Captured international assassins are locked up inside a high-tech bunker known as the Killing Chamber. To break out of this concrete hell they must duel each other, fight deadly ninjas and ... See full summary »
In an attempt to revolutionize warfare, Dr. Edmund Wellington (Richard Lynch), the mad scientist head of a billion-dollar weapons manufacturer, creates a space-based laser mind-control ... See full summary »
The story of a Los Angeles hit man. Corrado is the best there is in the city of LA. Pimped by his nefarious handler, Frankie, he performs jobs ranging from tune-ups to outright hits. Frankie loves Corrado for his lack of mercy, for his coldness and readiness to do the job no matter what. Now Frankie has a pearl of a job for Corrado - hit the aging kingpin Vittorio Spinello in his own house. Make it look like Vittorio's death is an accident, get out, and $500K is his. Corrado readily accepts. Corrado is about to perform the hit when he is interrupted by Vittorio's brand new live in nurse, Julia, and winds up shooting Vittorio dead and escaping out the window to leave Julia holding the bag. Julia doesn't have to wait long for Vittorio's son Paolo to discover her standing by his father's corpse. In an unreasonable rage he accuses her of killing his father, or at least being complicit in his death. Corrado overhears this on the other side of the window he has escaped from, and somehow ... Written by
Originally entitled "Corrado", the film was renamed domestically as "Bad Ass" by the distributor. See more »
When Paolo finds out Julia is from Nebraska, he asks his boys "Where the f*** is Nebraska?" A few seconds later he tells his boys to find Julia "and her f***ing Cornhusker boyfriend." However, if Paolo had never heard of Nebraska, it is unlikely he would have ever heard the term "cornhusker". See more »
My name is retribution. I'm your unsettled debt. My name is vengeance. Some would send me for you. My name is Corrado. There are two kinds of people in this world: those that abide by the law, and those that don't. For those that abide by the law, you have collection agencies, courts, jails, and rules. For those that don't, you have me.
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I liked it, I could only watch 30minutes of it, but I liked it.
Julia plays the damsel, a private nurse sent in third shift to care for an aging Godfather. Julia is in the room when a hit man Carrado kills the Godfather. He decided to show her mercy and let her live. But that's short-lived as now the hotheaded Godson Paolo and his head henchman Tommaso believes she set the Godfather up and are going to execute her, so now she is in distress. The Hit-man with the heart of gold sweeps in to rescue the Damsel in Distress. Paolo now in charge dispatches his legion of Goons to hunt down and kill the duo. Three things I liked; the cast was dragged up from Celebrity Rehab (sober house) and Sopranos of course. This meant these guys weren't slumming they were lucky to get the gig. There was a lot of add-libbing, at one point Tom Sizemore asks Frank Stallone if he has any coke because there has to be something better than Whiskey just to drink. I don't know if this was a scripted line or not, but Sizemore MEANT IT! There was a Tarratinoesque scene where the Goons are cackling and giggling as they pin a victim to a garbage can. The Hessian hit man over dramatically tries to play too cool silent killer. However his threats can't be heard over the cracking and teasing of the Neanderthal thugs. THE REASON I only watched 30minutes is because the heroine was atrocious. She's had so much cosmetic Surgery her face is transforming into the cat woman face. All that cosmetic surgery and not one cent spent on her breasts unless she had them reduced. I didn't want to see her naked, and what's the use in watching these movies, if you don't want to see the Damsel in distress, naked?
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