Up in the Air (I) (2009)

With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.

Director:

Jason Reitman

Writers:

Walter Kirn (novel), Jason Reitman (screenplay),

Stars:

George Clooney, Vera Farmiga, Anna Kendrick

Nominated for 6 Oscars. Another 88 wins & 102 nominations.

Cast

Cast overview, first billed only:
George Clooney	...	Ryan Bingham
Vera Farmiga	...	Alex Goran
Anna Kendrick	...	Natalie Keener
Jason Bateman	...	Craig Gregory
Amy Morton	...	Kara Bingham
Melanie Lynskey	...	Julie Bingham
J.K. Simmons	...	Bob
Sam Elliott	...	Maynard Finch
Danny McBride	...	Jim Miller
Zach Galifianakis	...	Steve
Chris Lowell	...	Kevin
Steve Eastin	...	Samuels
Marvin Young	...	Young MC
Lucas MacFadden	...	Conference DJ (as Cut Chemist)
Adrienne Lamping	...	Tammy

Storyline

Ryan Bingham is a corporate downsizing expert whose cherished life on the road is threatened just as he is on the cusp of reaching ten million frequent flyer miles and just after he's met the frequent-traveler woman of his dreams.

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Plot Keywords:

on the road | travel | hotel | airport | following a dream | 

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Taglines:

Arriving this December

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Genres:

Drama | Romance

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Certificate:

14A

Details

Official Sites:

Official Facebook Official site [France]

Country:

USA

Language:

English

Release Date:

23 December 2009 (USA)

Also Known As:

Haut dans les airs

Filming Locations:

Cheshire Inn, St. Louis, Missouri, USA

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

£1,298,023 (UK) (15 January 2010)

Gross:

$83,813,460 (USA) (2 April 2010)

Company Credits

Production Co:

Paramount Pictures, Cold Spring Pictures, DreamWorks Pictures

Technical Specs

Runtime:

109 min 108 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

When Alex is at the Atlanta airport she asks Ryan if he knows a good place for ribs. Ryan tells her to go to Fat Matt's - a real rib shack on Piedmont Avenue. Director Jason Reitman is a big fan of the restaurant. In return owners Matt and Kelly Harper presented Reitman with a card entitling him to a "lifetime of ribs."

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Goofs

When Ryan takes a photo of Jim and Julie's cutout outside the Luxor pyramid in Las Vegas, the text and images are digitally removed from a billboard for the live "Criss Angel: BeLIEve" show that is in the shot. However, when Ryan later posts this photo up on the giant map at the rehearsal dinner, the text and images are clearly visible on the billboard.

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Quotes

[first lines]
Terminated Employee: This is what I get in return for 30 years of service for my company? And they send some yo-yo like you in here to try to tell me that I'm out of a job? They should be telling you *you're* out of a job.
Terminated Employee: You have a lot of gall coming in here and firing your number one producer. And then you're going to go home tomorrow and make more money than you've ever made in your life, and I'm going to go home without a pay check. Fuck you.
Terminated Employee: I just... I guess you leave me dumbfounded. I don't ...
[...]

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Crazy Credits

Over the end credits, the camera glides over the clouds. Much like the view from a plane.

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Connections

Referenced in The Tonight Show Starring Jimmy Fallon: Jennifer Garner/John Mulaney/Lady Antebellum (2014)

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Soundtracks

Thank You Lord
(1973)
Written & Performed by Roy Buchanan
Courtesy of Universal Records
Under license from Universal Music Enterprises

User Reviews

Bring your own wine

I really liked the movie, it kind of invites you to bring your own wine. There's a lot of probing into modern life and relationships, and it's up to you what you take from the film and what you feel for each of the characters. I was quite grateful for having seen Reitman's Thank You For Smoking (2005) previously, because both movies are really arch in the way they set up people in thoroughly pariah job roles and then get you to warm to them. So it didn't really come as a shock to see Clooney as an HR consultant (Ryan Bingham) whose job is to fire people in redundancy exercises where the management are too yeller, instead it rated an amused and knowing eyebrow raise.

Although a lot of the movie concerns the workplace, the disconnect between the interests of corporates and the interests of society (a link that was present historically in America, but which has been irrevocably decoupled), and how to work in that environment, the interest for me was more to do with relationships. From my male perspective there are some fairly poisonous insights into the female mind (though it may be unfair to generalise), the young Cornell grad Natalie Keener (played by Anna Kendrick) talks about her preconceptions of the man she will meet, the kind of name he will have, apparently the only thing he will love more than her is their "golden lab". The slightly older perspective from Alex Goran (played by Vera Farmiga) is that the man should be taller, should earn more, and come from a good family. To go with the aeronautical theme of the movie, the theatre should have provided some sick bags.

The main theme is, for me, pure Frank Borzage, it's about earning the right to love and be loved. In common with 80 years ago when those movies were being made, it's an onus that only weighs upon the male of the species, which makes the film a little hackneyed.

My favourite ambiguity of the film would have to be the backpack lectures that Bingham (Clooney) gives. He has a whole metaphor about everything in your life, the people, the trinkets, all the stuff you can collect, being in a backpack and weighing you down. He says that people aren't swans, they're not meant to be together forever, that they're actually sharks, who have to keep swimming continually, weighed down by nothing. I think there's an element of truth to both poles, I can see both arguments. I just love going to a Hollywood movie and not having an opinion shoved down my throat.

I had a slight problem regarding the level of realism in the film, I felt that the air-commuter lifestyle that was being shown was over-slicked, like I was watching something of a feather with The Consequences Of Love (or Giulia Doesn't Sleep At Night, two of the great modern hyper-stylised films from Italy). Nothing wrong with stylisation, except that I think Jason was trying to go for a film that had a lot of resonance with Recession America. I felt it was awkward to introduce real-life folks at the end, and also realistic looking termination assessments (or whatever they're called when you can someone), when the actors such as Clooney and Vera Farmiga were just so damned suave, as if from a different universe.

And this is to Claire.