A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.
Tokyo's nasty underside, seen primarily through the eyes of Oscar, a heavy drug user, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar's drug-fed hallucinations alter Tokyo's already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister's sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum's colors can be beautiful; it's people's colorless lives that can be ugly. And what of afterlife, is there more than a void? Written by
This was my first film at the Stockholm Film Festival, I don't mean to brag but Gaspar Noé got to use my umbrella when the reporters took photos of him in the rain, never going to touch that umbrella again...
First I have to say "Enter The Void" technical masterpiece. The use of the camera is creative and splendid and makes the whole movie as a roller coaster ride. The special effects are really, really special. I got hooked on these technical superiority's in "Enter The Void" that I got all thrilled down my spine. Watching it at the cinema really gave it an incredible touch. The sound was ear piercing and in some scenes it made me jump in the seat. It could go almost half and hour without any dialog, just remarkable scenes and CGI. You could think by this description it's a joyful and happy movie, but it's really not. It's dark, sea bottom dark. This movie have everything all parents wants to keep away from their children. I just get the feelings this movie would get so censored in America it would be a whole other film when showed over the ocean. But censoring this movie is fatal and would kill it. I certainly hope everyone is going to get sucked into the void just as I did.
It was a great experience, I can't deny it, but what made me put an 8/10 was the length. Sometimes Gaspar really could have made some shots shorter, there were unnatural long phases that were totally unnecessary. So that's why I give it an eight. Other then that I see no faults in this masterpiece. Go watch as soon as it shows up in a cinema close to you.
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