracted father (too) friendly. Marina is a psychologist maladjusted, wife and mother restrained 'eco-solidarity'. Rosa is in the ... See full summary »
Francesco Taramelli is a psychoanalyst who is dealing with three patients going through various hurdles in their love lives: Marta is chasing a deaf-mute man who has stolen things from her ... See full summary »
The owners of an Italian textile factory sell the majority of the property to a multinational company. No layoffs are planned, but there's a special clause in the agreement that the new ... See full summary »
Fortunato is a trucker specialized in the transport of luxury vehicles, especially Ferrari, in Saudi Arabia and in other Gulf countries. Tired of a life away from home and in the process of... See full summary »
Claudio, a construction worker, works on a site in the suburbs of Rome. He is madly in love with his wife who is pregnant with their third child. However, when he finds the remains of an ... See full summary »
Italian Revolution, 1968. Police officer, Nicolas, wants to become an actor. He goes out in plain clothes and meets Laura who is among students against the government, Vietnam War and who seek sexual freedom. One day, his identity gets exposed and she leaves him. Written by
Pusan International Film Festival
It was one of the five Italian films pre-selected as the Best Foreign Film submission for the 82nd Academy Awards, along with Baarìa (2009), Fortapàsc (2009), Si può fare (2008) and Vincere (2009). See more »
Presented as an important recollection from one of the leading Italian filmmakers, Michele Placido but the truth is that "Il Grande Sogno" (The Big dream) is merely a TV movie with lots of pretenses. Using 1968 as the starting point for a personal epiphany is not merely provocative but also intriguing and exciting. Unfortunately what comes across is a parade of prototypes repeating slogans in a sadly uninspired telling of what feels like a false memory. Riccardo Scamarcio the golden boy of the moment confirms once more that he has, still, a long way to go before he becomes an actor to be reckon with. Luca Argentero, somehow, has an immediacy and a sympathy that makes it easier and more pleasurable to connect with. Jasmine Trinca is a lovely presence on the screen in a character who is very superficially drawn but that she manages to inject with some truth. Michele Placido must decide, sooner or later, what kind of director he wants to be. This was presented like a very personal yarn but feels just like a job. Sluggish and rushed. Very disappointing.
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