| Videos (see all 4) |
| Teri Polo | ... | Bryn Shaw | |
| David Rees Snell | ... | Paul Shaw | |
| Elaine Hendrix | ... | Vanessa Carver | |
| Ken Howard | ... | Officer Bobby Ford | |
| Michael Ironside | ... | Lieutenant Hutton | |
| Nick Sowell | ... | Will Tyler | |
| Marnette Patterson | ... | Christina Wade | |
| Jonny Cruz | ... | Simon Valencia | |
| Kelli Dawn Hancock | ... | Officer Kit Karasic | |
| Everett Sifuentes | ... | Mr. Butters | |
| Kevin Scott Keating | ... | James Nash | |
| Austin Lux | ... | Ronnie Nash | |
| Rick Morrow | ... | Moving Man | |
| Julia Smathers | ... | Hospital Clerk | |
| Dell Johnson | ... | Detective | |
| Ben Lux | ... | Danny Shaw | |
| Bridget Coughlin | ... | Rose Nash | |
| Tom Sowell | ... | Dean of Astronomy Dept. | |
| Jason Hammond | ... | Street Sweeper | |
| Terri Bauscher | ... | Woman in Chains | |
| Nathan Jeter | ... | Man in Chains | |
| Michael B. Bell | ... | Man in Chains | |
| Rami Rassas | ... | Moving Man #2 | |
| Oscar Contreras | ... | Moving Man #3 | |
| Bridgette Hammonds | ... | Spider Shootout Goalie | |
| Adam Lee | ... | Uniform Cop | |
| William Gillmore | ... | Detective #2 | |
| Paul Coggins | ... | Dr. Chandler | |
| Ira Einsohn | ... | Dr. Harrison | |
| Michael Bell | ... | Resident Ghost | |
| Scott Challgren | ... | Resident Ghost | |
| Marin Rose | ... | Lead Ballerina | |
| Miya Bates | ... | Additional Dancer | |
| Samantha Callens | ... | Additional Dancer | |
| Jazmyn Goolsby | ... | Additional Dancer | |
| Samantha Wall | ... | Additional Dancer | |
| Jazlyn Whitlowe | ... | Additional Dancer |
Directed by | |||
| Michael Stokes | |||
Writing credits(WGA) | ||
| Michael Stokes | (written by) | |
Produced by | |||
| Sally Helppie | .... | producer | |
| Kathleen Helppie-Shipley | .... | co-producer | |
Original Music by | |||
| John Majkut | |||
Cinematography by | |||
| Don Reddy | |||
Film Editing by | |||
| Stephen Lovejoy | |||
Production Design by | |||
| Eric Whitney | |||
Costume Design by | |||
| Janet Lucas Lawler | |||
Makeup Department | |||
| Vincent J. Guastini | .... | special effects makeup designer | |
| James Korloch | .... | concept artist | |
| Don Lanning | .... | sculptor | |
| Liz McCracken | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Meg Beatty | .... | first assistant director | |
| Angie Meyer | .... | second assistant director | |
| Glen Moorman | .... | second second assistant director | |
Art Department | |||
| Adrian Ankersheil | .... | assistant property master | |
| Jacob Hair | .... | concept ghost colorist: Vincent Guastini Productions | |
| Jason Hammond | .... | property master | |
| Hilary Kinzler | .... | art department assistant | |
| Marcus LaPorte | .... | prop fabricator | |
| John Parker | .... | on-set dresser | |
| Steve Watkins | .... | Bryn's photos | |
Sound Department | |||
| David Barbee | .... | sound designer | |
| Andy D'Addario | .... | sound re-recording mixer | |
| Andy D'Addario | .... | supervising sound editor | |
| Lesa Foust | .... | boom operator | |
| Brad Harper | .... | sound mixer | |
| Paul Longstaffe | .... | dialogue editor (adr editor) | |
| Kevin McCullough | .... | assistant sound editor | |
| Dan Scheffler | .... | boom operator | |
Special Effects by | |||
| Evan Campbell | .... | special effects makeup crew | |
| Frank Ceglia | .... | special effects coordinator | |
Visual Effects by | |||
| Tom Kendall | .... | visual effects producer | |
| Evelyn Lee | .... | digital compositor | |
| Kurt McKeever | .... | visual effects artist | |
| Alfredo Tognetti | .... | digital compositor | |
Stunts | |||
| John Cann | .... | stunt coordinator | |
| John Cann | .... | stunt double: David Reese Snell | |
| Mark De Alessandro | .... | utility stunts | |
| Víctor Quintero | .... | utility stunts | |
| Bryon Weiss | .... | utility stunts | |
Camera and Electrical Department | |||
| Kevin Combs | .... | best boy grip | |
| Kristopher Hardy | .... | assistant camera | |
| Jordan Boston Jones | .... | film loader | |
| Charles C. Lee | .... | set lighting | |
| Bill Matlock | .... | still photographer | |
| Eric Montes | .... | electrician | |
| Fred Pope Jr. | .... | generator operator | |
| Brice Reid | .... | first assistant camera: "B" | |
| Stephen Ritchey | .... | electrician | |
| Dick Saunders | .... | camera loader | |
| Allan Westbrook | .... | camera operator: "a" camera | |
Casting Department | |||
| Karen Margiotta | .... | casting | |
| Mary Margiotta | .... | casting | |
| Chris Seay | .... | casting: Texas | |
Costume and Wardrobe Department | |||
| Susan Gaedke McGill | .... | costume supervisor (as Susan Gaedke) | |
| Janet Henry Gershenfeld | .... | set costumer | |
| Tonya Leonard | .... | key costumer | |
Editorial Department | |||
| Dan Aguilar | .... | digital intermediate editor | |
| Eric Litman | .... | assistant editor | |
Music Department | |||
| Bill Pearson | .... | score mix engineer | |
Other crew | |||
| Eve Butterly | .... | script supervisor | |
| Craig Cole | .... | production assistant | |
| Mike Gonzales | .... | production assistant | |
| Randy Hearne | .... | weapons master | |
| Samantha Hollingsworth | .... | production assistant | |
| Patrick Hollon | .... | production assistant | |
| Mark Mahlo | .... | location manager | |
| Tim Rogers | .... | production assistant | |
| Marin Rose | .... | choreographer | |
| Jayne Royall | .... | production accountant | |
| Roy Samuelson | .... | adr loop group | |
| Jeff Weiss | .... | production coordinator | |
Thanks | |||
| Norry Niven | .... | special thanks | |
|
|
|
|
|
| Scarred | The Blue Hour | Desperation | All Good Things | Single White Female |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
My friend arrives at my house holding THE BEACON and THE COLLECTOR in his hands and just tells me I should check them out, I knew THE COLLECTOR from the trailer I saw a while back but as for THE BEACON, I was completely blank, I had never heard of this film and yet my friend insist I should check it out.
So I started watching this film and the first thing I noticed was this wasn't a big Hollywood film, it reveals itself as a low budget movie with no attempts to hide it, it had a slow but progressive pace, the acting wasn't bad and has a few rather creepy moments but the real surprise is the ending.
The film turned out to be good after all, I'll admit I was surprised when I discovered this was a DTV film that my friend brought me but I can say it was worth the 90 minutes, although one thing to take into account is this film won't please everyone, as I found with many low budget films like this if the production value isn't up to a certain standard then certain people won't like, to me the production value is decent, I recommend people not necessarily set there standards low but I think keep'em in neutral and discover the film for yourself like I did.
Overall, it was pretty impressive and I think it could use a bit more attention.