Up in the Air (I) (2009)

With a job that has him traveling around the country firing people, Ryan Bingham leads an empty life out of a suitcase, until his company does the unexpected: ground him.

Director:

Jason Reitman

Writers:

Walter Kirn (novel), Jason Reitman (screenplay),

Stars:

George Clooney, Vera Farmiga, Anna Kendrick

Nominated for 6 Oscars. Another 64 wins & 66 nominations.

Cast

Cast overview, first billed only:
George Clooney	...	Ryan Bingham
Vera Farmiga	...	Alex Goran
Anna Kendrick	...	Natalie Keener
Jason Bateman	...	Craig Gregory
Amy Morton	...	Kara Bingham
Melanie Lynskey	...	Julie Bingham
J.K. Simmons	...	Bob
Sam Elliott	...	Maynard Finch
Danny McBride	...	Jim Miller
Zach Galifianakis	...	Steve
Chris Lowell	...	Kevin
Steve Eastin	...	Samuels
Marvin Young	...	Young MC
Lucas MacFadden	...	Conference DJ (as Cut Chemist)
Adrienne Lamping	...	Tammy

Storyline

Ryan Bingham is a corporate downsizing expert whose cherished life on the road is threatened just as he is on the cusp of reaching ten million frequent flyer miles and just after he's met the frequent-traveler woman of his dreams.

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Plot Keywords:

suitcase | downsizing | business | computer | hotel | 

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Taglines:

Arriving this December

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Genres:

Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for language and some sexual content

Details

Official Sites:

Official Facebook Official site [fr]

Country:

USA

Language:

English

Release Date:

23 December 2009 (USA)

Also Known As:

Amor sin escalas

Filming Locations:

Affton High School, Affton, Missouri, USA

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

£1,298,023 (UK) (15 January 2010)

Gross:

$83,813,460 (USA) (2 April 2010)

Company Credits

Production Co:

Paramount Pictures, Cold Spring Pictures, DreamWorks Pictures

Technical Specs

Runtime:

109 min 108 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The card that Alex (Vera Farmiga) is so impressed by (that Ryan Bingham has) is the American Airlines invitation-only Concierge Key. After the film was completed, Jason Reitman was invited into the program. Started in 2007, it helps members arrange for reservation changes, upgrades, and even airport meetings. It is sent to selected customers, and since it is not advertised, some travelers consider it a rumor.

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Goofs

When Ryan is giving his second "What's in Your Backpack" talk, he is said to be in Miami, but the podium identifies a hotel in Wichita. (Not Kansas City as previously stated.)

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Quotes

Natalie Keener: Please, for the love of God, can I fire the next one.

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Crazy Credits

Over the end credits, the camera glides over the clouds. Much like the view from a plane.

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Connections

Featured in The 67th Annual Golden Globe Awards (2010)

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Soundtracks

"Taken At All"
(1976)
Written by David Crosby & Graham Nash
Performed by Crosby Stills Nash & Young
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing

User Reviews

I'm like my mother, I stereotype—it's faster … Up in the Air

Based on the novel by Walter Kirn, George Clooney stars as corporate downsizing expert Ryan Bingham, who is hired to help ease the transition of long-term employees to the unemployment line across the country. Taking his job very seriously and loving the 290 days away from home—the only problem with that is the 70 days at home in his empty apartment—his world gets turned upside-down when a young upstart in the company threatens to ground the company to fire people via the internet. Not standing for a change in his life, nor the chance for his life goal of total airline miles to end, ("Let's just say I have a number and I haven't hit it yet"), he goes on a mission to prove how personal his job is and how key a face to face meeting can be to talk down an emotionally unstable person and really do the victim a service in an otherwise horrible moment in his life. Along the way, he and the recent college grad, of which the boss loves due to her budget slashing game-changing idea, Natalie, played by Anna Kendrick, both find out what has been lacking in their lives and how to become better people, opening up to love, heartbreak, and the need to grow up.

Clooney's Bingham is the loner businessman whose only relationships exist from random meetings with attractive females at the multiple airports he frequents. His wallet of plastic has become his lifeblood—credit cards from airlines that accumulate his mileage, hotel status perk cards that let him cut the disgruntled travelers and go straight to the front, and numerous room keys that never seem to be thrown out, causing him to always use more than one before finally opening his hotel suite's door. Detached from his family for years as the brother that exists but cannot be counted on for anything, he contemplates whether he should, or really wants to, attend his sister's wedding—the little girl of the family and someone he should have been involved with after the passing of their father. A series of style cramping incidents for him begins with a phone call from his other sister and the request to take a cardboard cutout of the happy couple, (Melanie Lynskey and Danny McBride, in a role that might actually show some nuance for a guy that usually flies by the cuff), and photograph it in front of famous places he travels to for work "like that French gnome movie,"—I love the Amélie reference. Then comes the threat of being taken out of the air, his home for decades, in order to impersonally let go more people more efficiently; the challenge of taking Natalie on his next schedule of jobs to prove to her why the new system won't work; and the addition of a love interest in Vera Farmiga's Alex, a woman who describes herself to him with "just think of me as you with a vagina"—one of many great lines.

There is a lot of subtlety and intricate weaving of plot lines throughout the story, details and sequences that need to be seen fresh to get the full benefit of the film. What you might initially think is a witty comedy about a jerk of a guy who not only thinks he's better than everyone else, but actually is, that either finds the error of his ways or gets dropped down a peg or two, eventually becomes a tale chock full of heart and emotion. The real success story of the film is a revelatory performance from Clooney who really knocks this on out of the park. He always showed the charisma and chops to play confident and successful, but here is allowed to also branch out and express the pent-up frustration that comes with isolated loneliness, the passion one can have for a job that seems horrible, yet, when treated carefully, is a job to take seriously, and the compassion for humanity on the whole, softening enough to realize that there are people around him that need help besides his laid off strangers, help that only he can provide. The evolution he undertakes is really pretty amazing and I credit Kirn, Reitman, and Clooney for pulling it off with grace and laughter.

Every single actor is unforgettable—even the bit parts like Zach Galifianakis and especially J.K. Simmons as two corporate employees who's jobs have been eliminated. Jason Bateman is hilarious as Clooney's smug boss, fully embodying the take no crap nonchalance he made famous in "Arrested Development"; Farmiga is gorgeous and competent to be able to go toe-to-toe with Clooney in the detachment and power-hungry attitude of flying in style for half a year or more; and, if George's reinvention of character is revelatory, then Kendrick's naïve Natalie is masterful. This girl was top in her class, able to get a job in her field wherever her heart desired, yet settled for this firm specializing in firing people so as to not dirty the workers' real superior's hands. Young and confused about life in the big world of adulthood—set on a plan for marriage and children to occur as though set times on a clock—her eyes are opened to the intimacy and fragility with which a person's mental state can be affected by mere words. When you put them all together, Up in the Air resonates on so many levels; deserving of any praise and accolades to be bestowed upon it. Hilariously funny every second of the way, it is still unafraid to dig into the dark moments of life and treat them with respect and relevancy, going places you wouldn't think it would have the guts to go. You really can't say too much about the film, a top ten of the year entry for sure. Reitman proving to be a force to reckon with and Clooney that he just keeps getting better with age.