While trying to get their lives back on track after the loss of their four year old son, Bryn and Paul Shaw move to the charming old Beacon Apartments. Bryn begins seeing a ghostly little ... See full summary »
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While trying to get their lives back on track after the loss of their four year old son, Bryn and Paul Shaw move to the charming old Beacon Apartments. Bryn begins seeing a ghostly little boy skulking around the building. With the help of an eccentric young professor and a tough old beat cop, Bryn tries to uncover the details of the boy's death. She hopes that freeing the child will allow him to carry a message to her son. Too late she realizes a second malevolent entity stalks the halls of the Beacon: one that doesn't want the boy to escape. Written by
While trying to get their lives back on track after the loss of their four year old son, Bryn and Paul Shaw move to the charming old Beacon Apartments...
So, you have this film known as "The Beacon" that comes out in 2009. The DVD does not get released until 2011, and then they retitle it "Haunting at the Beacon" (which I actually think is a weaker name). And before the DVD even gets out, they are playing it on Netflix, more or less undermining any reason to be excited about the DVD (if you were).
What would draw someone to this film? I was a bit happy to see Michael Ironside, a horror staple for thirty years, play a small role here. And you might care that this film was made in an allegedly haunted hotel in Texas. That personally meant nothing to me, but fans of "Ghost Hunters" might think otherwise... or maybe you are a fan of Teri Polo from "Meet the Parents"?
The film is a bit of a snoozer, at least for the first half. We have a mom who sees a ghost child and those around her think she is crazy, just having symptoms of guilt from when she let her own child die. The plot is nothing special, it does not come off as very original, and some of the character motivations seem odd (such as the pill-popping cop who follows up on a case for no reason -- and what are her pills?)
The second half is both redeeming and destructive. The pace increases, there is a cool scene with scissors as a set piece (also the best gore of the film). And after a twist or two (which I cannot reveal) the story finally becomes interesting. The problem? We find out after the twist about many, many plot holes. I would love to go through about five of them here, but cannot without revealing the film's secret. Let me just say this movie works best if you do not think about it.
If you like the movie enough to own it, I will tell you that it features an audio commentary, but not much else. That might clear up certainly plot problems, though I doubt it (I must confess I own the disc but have not given it a second viewing yet). My advice is to avoid it or to simply watch on Netflix...
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