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Directed by | |||
| Jason Reitman | |||
Writing credits | ||
| Walter Kirn | (novel) | |
| Jason Reitman | (screenplay) and | |
| Sheldon Turner | (screenplay) | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Eric Steelberg | (director of photography) | ||
Film Editing by | |||
| Dana E. Glauberman | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| Steve Saklad | |||
Art Direction by | |||
| Andrew Max Cahn | |||
Set Decoration by | |||
| Linda Lee Sutton | (as Linda Sutton-Doll) | ||
Costume Design by | |||
| Danny Glicker | |||
Makeup Department | |||
| Natasha Allegro | .... | hair stylist | |
| Breezy Brezany | .... | makeup artist (as Martha Brezany-Adams) | |
| Lisa Brockman-Kalz | .... | makeup artist (as Lisa Kalz) | |
| Ashley Dayley | .... | hair stylist | |
| Katherine Distefano | .... | makeup artist: Las Vegas | |
| Elisabeth Fry | .... | makeup department head | |
| Kimberly Jones | .... | makeup artist: Detroit | |
| Jeff Lewis | .... | makeup department head (as Jeffrey Lewis) | |
| Brad Look | .... | key makeup artist: Miami (as Bradley M. Look) | |
| Frances Mathias | .... | hair department head | |
| Diane Maurno | .... | makeup artist: Miami | |
| Jack McQueen | .... | hair stylist: Detroit | |
| Michelle Miller | .... | hair stylist: Omaha | |
| Carol Raskin | .... | hair stylist: Miami | |
| Mary Rockwood-Crabtree | .... | hair stylist: Las Vegas (as Mary Crabtree) | |
| Waldo Sanchez | .... | hair stylist: Mr. Clooney | |
| Melanie Smith | .... | makeup artist: Omaha | |
| Kevin J Edwards | .... | assistant hair stylist (uncredited) | |
| Louise Holoday | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Michael Beugg | .... | unit production manager | |
| Kaylene Carlson | .... | production supervisor: Omaha/Las Vegas | |
| Samson Mucke | .... | assistant unit production manager | |
| Elayne Schneiderman | .... | production supervisor: Miami | |
| Ralph Bertelle | .... | executive in charge of production (uncredited) | |
| Tricia Miles | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Sonia Bhalla | .... | second assistant director | |
| Jason Blumenfeld | .... | first assistant director | |
| Patrick Cunningham | .... | second second assistant director: Las Vegas | |
| Steve Dale | .... | second second assistant director: Miami | |
| Heather L. Hogan | .... | additional second assistant director | |
| Patty Long | .... | additional second assistant director: Detroit | |
| Joseph Payton | .... | second second assistant director | |
Sound Department | |||
| James Bailey | .... | foley artist | |
| Kyle Billingsley | .... | foley mixer | |
| Barney Cabral | .... | supervising adr editor | |
| Rick Canelli | .... | adr recordist | |
| John W. DeMonaco | .... | utility sound technician: Detroit | |
| Craig Dollinger | .... | boom operator | |
| Jeff Erdmann | .... | utility sound technician | |
| Eric Flickinger | .... | sound mix technician | |
| Aaron Grice | .... | utility sound technician: Las Vegas | |
| John Guentner | .... | foley mixer | |
| J. Stanley Johnston | .... | sound re-recording mixer | |
| Tim LeBlanc | .... | sound mix technician | |
| Brian Magerkurth | .... | sound mix technician | |
| Cynthia Merrill | .... | foley artist | |
| Trevor Metz | .... | sound editor | |
| Steven Morrow | .... | sound mixer (as Steven A. Morrow) | |
| Nick Neutra | .... | foley supervisor | |
| Thomas J. O'Connell | .... | adr mixer | |
| Aynee Osborn | .... | sound editor (as Aynee O. Joujon-Roche) | |
| Michael Pisano | .... | utility sound technician: Miami | |
| Perry Robertson | .... | supervising sound editor | |
| Shelley Roden | .... | foley artist | |
| Scott Sanders | .... | supervising sound editor | |
| Frederick H. Stahly | .... | sound editor | |
| Gregory H. Watkins | .... | sound re-recording mixer | |
| Mandell Winter | .... | sound editor | |
| Kevin Zimmerman | .... | first assistant sound editor (as Kevin A. Zimmerman) | |
| Aynee Osborn | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Michael H. Clark | .... | special effects technician (as Michael Clark) | |
| Kenneth Coulman | .... | special effects technician (as Kenneth R. Coulman Jr.) | |
