Lewis and Hathaway become involved in the drugging and rape of a schoolgirl and discover that it is connected to several bizarre murders.Lewis and Hathaway become involved in the drugging and rape of a schoolgirl and discover that it is connected to several bizarre murders.Lewis and Hathaway become involved in the drugging and rape of a schoolgirl and discover that it is connected to several bizarre murders.
Photos
Greg Bennett
- Police Constable
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaColin Dexter is seen chatting with Supt. Innocent at the cocktail party for the art show.
- Quotes
DI Robert Lewis: You know, one of my first cases in Oxford, this old don turned toward me and he said, "Forgive me, are you a member of this city?"
DS James Hathaway: What did you say?
DI Robert Lewis: "No, I just live here." But he was making a point. This city, it's members only.
- Crazy creditsEnd-credits statement: "The verified carbon footprint of Lewis is 830 tonnes"
- ConnectionsReferences You've Got Mail (1998)
- SoundtracksPreludes, book 1, no. 8 (La fille aux cheveux de lin)
Composed by Claude Debussy
Heard at the gallery showing
Featured review
Solid ending to Season 2
Hearing about 'Lewis' for the first time when it first started, there was a big touch of excitement seeing as 'Inspector Morse' was and still is one of my favourites but also a little intrepidation, wondering whether the series would be as good. The good news is, like the prequel series 'Endeavour', 'Lewis' is every bit as good as 'Inspector Morse' and stands very well on its own two feet as a detective mystery and show in general.
Although 'Lewis' did start off promisingly it was Season 2 where it hit its stride and things felt more settled. "The Great and the Good" (not to be confused with the disappointing 'Midsomer Murders' episode of the same time), like "Life Born of Fire", is as far as Season 2 goes is not as good as "And the Moonbeams Kiss the Sea" and "Music to Die For", but still a solid episode that does a lot right.
It is let down somewhat by the ending, which has always to me felt very convoluted and under-explained. Tim Dutton is a little dull.
On the other hand, the acting is fine, anchored by Kevin Whately and Laurence Fox. Whately is again very good and carries the episode with aplomb, advantaged by that Lewis is much more developed and as said he has more development. Clare Holman adds a lot. Fox is a breath of fresh air in a great contrasting role that reminds one of a more intelligent Lewis in his younger days and his sparkling sparring chemistry with Whately is a big part of the episode's, and show's, appeal. Innocent has more to do and is more commanding, her character not as problematic as in the pilot and Season 1. Jason Watkins, Deanna Nardini and Richard McCabe are very good in their roles.
Production values are of very high quality. It's beautifully shot (some of the best of the show at this point), and Oxford not only looks exquisite but is like a supporting character in itself. Barrington Pheloung returns as composer, and does a first-rate job. The theme tune, while not as iconic or quite as clever as Morse's, is very pleasant to listen to, the episode is charmingly and hauntingly scored and the use of pre-existing music is very well-incorporated.
Much of the writing is smart and thoughtful, some lovely droll exchanges with Lewis and Hathaway and some emotional impact. The story, the darkest perhaps of the show up to this point, draws one right in and never lets go, with gripping twists and turns. There is also a real effort to properly develop all the ideas introduced rather than leaving questions in the balance. The characters are well written and engaging and the murders are pretty creepy and bizarre.
Overall, solid stuff. 8/10 Bethany Cox
Although 'Lewis' did start off promisingly it was Season 2 where it hit its stride and things felt more settled. "The Great and the Good" (not to be confused with the disappointing 'Midsomer Murders' episode of the same time), like "Life Born of Fire", is as far as Season 2 goes is not as good as "And the Moonbeams Kiss the Sea" and "Music to Die For", but still a solid episode that does a lot right.
It is let down somewhat by the ending, which has always to me felt very convoluted and under-explained. Tim Dutton is a little dull.
On the other hand, the acting is fine, anchored by Kevin Whately and Laurence Fox. Whately is again very good and carries the episode with aplomb, advantaged by that Lewis is much more developed and as said he has more development. Clare Holman adds a lot. Fox is a breath of fresh air in a great contrasting role that reminds one of a more intelligent Lewis in his younger days and his sparkling sparring chemistry with Whately is a big part of the episode's, and show's, appeal. Innocent has more to do and is more commanding, her character not as problematic as in the pilot and Season 1. Jason Watkins, Deanna Nardini and Richard McCabe are very good in their roles.
Production values are of very high quality. It's beautifully shot (some of the best of the show at this point), and Oxford not only looks exquisite but is like a supporting character in itself. Barrington Pheloung returns as composer, and does a first-rate job. The theme tune, while not as iconic or quite as clever as Morse's, is very pleasant to listen to, the episode is charmingly and hauntingly scored and the use of pre-existing music is very well-incorporated.
Much of the writing is smart and thoughtful, some lovely droll exchanges with Lewis and Hathaway and some emotional impact. The story, the darkest perhaps of the show up to this point, draws one right in and never lets go, with gripping twists and turns. There is also a real effort to properly develop all the ideas introduced rather than leaving questions in the balance. The characters are well written and engaging and the murders are pretty creepy and bizarre.
Overall, solid stuff. 8/10 Bethany Cox
helpful•911
- TheLittleSongbird
- Jun 9, 2017
Details
- Release date
- Country of origin
- Language
- Filming locations
- Ashford NHS Hospital, London Rd, Stanwell, Ashford, United Kingdom(Exterior - Interior shots, Lewis attends hospital)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 1.78 : 1
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