When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
Step Up is a documentary about fatherhood. The documentary will be broken down and focus on three main points: problems, results, and solutions. The intent of the documentary is to expose ... See full summary »
A tight-knit group of New York City street dancers, including Luke (Malambri) and Natalie (Vinson), team up with NYU freshman Moose (Sevani), and find themselves pitted against the world's best hip hop dancers in a high-stakes showdown that will change their lives forever. Written by
Walt Disney Pictures
With an opening weekend tally of $15.8 million, this was the lowest earning of the trilogy. However, the film went on to international grosses of $159,000,000, making it the biggest earner of the (at the time) three films. See more »
When Natalie first walks up to Luke when they are about to lose the battle, her hair is in a side ponytail. Then when she goes to do her flip, its suddenly down. And when the crew comes out in their light up outfits her hair is in a side ponytail again. See more »
The dancing = impressive. Everything else = dreadful.
If you've seen one break-dance flick, then let's be frank, you've seen them all. The blue print is the same each and every time, lots of awesome dance sequences with gap-filling scenes of excruciating acting, non-existent plot and direlogue that wouldn't feel out of place in a Z-grade horror film. With those standards in mind, the most effective entries into this genre do two very simple things: maximise the eye-boggling dance routines and minimise the yawn-inducing guff that fills the rest of the runtime.
Step Up 3D only gets half of the above equation right. An unnecessary amount of time is wasted on boring dross like predictable plot twists and deep and meaningful (read: long and laughable) conversations about how profoundly dancing can affect people. Honestly, who cares? From the moment the main character tells his new BFF that "he's BFAB, born from a beatbox" in the first ten minutes, all further dialogue should've been ceased immediately. I'm serious, they should've let the music and moves do the talking for the remaining 90 minutes. That way our gag-reflex wouldn't have been tested by Vinson (ex-Home and Away star) and Malambri's acting.
When the bodies are twirling, contorting, flinging, jumping, smashing or moving like a robot the film unsurprisingly finds its legs. Choreographed with flair and panache, the set-pieces incorporate the 3D technology decently enough by having dancers approach the camera with fast, whippy hand movements, however the depth of the stage was employed more successfully by its British counterpart StreetDance 3D. Regardless, there are still a handful of entertaining dance-offs that impress on varying levels.
Replete with the freshest hip-hop tunes and sporadic inventiveness mainly in the form of illuminated costumes this trilogy-closer may tickle your fancy, but that is wholly reliant on whether you're BFAB or not.
2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
34 of 60 people found this review helpful.
Was this review helpful to you?