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Enter the Void (2009)

Not Rated  |   |  Drama, Fantasy  |  5 May 2010 (France)
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Ratings: 7.3/10 from 39,994 users   Metascore: 69/100
Reviews: 187 user | 205 critic | 19 from Metacritic.com

A U.S. drug dealer living in Tokyo is betrayed by his best friend and killed in a drug deal. His soul, observing the repercussions of his death, seeks resurrection.



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3 wins & 6 nominations. See more awards »



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Cast overview, first billed only:
Nathaniel Brown ...
Cyril Roy ...
Masato Tanno ...
Ed Spear ...
Little Linda
Jesse Kuhn ...
Little Oscar
Nobu Imai ...
Sakiko Fukuhara ...
Janice Béliveau-Sicotte ...
Mother (as Janice Sicotte-Béliveau)
Sara Stockbridge ...
Suzy (as Sarah Stockbridge)
Stuart Miller ...
Victor's Father
Emi Takeuchi ...
Carol (as Yemi)
Rumiko Kimishima ...


Tokyo's nasty underside, seen primarily through the eyes of Oscar, a heavy drug user, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar's drug-fed hallucinations alter Tokyo's already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister's sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum's colors can be beautiful; it's people's colorless lives that can be ugly. And what of afterlife, is there more than a void? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


Drama | Fantasy


Not Rated | See all certifications »

Parents Guide:




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Release Date:

5 May 2010 (France)  »

Also Known As:

Soudain le vide  »

Filming Locations:


Box Office


€13,000,000 (estimated)

Opening Weekend:

$43,651 (USA) (24 September 2010)


$336,467 (USA) (24 December 2010)

Company Credits

Production Co:

, ,  »
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Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


The ambient score of the film was assembled from existing music and sound sources collected by Thomas Bangalter from Daft Punk, whom Noé really wanted to compose the film's score but couldn't because Disney already tapped Daft Punk for the soundtrack of TRON: Legacy (2010)' at the time. See more »


During the first sequence in the "Sex, Money, Power" strip club, the camera and jib/crane are visible in the reflection of the platform the dancers are on. See more »


Bruno: [watching Oscar smoke DMT] Just light 'er up. Yeah, you gotta watch out, because you could drop it, you might fuckin' burn yourself. So if you want, next time... I could hold it for you.
See more »

Crazy Credits

At the Cannes Film Festival the film was screened without any opening or closing credits, the film began with "ENTER" and ended with "THE VOID". See more »


Referenced in Grand Theft Auto V (2013) See more »


Salve Regina
Performed by Jez Poole and Martyn Warren
© ZFC Music
Courtesy of Universal Publishing Production Music
See more »

Frequently Asked Questions

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User Reviews

Relentlessly Nauseating Modern Art
4 October 2010 | by (United States) – See all my reviews

Enter the Void is exactly the kind of polarizing film that cinema needs right now. Too many films these days play it safe, being concerned with keeping the audience comfortable, safe and happy. Enter Gaspar Noe, who clearly has no regard either for the well-being of either the audience or his actors. We have antagonistically long (but brilliant) takes, beginning in an apartment and ending in a bar, several blocks over. We are given characters and are exposed to their darkest moments, but are never given a real reason to care for them, or to perceive them as anything but wretched. We are also shown some sexually discomforting things that we never really wanted to see on the silver screen (if you've seen it you probably know what I'm talking about). Also, the film is almost completely in first-person viewpoint, so you're constantly feeling confined to what Oscar is looking at, which are mostly psychedelic images. In effect, the feel and tone of the story are immediately off-putting for the viewer, but since you've already bought a ticket, what can you do but follow it through?

This is definitely the kind of film that can be approached in the wrong way, both with the medium that you view it through, and with your state of mind. Enter the Void is meant to be a transportive film (i.e. you living directly in the viewpoint of another, and feeling how that person feels, and perhaps even thinking how that person thinks). To technically maximize the experience, the film should really be experienced on the big screen. I'd imagine an IMAX screen to be ideal.

I also think a film like Enter the Void really needs to be approached with a separate set of goals than that of a normal film. First of all, chuck any notions of entertainment, or even enjoyment, out the window. While you're at it, remove any notions of positivity that you can think of. The only reactions that Enter the Void will draw from you are negative ones. Personally, the only emotion I consistently felt was a slight nausea, tinted with the occasional horror, or perhaps a shameful arousal, as there is excessive sexual content that is all wretched in one way or another.

The film is shot with a certain frame of mind, and sticks to it with remarkable faith. It's in the point of view of a small group of friends who are confined to the drug and clubbing scenes in Tokyo. He then films them in the most abrasive ways possible, showering the viewer in infinite neon lights, and fish-eyed close-ups, and then Noe lets his frames linger on these unsightly images for uncomfortably long. Even with his tracking shots moving from one location to another, when the viewer is normally given a moments rest, he rapidly cuts across hallways, stairs, and streets, and never gives the viewer a free moment to settle down.

Despite the film's antagonistic feel, and despite the physical and psychological discomforts that the film drew from me, I still found Enter the Void to be a worthwhile and even inspirational experience. More to the point, Enter the Void may not be a friendly experience, but this exact kind of experimentation and determined expression are just what cinema needs in order to be taken seriously as an artistic medium, when so many other directors air on the side of caution and safety. It might be a difficult ride, but just watch it once and you'll carry it with you forever.

106 of 137 people found this review helpful.  Was this review helpful to you?

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Am I the only that thinks that Oscar is probably just trippin'? gera9812
god, but wayyyyyyyyyyyyyyyyyyy yyyyyyyyyyyyyyyyyyyyy yyyyyyyyyyyy too lo Kunta_Kinte_III
I'm considering recutting the movie(or doing a Fanedit) MrGoneJediKnight
Any other movie like 'Enter the void'? nothreek
Incest? glitteringshoals
Best Opening Credits Ever? yakimaryan
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