High off the success of her first book and planning to marry ZIAD, her sensible, stable and studious fiance, MAY BRENNAN has it all. At least that's what she'd like people to believe. ... See full summary »
James Garson Chick,
The D Word is a NYC parody of that 'other' Sapphic series. It follows a group of young queer friends and family as they stumble through work and sex lives with tongue placed firmly in cheek and other interesting bodily orifices.
Goth-girl Cindy admires beautiful Laurie from afar, until the night when she dresses as a boy for the prom. Will this gender-bending Cinderella find true love when she leaves behind her little black boot?
In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the... See full summary »
While Danny's father and mother independently search for love, Danny is on his own desperate quest to find a prom date. Danny's search becomes progressively more pathetic once he and his family learn that Bart, the school's biggest dweeb, not only secured a date for the prom, but got a hotel room as well.
William H. Macy,
Muna, a single mother in Ramallah, has applied for a visa to the US. When it comes, her son Fadi, an excellent student, convinces her they should go. After an incident at customs begins their exile badly, they join Muna's sister and family in Illinois. Muna needs a job: although she has two degrees and 15 years' experience in banking, she settles for work at White Castle, telling the family her job's at a nearby bank. It's spring, 2003, and the US invades Iraq. While friends come from unlikely places, Fadi meets prejudice at school. How he'll respond to it and to American youth culture and how Muna will sort things out with her family are the rest of the story. Tragedy or hope? Written by
Written by Jose Francisco Gutierrez Ramirez, Raulin Encarnacion
Performed by Max One
Published by Astonishing Music (BMI)/Murder Riddims Publishing (BMI)
Courtesy of Crucial Music Corporation See more »
A beautiful, personal film; not what you might expect.
I seldom comment on movies here but felt compelled to comment on this one. I say "not what you might expect" because I think a lot of people's reactions to this film are going to be heavily influenced by preconceptions about what this film is supposed to be "about." I can't blame them; if I heard that this was "a film about an Arab family's struggles after immigrating the USA after September 11th," I'd probably groan because I'd have certain expectations too. But this is not a "message" film, and if you go into it looking for messages, you're going to miss the point. Rather than political, this film is personal. You could call it simple, but it's not simplistic. Far from it; it refuses to reduce the subtlety and nuance of life to overt messages. I think that an honest, objective viewing of this movie will reveal that, the "stereotypes" and "simplifications" that some reviewers are seeing, were brought in by the reviewers themselves. This is not a perfect film, but it has a lot more depth, beauty and truth than most family dramas, and certainly more than the didactic work one might expect.
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