Italian Revolution, 1968. Police officer, Nicolas, wants to become an actor. He goes out in plain clothes and meets Laura who is among students against the government, Vietnam War and who ...
See full summary »
Tommaso is the youngest son of the Cantones, a large, traditional southern Italian family operating a pasta-making business since the 1960s. On a trip home from Rome, where he studies ... See full summary »
What happens when an openly gay man decides to run for mayor in a super conservative town in North Eastern Italy, using his homosexuality as his secret weapon? What would happen if during ... See full summary »
Mamma Stella is on edge. As if she hadn't got enough trouble already with her daughter Rosa Maria, who has left her husband now Costantino, her son, has disrobed. Afraid to be the talk of ... See full summary »
The South of France. Internationally famous pianist Aurore collapses one night during a performance, over-exhausted from too many concerts. Tired of music, she believes she no longer has ... See full summary »
Italian Revolution, 1968. Police officer, Nicolas, wants to become an actor. He goes out in plain clothes and meets Laura who is among students against the government, Vietnam War and who seek sexual freedom. One day, his identity gets exposed and she leaves him. Written by
Pusan International Film Festival
Presented as an important recollection from one of the leading Italian filmmakers, Michele Placido but the truth is that "Il Grande Sogno" (The Big dream) is merely a TV movie with lots of pretenses. Using 1968 as the starting point for a personal epiphany is not merely provocative but also intriguing and exciting. Unfortunately what comes across is a parade of prototypes repeating slogans in a sadly uninspired telling of what feels like a false memory. Riccardo Scamarcio the golden boy of the moment confirms once more that he has, still, a long way to go before he becomes an actor to be reckon with. Luca Argentero, somehow, has an immediacy and a sympathy that makes it easier and more pleasurable to connect with. Jasmine Trinca is a lovely presence on the screen in a character who is very superficially drawn but that she manages to inject with some truth. Michele Placido must decide, sooner or later, what kind of director he wants to be. This was presented like a very personal yarn but feels just like a job. Sluggish and rushed. Very disappointing.
35 of 43 people found this review helpful.
Was this review helpful to you?