High off the success of her first book and planning to marry ZIAD, her sensible, stable and studious fiance, MAY BRENNAN has it all. At least that's what she'd like people to believe. ... See full summary »
In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the... See full summary »
1967. The world is alive with change: brimming with reawakened energy, new styles, music and an infectious sense of hope. In Jordan, a different kind of change is underway as tens of ... See full summary »
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Majid Al Ansari
Abdalla Bu Abed
The film is a story about two brothers, the first is "Hassan" (Khaled Saleh), a University professor and the second is "Salah" (Tariq Aziz) who works in the world of chemicals and ends up ... See full summary »
A hustler and drug addict finds a crime video of a widow from his neighbourhood killing a child. He blackmails her to pay-off his debt only to get tangled in a twisted and altered ... See full summary »
Muna, a single mother in Ramallah, has applied for a visa to the US. When it comes, her son Fadi, an excellent student, convinces her they should go. After an incident at customs begins their exile badly, they join Muna's sister and family in Illinois. Muna needs a job: although she has two degrees and 15 years' experience in banking, she settles for work at White Castle, telling the family her job's at a nearby bank. It's spring, 2003, and the US invades Iraq. While friends come from unlikely places, Fadi meets prejudice at school. How he'll respond to it and to American youth culture and how Muna will sort things out with her family are the rest of the story. Tragedy or hope? Written by
Birds of the Galilee
Composed by Marcel Khaliefe (as Marcel Khalife)
Lyrics by Mahmoud Darwich (as Mahmoud Darwish)
Performed by Marcel Khaliefe (as Marcel Khalife)
Published by Nagam Records, Inc. (SACEM)
Courtesy of Nagam Cultural Project / Nagam Records, Inc. See more »
"Amreeka" has, I would say, all the freshness and the weaknesses an indie movie comes with. Being about a family of Palestinian immigrants struggling to find their way in America and facing all kind of anti-Muslim and anti-Arab stereotypes, this movie cannot escape its own stereotypes. It is a movie that looks schematic in many of its moments. Not in all moments, let's be clear on this point. It is a movie breathing of sincerity and it has a certain pathos. However, sometimes it seems that it gathers all the bad guys on one side and the good guys on the other (you can guess who are the bad guys, and who are the good ones). And after all these, the end seems idyllic; they want to send the good message so to speak, only I'm wandering whether it happens like that also in real life.
Well, one can say that this movie is dealing with a reality which is by itself schematic. This is true: bigotry of any kind is always schematic (to name the least of its sins). The problem is that a movie has an artistic reality of its own, and this artistic reality must be convincing, regardless how schematic the depicted reality could be.
The great asset of this movie is the lead actress, Nisreen Faour. She creates an unforgettable personage, with passion, with honesty, with conviction and stamina. And she is so amazing that the whole movie is contaminated by her enthusiasm and good will.
Let me mention here also Hiam Abbass , a very good actress that I have also seen in many other movies (The Visitor, Munich, Paradise Now, The Syrian Bride).
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