Italian Revolution, 1968. Police officer, Nicolas, wants to become an actor. He goes out in plain clothes and meets Laura who is among students against the government, Vietnam War and who ... See full summary »
Irene, nicknamed 'Honey', has devoted herself to people looking for help, and tries to alleviate their suffering, even when they make extreme decisions. One day she has to cope with ... See full summary »
Libero De Rienzo
Silvio, sedici anni, sembra più interessato alle ragazze che alla politica e, quando il liceo che frequenta viene occupato, cerca di cogliere l'occasione giusta per trovare l'anima gemella.... See full summary »
Twenty years ago, while they were 12th grade students, Giorgio, Lorenzo, Piero, Luisa, Virgilio and Francesca were a high-spirited band. Then they graduated, integrated themselves into ... See full summary »
What happens when an openly gay man decides to run for mayor in a super conservative town in North Eastern Italy, using his homosexuality as his secret weapon? What would happen if during ... See full summary »
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Italian Revolution, 1968. Police officer, Nicolas, wants to become an actor. He goes out in plain clothes and meets Laura who is among students against the government, Vietnam War and who seek sexual freedom. One day, his identity gets exposed and she leaves him. Written by
Pusan International Film Festival
I'm sorry to report that Michele Placido's "Il Grande Sogno" is a mess. It meanders from one predictable point to another even more predictable. Perhaps the most frustrating aspect is that Placido tries to pass on this pastiche as a serious personal memory. Nono of it clicks, everything looks and feels like a sentimental invention. Riccardo Scamarcio has an interesting face but he's just plain boring on the screen because I can't believe anything he says or does. Jasmine Trinca is a very special actress but she has a soap opera character to play. She gives it dignity and her effort is to be applauded but why, just tell me why Placido had to show her naked, a total full frontal in the most gratuitous fashion imaginable. Luca Argentero on the other hand is engaging and convincing and although I couldn't believe in his character I believed in him. "Il Grande Sogno" is a long, pretentious and altogether pointless film. Why was it in competition at Venice?
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