Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole ... See full summary »
Tokyo's nasty underside, seen primarily through the eyes of Oscar, a heavy drug user, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar's drug-fed hallucinations alter Tokyo's already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister's sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum's colors can be beautiful; it's people's colorless lives that can be ugly. And what of afterlife, is there more than a void? Written by
Most of the dialogue was improvised by the cast. Gaspar Noé stated that, as he didn't understand English very much, he needed someone to tell him if what the cast was saying sounded good or not. See more »
15 minutes into the film, there is a bathroom POV scene where the character is looking into a mirror and splashing water on his face. in the sink, the hands have a ring on them, but in the 'mirror', they do not. See more »
Hey, man... that's my sister, okay? So don't touch her.
Be a good brother.
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At the Cannes Film Festival the film was screened without any opening or closing credits, the film began with "ENTER" and ended with "THE VOID". See more »
Saw this at the Melbourne International Film Festival. Whilst I didn't enjoy Noe's first film I Stand Alone, I loved Irreversible.
There is lots to like about ETV and much to dislike as well. An hour into the film and I would have given it perhaps an eight or nine but by the end of the film I was frustrated. Why? Noe just can't help himself and you get the feeling he either didn't know how to end the film or simply just wanted to be shocking for the sake of it.
Visually, I couldn't help but be impressed. Some amazing shots, lighting (strobe) and editing techniques. Noe also mixes up the story well as he did in Irreversible. You are not spoon fed the story and I love the way he told the back story of the two leads.
Plenty of people walked out at the screening after the hour and forty minute mark and I couldn't blame them. Probably not because they were shocked but just bored and frustrated. Noe pads this out and it is such a shame as overall it ruined the film as a whole.
The acting is quite wooden and doesn't ring true but that is only a minor quibble when compared to the film's bloated running time.
Hard to fault Noe for his creativity, energy and style and refusal to follow norms in terms of narrative structure etc. Still, I wish a friend or colleague had tapped him on the shoulder or given him some constructive criticism about the last half of the film.
I can only imagine how much footage Noe might add into a Directors Cut
Lord help us. Perhaps he could learn some lessons from this and
streamline his storytelling and not feel the need to bludgeon the audience just for the sake of it.
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