| William Dawson | .... | special effects coordinator | |
| Kurt Harris | .... | special effects technician: Miami | |
| Roland Hathaway | .... | special effects foreperson | |
| Kenny Kondratko | .... | special effects technician | |
| Barry McQueary | .... | special effects foreperson (as Barry L. McQueary) | |
| William Purcell | .... | special effects foreperson (as Will Purcell) | |
| Morgan McMath Rogers | .... | special effects technician (as Morgan M. Rogers) | |
| Arthur G. Schlosser | .... | special effects technician | |
| Dieter Sturm | .... | special effects technician | |
| Dan Yeager | .... | special effects technician (as Daniel Yeager) | |
Visual Effects by | |||
| Casey Allen | .... | inferno/flame compositor: Lola Visual Effects | |
| Spencer Armajo | .... | inferno/flame compositor: Lola Visual Effects | |
| Daniel Chuba | .... | visual effects producer: Hammerhead (as Dan Chuba) | |
| Trent Claus | .... | inferno/flame compositor: Lola Visual Effects | |
| Jamie Dixon | .... | visual effects supervisor: Hammerhead | |
| Justin Jones | .... | visual effects co-supervisor: Hammerhead | |
| Kelly Rae Kenan Green | .... | visual effects production manager: Hammerhead (as Kelly Rae Kenan) | |
| Michael Kennedy | .... | compositor: Hammerhead | |
| Seung Yong Lee | .... | compositor: Hammerhead (as Seunyong Lee) | |
| Isaac Lipstadt | .... | visual effects production assistant: Hammerhead | |
| Shira Mandel | .... | compositor: Hammerhead | |
| Daniel Mellitz | .... | compositor: Hammerhead | |
| Joel Merritt | .... | compositor: Hammerhead | |
| Fatima Mojaddidy | .... | systems administrator: Hammerhead | |
| Thomas Nittmann | .... | visual effects producer: Lola Visual Effects | |
| Brian Nugent | .... | inferno/flame compositor: Lola Visual Effects | |
| Robert Olsson | .... | inferno/flame compositor: Lola Visual Effects (as Rob Olsson) | |
| Clark Parkhurst | .... | inferno/flame compositor: Lola Visual Effects | |
| Chris Raiskup | .... | visual effects production assistant: Hammerhead | |
| Michael Richmond | .... | inferno/flame compositor: Lola Visual Effects | |
| Jeremiah Sweeney | .... | inferno/flame compositor: Lola Visual Effects | |
| Edson Williams | .... | visual effects supervisor: Lola Visual Effects | |
| Kazuyoshi Yamagiwa | .... | inferno/flame compositor: Lola Visual Effects | |
| Ryan Zuttermeister | .... | associate visual effects producer: Lola Visual Effects | |
| Patrick Clancey | .... | digital opticals (uncredited) | |
| Dan Levitan | .... | senior compositor (uncredited) | |
Stunts | |||
| Ricou Browning Jr. | .... | stunt coordinator (as Ricou Browning) | |
| Charles Croughwell | .... | stunt coordinator | |
| Alex Edlin | .... | stunts | |
| Gary Lowe | .... | stunts | |
| Artie Malesci | .... | stunts | |
| Anthony Molinari | .... | stunts | |
Camera and Electrical Department | |||
| Ivan Allen | .... | electrician: Las Vegas (as Ivan C. Allen) | |
| Richard Allen | .... | grip: Las Vegas | |
| Jason Apperson | .... | electrician: Las Vegas | |
| Prarthna Arias | .... | video assist | |
| Tom Barrett | .... | grip | |
| Keith Batchelor | .... | electrician: Las Vegas | |
| Craig Bauer | .... | second assistant photographer: "b" camera (as Craig M. Bauer) | |
| Kurt Beckler | .... | grip: Miami (as L. Kurt Beckler) | |
| Tim Black | .... | rigging electrician: Miami | |
| Kelly Bogdan | .... | second assistant photographer: "b" camera, Omaha | |
| Lawrence L. Bolding | .... | grip: Omaha | |
| Marvin J. Bowie | .... | rigging electrician: Detroit (as Marvin Jackie Bowie) | |
| Geoffrey Brock | .... | rigging electrician: Detroit | |
| Denny Buffum | .... | grip: Omaha | |
| Nathan Buffum | .... | grip: Omaha (as Nate Buffum) | |
| Tom Cornell | .... | second company rigging grip: Detroit (as Thomas Cornell) | |
| Tommy Daguanno | .... | grip: Detroit | |
| Alfredo Denila | .... | grip: Las Vegas (as Alfredo Dinala) | |
| Christopher C. Dino | .... | rigging electrician: Miami | |
| Jonathan Dugas | .... | grip: Miami | |
| Darry Dusbiber | .... | rigging grip: Detroit (as Barry Dusbiber) | |
| Paul Eichler | .... | rigging electrician: Omaha | |
| Brad Fanfalone | .... | second assistant photographer: "b" camera, Detroit (as Bradford Fanfalone) | |
