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Up in the Air (2009)

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Ryan Bingham enjoys living out of a suitcase for his job traveling around the country firing people, but finds that lifestyle threatened by the presence of a potential love interest and a new hire.

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Writers:

(novel), (screenplay) | 1 more credit »
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Popularity
1,565 ( 91)
Nominated for 6 Oscars. Another 76 wins & 158 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Bob
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Samuels
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Young MC
Cut Chemist ...
Conference DJ
Adrienne Lamping ...
Tammy
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Storyline

Ryan Bingham is a corporate downsizing expert whose cherished life on the road is threatened just as he is on the cusp of reaching ten million frequent flyer miles and just after he's met the frequent-traveler woman of his dreams. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

From Paramount Pictures comes the story of a man ready to make a connection See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

23 December 2009 (USA)  »

Also Known As:

Amor sin escalas  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

CAD 72,204 (Canada) (6 December 2009)

Gross:

$83,823,381 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jason Reitman and Ivan Reitman are one of only two father and son producing teams to be nominated for a Best Picture Oscar. The other is Mario Cecchi Gori and Vittorio Cecchi Gori for Il Postino (1994). See more »

Goofs

During Wichita's layoff, Ryan dismisses a female employee that solemnly promises to commit suicide from the tallest local bridge. Wichita and surrounding Sedgewick County's tallest bridge is the Arkansas River crossing just 39ft at the peak of summer. The consistently featureless and level terrain plus year round strong winds are crucial for aircraft manufacturers and test pilots. See more »

Quotes

Natalie Keener: [showing him the new company set up of firing employees over the internet] Someone sits down at a conference room somewhere and our server routes their session to one of our termination engineers
Ryan Bingham: "Termination engineers"? Really?
Natalie Keener: I prefer "terminators" but it was bumped because it was illegal
Ryan Bingham: I can't imagine why
Natalie Keener: They follow a work flow that takes them through anything from s standard dismissal to a violent aggressor
Ryan Bingham: Are they practicing right now?
Natalie Keener: Beta testing, role playing we go live at the end ...
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Crazy Credits

Over the end credits, the camera glides over the clouds. Much like the view from a plane. See more »


Soundtracks

Time After Time
(1984)
Written by Rob Hyman and Cyndi Lauper
Performed by Anna Kendrick
Courtesy of Pocket Songs
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Frequently Asked Questions

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User Reviews

 
Breathes New Air...

Director Jason Reitman, that has brought us great Indie classics such as Thank You for Smoking and Juno has crafted his most personal and most effective portrait to date, Up in the Air. The film stars George Clooney, also giving his most intimate and beautiful performance of his career, as Ryan, a traveling "Firing-Man," who plans on racking up as much frequent flyer miles as he can. Completely void of human connection and emotion, even from his two sisters, one of which is getting married, Ryan seems completely content with his choice of living. All seems well until he meets his female version in the beautiful and charismatic Alex, played with sexual force and intensity by Vera Farmiga. At the same time, a change at his job makes him acquire a student, Natalie, played with sensitivity and vigor by Anna Kendrick, to learn the ropes of the business before potentially making a devastating change to Ryan's way of life.

The film, based on the book of the same title, is a moving and witty piece of cinema. The line deliveries given are some of the best liners of the year. The adaptation by Reitman and Sheldon Turner is of beautiful and social importance in today's day and age. There was no better time than now, to bring a film like this to the table. Dana E. Glauberman's crisp and precise editing sets the pace as we travel with Ryan in this beautiful account. Reitman's direction shows he's a force to be reckoned with and should be in full blown force for Oscar consideration along with the adaptation shared with Turner.

George Clooney, who's having one hell of a year along with his other comedic turn in The Men Who Stare at Goats, gains sympathy and emotion from the viewer, which up until now, Clooney had always struggled for. The role is right up Clooney's alley and with humorous strength, conveys the pain and loneliness of an otherwise charming man successfully.

Vera Farmiga as Alex, is a beautiful as she is dark, and as sexy as she is ugly. Farmiga has finally landed the right role that, in her years of wrong place at the wrong time, should land her a first-time Oscar nomination. Never showing her hand, Farmiga keeps and earns your trust, attention, and admiration. It's one of the most divisive and structurally brilliant supporting turns of the year.

Seemingly not playing with a full deck is Natalie, played most beautifully by Anna Kendrick, who portrays brains don't equal smart choices. Kendrick earns your care and concern for the character, as she follows Ryan around and constantly badgers him about happiness and love, she naïvely and courageously shows the tenderest parts of youth in today's world. Kendrick will likely be sitting along side Farmiga at Oscar's ceremony.

Jason Bateman, playing Craig Gregory, the boss in charge, is amusing in a brief but memorable role. Amy Morton and Melanie Lynsky, who play Ryan's sisters, are valuable and sufficient enough to book end a wonderful tale. Danny McBride, an outstanding comic talent to watch, is as good as ever. And finally, in otherwise cameos, Sam Elliott and the great Zack Galifianakis are uproarious in their respective roles.

This could very well be the crowd and critical pleaser of the year. It has what the 2004 film Sideways lacked, the emotional edge. Long after the film, you take these characters home with you and remind yourself of its authenticity in delivery, poise, and premise. Up in the Air is one of the best pictures of the year. ****/****


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