| Kenneth Ferguson | .... | rigging electrician: Detroit | |
| Cale Finot | .... | first assistant photographer: "b" camera | |
| Brian Fosnaugh | .... | assistant chief lighting technician | |
| Jamie Franta | .... | grip: Las Vegas | |
| Anne Freivogel | .... | second assistant photographer: "b" camera | |
| Nicholas Gartner | .... | electrician | |
| John Gibson | .... | rigging electrician: Miami | |
| Jack Glenn | .... | dolly grip operator | |
| Shai Goldenberg | .... | rigging grip: Miami | |
| Dylan Goss | .... | aerial director of photography | |
| Ted Gregg | .... | second company rigging grip | |
| Sam Hassel | .... | grip: Miami | |
| Tim Hawn | .... | rigging electrician | |
| Brian Hayden | .... | electrician | |
| Gordon Hayman | .... | grip (as Gordon J. Hayman) | |
| Lavelle Higgins | .... | rigging electrician: Miami (as Lavelle Thomas Higgins) | |
| David Houlle | .... | chief rigging electrician | |
| Bodie Hyman | .... | second company grip: Las Vegas | |
| Loren Johnson | .... | electrician: Las Vegas | |
| Ross Jones | .... | grip: Miami | |
| Gary Kangrga | .... | first company rigging grip | |
| Holgar Kirschner | .... | rigging grip: Miami (as Holger Kirschner) | |
| Jamie Klein | .... | second company rigging grip: Miami | |
| Kenny Kondratko | .... | grip: Detroit | |
| Dave Kube | .... | grip (as David Kube) | |
| Andrea Lawson | .... | video playback foreperson | |
| John Lawson | .... | electrician: Detroit | |
| Joe Layson | .... | electrician: Detroit (as Joseph P. Layson) | |
| Jimmi Lyon | .... | assistant chief rigging technician: Miami | |
| John Mang | .... | dolly grip operator | |
| Ed Manton | .... | rigging grip | |
| Robert Mehnert | .... | aerial director of photography | |
| Jeff Milewsky | .... | grip: Las Vegas | |
| Jeff Moore | .... | rigging electrician: Detroit | |
| Matthew Moriarty | .... | camera operator | |
| Charles 'Chaz' Norcross | .... | second company grip (as Charles Norcross) | |
| Tim O'Dea | .... | electrician: Detroit | |
| Jeremy Osbern | .... | rigging electrician | |
| Joseph Parise | .... | electrician: Detroit | |
| Jorge Parra | .... | grip: Miami (as Jorge A. Parra) | |
| Earl Perque | .... | second company grip: Miami (as Earl Perque Jr.) | |
| Seyton Pooley | .... | rigging electrician: Las Vegas | |
| Stephanie Power | .... | electrician: Miami | |
| Mynor Priesing | .... | grip: Las Vegas | |
| John Pycha | .... | electrician: Omaha | |
| Ryan Rakel | .... | film loader (as Ryan A. Rakel) | |
| Adam Reisz | .... | grip | |
| David Richardson | .... | first company grip | |
| Shane Richter | .... | rigging electrician: Las Vegas (as Shane M. Richter) | |
| Dale Robinette | .... | still photographer | |
| Chris Rodriguez | .... | rigging grip: Miami | |
| Jim Rogers | .... | grip: Detroit | |
| Dennis Rottell | .... | rigging grip: Detroit | |
| Fred Schwartz | .... | electrician: Miami (as Fred A. Schwartz) | |
| John Sennott | .... | electrician (as John Sennott IV) | |
| Mike Silverberg | .... | electrician: Las Vegas (as Michael Silverberg) | |
| William Smaling | .... | chief rigging electrician: Miami (as Bill Smaling) | |
| Michael Stoecker | .... | rigging grip | |
| Chris Strong | .... | chief lighting technician (as Chris C. Strong) | |
| Cody Strong | .... | electrician | |
| David Swift | .... | electrician: Miami | |
| Richmond Tetzlaff | .... | video playback technician | |
| Daniel M. Tobias | .... | electrician: Miami | |
| Tony Varuola | .... | chief rigging electrician: Las Vegas (as Anthony Varuola) | |
| Zoran Veselic | .... | first assistant photographer | |
| Jason C. Villella | .... | electrician: Miami | |
| Keith Wandrei | .... | chief rigging electrician: Detroit | |
| Jerry Wheat | .... | assistant chief rigging electrician | |
| Rob Williams | .... | rigging electrician: Omaha | |
| Todd Wood | .... | grip: Miami | |
| David Basch | .... | rigging electrician (uncredited) | |
| Chris Benson | .... | camera operator: firing sequences (uncredited) | |
| Jaime Dawkins | .... | technocrane operator (uncredited) | |
| Cale Finot | .... | director of photography: second unit (uncredited) | |
| Andrew Gritzke | .... | lighting technician (uncredited) | |
| Mike Hampton | .... | video utility (uncredited) | |
| Adam Huber | .... | lighting technician (uncredited) | |
| Brian Lataille | .... | vector vision tech (uncredited) | |
| Brian Pruitt | .... | rigging grip (uncredited) | |
| Mark Schwartzbard | .... | additional camera operator: HD unit (uncredited) | |
| Alan R. Sohn | .... | rigging lighting technician (uncredited) | |
| Lee J. Stone | .... | super technocrane operator (uncredited) | |
| Nick Theodorakis | .... | digital imaging engineer (uncredited) | |
| Daniel Tkaczyk | .... | lighting technician (uncredited) | |
| Mark N. Woods | .... | technocrane operator (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Phyllis Karpinski | .... | background casting assistant: Miami | |
| Jorina King | .... | background casting: Las Vegas | |
| Kara Lipson | .... | casting associate | |
| Jennifer Presser | .... | location casting assistant | |
| Carrie Ray | .... | background casting: Detroit | |
| Derek Ray | .... | background casting: Detroit | |
| Joni Tackette | .... | location casting | |
| Joanna Wende | .... | location casting assistant | |
| Lori Wyman | .... | background casting: Miami | |
| Susan E. Ryan | .... | extras casting assistant (uncredited) | |
Editorial Department | |||
| Will Barnes | .... | digital editing systems support | |
| Yanosh Cuglove | .... | editorial intern | |
| Bruce Fowler | .... | lab manager assistant: Deluxe | |
| Maria Gonzales | .... | first assistant editor | |
| Dale E. Grahn | .... | lab color timer: Deluxe (as Dale Grahn) | |
| Omar Hassan-Reep | .... | assistant editor | |
| Chris Jensen | .... | color timing assistant: Efilm | |
| Nancy Jundi | .... | digital editing systems support | |
| Natasha Leonnet | .... | colorist: Efilm | |
| Philippe Majdalani | .... | digital intermediate assistant producer: Efilm | |
| Amy Pawlowski | .... | digital intermediate editor: Efilm | |
| Loan Phan | .... | digital intermediate producer: Efilm | |
| Michael Lee Underdown | .... | editorial assistant | |
| Rick J. Brown | .... | co-colorist (uncredited) | |
| Gregg Lang | .... | colorist: dailies (uncredited) | |
| Jennifer Scudder Trent | .... | post-production coordinator (uncredited) | |
| David Roth Weiss | .... | colorist (uncredited) | |
Music Department | |||
| Tony Blondal | .... | orchestrator | |
| Rick Clark | .... | music supervisor | |
| Stephen Coleman | .... | music programmer | |
| Jim Dunbar | .... | music coordinator | |
| Rolfe Kent | .... | conductor | |
| Larry Mah | .... | pro tools operator | |
| Randall Poster | .... | music supervisor | |
| Dan Savant | .... | orchestra contractor | |
| Alistair South | .... | music assistant | |
| Nick South | .... | music editor | |
| Greg Townley | .... | music mixer | |
| Greg Townley | .... | music recordist | |
| Karen Han | .... | soloist: erhu (uncredited) | |
| Mateo Messina | .... | composer: additional music (uncredited) | |
| Meredith Meyer | .... | assistant to composer (uncredited) | |
| Bart Samolis | .... | musician (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Based on the novel by Walter Kirn, George Clooney stars as corporate downsizing expert Ryan Bingham, who is hired to help ease the transition of long-term employees to the unemployment line across the country. Taking his job very seriously and loving the 290 days away from homethe only problem with that is the 70 days at home in his empty apartmenthis world gets turned upside-down when a young upstart in the company threatens to ground the company to fire people via the internet. Not standing for a change in his life, nor the chance for his life goal of total airline miles to end, ("Let's just say I have a number and I haven't hit it yet"), he goes on a mission to prove how personal his job is and how key a face to face meeting can be to talk down an emotionally unstable person and really do the victim a service in an otherwise horrible moment in his life. Along the way, he and the recent college grad, of which the boss loves due to her budget slashing game-changing idea, Natalie, played by Anna Kendrick, both find out what has been lacking in their lives and how to become better people, opening up to love, heartbreak, and the need to grow up.
Clooney's Bingham is the loner businessman whose only relationships exist from random meetings with attractive females at the multiple airports he frequents. His wallet of plastic has become his lifebloodcredit cards from airlines that accumulate his mileage, hotel status perk cards that let him cut the disgruntled travelers and go straight to the front, and numerous room keys that never seem to be thrown out, causing him to always use more than one before finally opening his hotel suite's door. Detached from his family for years as the brother that exists but cannot be counted on for anything, he contemplates whether he should, or really wants to, attend his sister's weddingthe little girl of the family and someone he should have been involved with after the passing of their father. A series of style cramping incidents for him begins with a phone call from his other sister and the request to take a cardboard cutout of the happy couple, (Melanie Lynskey and Danny McBride, in a role that might actually show some nuance for a guy that usually flies by the cuff), and photograph it in front of famous places he travels to for work "like that French gnome movie,"I love the Amélie reference. Then comes the threat of being taken out of the air, his home for decades, in order to impersonally let go more people more efficiently; the challenge of taking Natalie on his next schedule of jobs to prove to her why the new system won't work; and the addition of a love interest in Vera Farmiga's Alex, a woman who describes herself to him with "just think of me as you with a vagina"one of many great lines.
There is a lot of subtlety and intricate weaving of plot lines throughout the story, details and sequences that need to be seen fresh to get the full benefit of the film. What you might initially think is a witty comedy about a jerk of a guy who not only thinks he's better than everyone else, but actually is, that either finds the error of his ways or gets dropped down a peg or two, eventually becomes a tale chock full of heart and emotion. The real success story of the film is a revelatory performance from Clooney who really knocks this on out of the park. He always showed the charisma and chops to play confident and successful, but here is allowed to also branch out and express the pent-up frustration that comes with isolated loneliness, the passion one can have for a job that seems horrible, yet, when treated carefully, is a job to take seriously, and the compassion for humanity on the whole, softening enough to realize that there are people around him that need help besides his laid off strangers, help that only he can provide. The evolution he undertakes is really pretty amazing and I credit Kirn, Reitman, and Clooney for pulling it off with grace and laughter.
Every single actor is unforgettableeven the bit parts like Zach Galifianakis and especially J.K. Simmons as two corporate employees who's jobs have been eliminated. Jason Bateman is hilarious as Clooney's smug boss, fully embodying the take no crap nonchalance he made famous in "Arrested Development"; Farmiga is gorgeous and competent to be able to go toe-to-toe with Clooney in the detachment and power-hungry attitude of flying in style for half a year or more; and, if George's reinvention of character is revelatory, then Kendrick's naïve Natalie is masterful. This girl was top in her class, able to get a job in her field wherever her heart desired, yet settled for this firm specializing in firing people so as to not dirty the workers' real superior's hands. Young and confused about life in the big world of adulthoodset on a plan for marriage and children to occur as though set times on a clockher eyes are opened to the intimacy and fragility with which a person's mental state can be affected by mere words. When you put them all together, Up in the Air resonates on so many levels; deserving of any praise and accolades to be bestowed upon it. Hilariously funny every second of the way, it is still unafraid to dig into the dark moments of life and treat them with respect and relevancy, going places you wouldn't think it would have the guts to go. You really can't say too much about the film, a top ten of the year entry for sure. Reitman proving to be a force to reckon with and Clooney that he just keeps getting better with age.